Ajouter une intrigue dans votre langueAn elderly couple wish their children to care for them in their old age. But their children see and treat them as a burden, and they must struggle to regain their worth and dignity to themse... Tout lireAn elderly couple wish their children to care for them in their old age. But their children see and treat them as a burden, and they must struggle to regain their worth and dignity to themselves and others.An elderly couple wish their children to care for them in their old age. But their children see and treat them as a burden, and they must struggle to regain their worth and dignity to themselves and others.
- Prix
- 3 victoires et 26 nominations au total
- Rohit Malhotra
- (as Saahil Chadha)
- Kiran Malhotra
- (as Suman Ranganathan)
- Rahul Malhotra
- (as Yash Pathak)
- Nilli
- (as Sanjeeda)
Avis en vedette
If we see the script, that introduction of Alok seem overdone. They could have done it better but that could have not been that entertaining.
I just pray a loving couple is never separated and funds never become as issue.
Music is good that goes well along with the movie.
Acting is justified. The grand children were great. Characters alongside café, bank, and rented house did well. Salman as Alok slightly overdone as I want to ask is Salman really that polite in real life?
Final Verdict: Do watch it, it's available on YouTube. You will love it if you are in right relationship with your parents.
I just don't know how could this poor screenplay would be made into movie. From the very beginning, the loving husband and loving wife were so poorly acted and performed as a couple. All the scenes from the very beginning were just so overdone and so pretentious. All the characters, old or young, male or female, were just thoroughly ruined by this pathetic screenplay and the director. This is the first Bollywood movie that has made our watching a complete disgusting experience. It's more like a typical Korean TV drama, everybody had to murmur to herself or himself, with exaggerated gestures, expressions.
Amitabh Bachchan is one of the greatest Hindi actors, maybe the best of the bests, a Hindi Clark Gable + Gary Cooper + Marlon Brando, but...
This is the topic that Baghban is tackling - family life, and more specifically the life of the elderly. All their lives, our parents thrive the give us the best, to ensure all our wishes and dreams are achieved, to ensure that our lives are given more priority over theirs. But in this modern world what is excepted in return? Maybe the saying is true - nothing is free is this world - not even the love from your parents. Can we say that there is an expectation from our parents that we should look after them in their old age? Is it a sense of duty? NO - it is essence of humanity and gratitude that we should foster and love those that have loved us - and should not be obliged to do so but cause we want to do so. If we look around us there are so many children that have been abandoned, abused or neglected - so we should be grateful that we are not one of them and its are parents that are responsible for it.
The essence of this story has been integrated into Baghban with Amitabh and Hema being the head of the household. Both churning out wonderful performances. It was great to see Hema after such a long time and looking still fab as memory recollects from the 70's. Amitabh delivered a wonderful performance as a hurt, angry and confined old man, and its good to see such roles being written for him. The pair together brought a sense of love and comfort not seen onscreen for quite some time. Their four sons and their families give out appropriate performances and help to pull the movie along. Also the guest appearances are good and adequate. The show stealer has to be Paresh Rawal. Indirectly or intentionally the guest appearances and Paresh characters iterate the fact that friends you can choose, but family you can't - and in times of need it is your friends that stand by you and not your family.
The story has been told many a times before but maybe because it is made now at a time when such a message has to be iterated again, or it was the combination of direction and acting that made this a memorable experience. The movie has its down points, but they are thin and varied and can be expected when tacking such a subject in a such a short time. In all it is not a good movie, it's a great movie, but remember take your box of Kleenex with you.
Analytically, Mr Malhotra is a retired banker, who happily lives with his family, his four own married sons and one adopted son, who lives in foreign. But his happiness is shattered when his own children neglects him and his wife, even for the triflest matters. This enlightens him about truth in family lives, about the world, about reality. A ray of hope appears in the form of his adopted son, who loves and accepts them as his living God. Mr Malhotra is happy with this but still it cannot outweighs his own children acts. Throughout the film, this war between selfish and selfless grows intense and finally he decides to never forgive his own children. He chose not to give share of his old age success as a writer. The film actually depicts the journey of Mr Malhotra from emotional attachment to enlightenment. The journey has the power to appeal to viewers emotionally, wholly it goes credit to first class act of Big B, Hema Maam and other senior roles like Paresh Rawal etc.
Technically , the film is clear in it's details, portrayal and narratives. I feel the songs should have been less. No comments about performances, the antagony characters are well acted, you will like to hate these guys. Salman's act is dramatised, but still convincing as the obedient and optimistic son. Though well made film, but still few things are neglected like ---- Mr Malhotras upbringing, his characteristics as an individual, his children upbringing etc, which was needed, atleast to explain the unenlightening episodes. It is not a masterpiece but a well made film having realistic characters relatable to all universally. Finally the spark of the film is Big B, who as the saddenned father, gave spellbound performance !
A 69 on a scale of 100.
Le saviez-vous
- AnecdotesWhen Amitabh Bachchan wanted a climax speech, that would leave everyone speechless, he requested writer Javed Akhtar to write the lines for him. Javed obliged to do so. Also, Salman Khan asked his father Salim Khan to write a few lines, before Amitabh's speech. Just minutes before the shoot, Salman called his father and asked him to write the script insisting that he could do so even in half an hour. Flattered by son's compliments Salim wrote the script, which was acceptable to Ravi Chopra.
- GaffesRaj, who is finding it very heavy to carry his luggage when he enters his second son's house, carries the luggage with two hands. However, when he enters the house, he only carries it with one and then his grandson takes him to his bedroom but Raj has no problems carrying it with one hand.
- Citations
Raj Malhotra: Will you be my... uh... Valentine?
Pooja Malhotra: [laughing] What are you saying? For forty years I have been your Valentine!
- ConnexionsFeatured in 49th Manikchand Filmfare Awards 2003 (2004)
- Bandes originalesO Dharti Tarti Ambar Tarse
Music by Aadesh Shrivastava
Lyrics by Sameer
Performed by Amitabh Bachchan, Richa Sharma
Meilleurs choix
- How long is Baghban?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Gardener
- Lieux de tournage
- Reading, Berkshire, Angleterre, Royaume-Uni(Kuch To Hone Laga song)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 1 058 803 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 345 041 $ US
- 5 oct. 2003
- Brut – à l'échelle mondiale
- 7 885 479 $ US
- Durée3 heures 1 minute
- Mixage
- Rapport de forme
- 2.35 : 1