ÉVALUATION IMDb
7,4/10
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MA NOTE
Ajouter une intrigue dans votre langueTwin sisters Lotte and Anne grow up very differently after their parents death. Now adults, they want to reunite but World War II and their growing socioeconomic differences complicate thing... Tout lireTwin sisters Lotte and Anne grow up very differently after their parents death. Now adults, they want to reunite but World War II and their growing socioeconomic differences complicate things.Twin sisters Lotte and Anne grow up very differently after their parents death. Now adults, they want to reunite but World War II and their growing socioeconomic differences complicate things.
- Director
- Writers
- Stars
- Nommé pour 1 oscar
- 4 victoires et 8 nominations au total
Avis en vedette
I read the book to this film about 6 years ago, back when I was in high school and was so impressed by it that I bought the book for my bookcase three years ago or something. I haven't read the book since and I'm not some kind of purist, heck I don't even remember the specifics of the book. At best that makes me as biased as someone who didn't read the book at all...or at worst it means that I'm not a 'purist'.
Translating a book into film, the visible medium, there are so many stages at which it can go wrong. Luckily it didn't with this one. The casting is perfect. I especially liked how Lotte and Anna spoke believably broken German and Dutch. Not as it sometimes happens in American productions, when they for instance speak Dutch and say it is German. This was very well done indeed and added to the films worth. What touches me most about De Tweeling though is the fact at heart, that you get shaped partly by your environment. It is worked out very well in this film and my favorite part is that the film distances itself (as does the book) from pointing out one of the two sisters as 'the bad guy'. The film just shows the horror, the desperation and the pain on the common man from both sides; the aggressor and the wrongfully invaded. It is a truly great theme and it is one of the few films I guess in which you actually get to feel sympathy for the Germans (or at least some of them). Maybe that is understandable. Maybe it is logic that most films portray the Germans as gruesome and despicable as quite a lot of them maybe were. But every once in a while a film comes along that shows us that they are human too, that they suffered losses; that German lives lost shatter German families as they shatter American, Dutch, Polish, Jewish, English and so on. This is one of those films. It strays from the cliché, which is what I liked about it as I did like Stalingrad (1993) and Die Brücke (1959).
8 out of 10
Translating a book into film, the visible medium, there are so many stages at which it can go wrong. Luckily it didn't with this one. The casting is perfect. I especially liked how Lotte and Anna spoke believably broken German and Dutch. Not as it sometimes happens in American productions, when they for instance speak Dutch and say it is German. This was very well done indeed and added to the films worth. What touches me most about De Tweeling though is the fact at heart, that you get shaped partly by your environment. It is worked out very well in this film and my favorite part is that the film distances itself (as does the book) from pointing out one of the two sisters as 'the bad guy'. The film just shows the horror, the desperation and the pain on the common man from both sides; the aggressor and the wrongfully invaded. It is a truly great theme and it is one of the few films I guess in which you actually get to feel sympathy for the Germans (or at least some of them). Maybe that is understandable. Maybe it is logic that most films portray the Germans as gruesome and despicable as quite a lot of them maybe were. But every once in a while a film comes along that shows us that they are human too, that they suffered losses; that German lives lost shatter German families as they shatter American, Dutch, Polish, Jewish, English and so on. This is one of those films. It strays from the cliché, which is what I liked about it as I did like Stalingrad (1993) and Die Brücke (1959).
8 out of 10
Little prepares Lotte and Anna, twin sisters living happily with their beloved father, for what life had in store for them. After the girls' father dies, they are left alone at the mercy of relatives who separate them in an act of sheer cruelty. Lotte and Anna go through a lot in life, not knowing, at times, about one another, and spend most of their lives apart.
Lotte fares better of the two sisters. She was a frail girl growing up and her relatives dote on her since they regard her as an invalid. Lotte writes to Anna letters during the first years of being apart, but those letters are never sent. Anna, on the other hand, is made a slave, practically, as she is made to help in the family farm and is never given the opportunity to attend school until the kind priest discovers how she has been severely beaten.
The other encounter of the sisters occur too late in life. Lotte, who when first visits Anna at the place where she is employed as a maid, by a wealthy Nazi sympathizer, is appalled by the way Anna has turned out to be an anti Semite. This puts a barrier between them not to be broken until both are too old and too stubborn to recognize how wrong they both have been about the past. Their last reunion is a bitter experience, especially for Anna, who is in poor health.
This excellent Dutch film directed by Ben Sombogaart, is based on a novel by Tessa DeLoo, which was published in this country as "Twins", gets a magnificent treatment in a lavish production that covers several decades. The action is set in Holland and in Germany.
The basic reason for watching the film is the great acting the director got from Thekla Reutins and Nadja Uhl, who are seen as the young Lotte and Anna. Both these young actresses are perfect as the twins in their youth. Ellen Vogel and Gudrum Okras, on the other hand, are also effective as the older sisters have a final confrontation at a spa where both have gone for cures.
The film shows a talented director, Ben Bombogaart, doing an excellent job in this richly layered tale of sisterly love and missed opportunities.
Lotte fares better of the two sisters. She was a frail girl growing up and her relatives dote on her since they regard her as an invalid. Lotte writes to Anna letters during the first years of being apart, but those letters are never sent. Anna, on the other hand, is made a slave, practically, as she is made to help in the family farm and is never given the opportunity to attend school until the kind priest discovers how she has been severely beaten.
The other encounter of the sisters occur too late in life. Lotte, who when first visits Anna at the place where she is employed as a maid, by a wealthy Nazi sympathizer, is appalled by the way Anna has turned out to be an anti Semite. This puts a barrier between them not to be broken until both are too old and too stubborn to recognize how wrong they both have been about the past. Their last reunion is a bitter experience, especially for Anna, who is in poor health.
This excellent Dutch film directed by Ben Sombogaart, is based on a novel by Tessa DeLoo, which was published in this country as "Twins", gets a magnificent treatment in a lavish production that covers several decades. The action is set in Holland and in Germany.
The basic reason for watching the film is the great acting the director got from Thekla Reutins and Nadja Uhl, who are seen as the young Lotte and Anna. Both these young actresses are perfect as the twins in their youth. Ellen Vogel and Gudrum Okras, on the other hand, are also effective as the older sisters have a final confrontation at a spa where both have gone for cures.
The film shows a talented director, Ben Bombogaart, doing an excellent job in this richly layered tale of sisterly love and missed opportunities.
When their parents die, both twin sisters Lotte and Anna are seperated by their family. One of them is raised by a wealthy Dutch family and the other one by a German farmer family. They are not allowed to see or even write each other. Because they live in two different worlds they become two different women. The dutch girl is going to marry a Jew, while the German one falls in love with a SS-soldier. When they finally contact each other it turns out that they have grown apart too far, and a definite break seems inevitable. Will it ever be possible to become reconciled with each other?
Twin sisters is a beautiful movie that fully deservs the oscar nomination. It's not really another WWII movie as much people think, but more a touching story behind the actual events of the war.
Twin sisters is a beautiful movie that fully deservs the oscar nomination. It's not really another WWII movie as much people think, but more a touching story behind the actual events of the war.
Apparently "De Tweeling" or "The Twins" has been based on a very popular Dutch novel. I'm not able to compare the movie with the book, because I haven't read it yet, but I can and will tell you something about this movie and how I feel about it.
The movie starts in the 1920's when, after the death of their parents, the two twin sisters are separated at the age of six. One of them will stay in Germany where she'll have to work hard on her uncle's farm, the other sister will live with her upper middle class Dutch aunt and uncle in Holland. For many years the girls try to contact each other but both families are able to intercept their letters and to make them believe that the other sister is dead. While they both grow older and the Second World War affects their lives in a very profound way, both try to renew their bond several times, but fail time after time because of different reasons. Only at the end of their lives, they are able to forgive and forget...
Even though the movie has its weaker moments, overall this is some very nice and touching cinema. Especially the beginning and the end of the movie are hard to forget. And even though I'm not Dutch myself (I'm from their 'little neighbor' in the South), I could easily recognize the feelings between the Germans and the Dutch. I don't know if anybody has his or her doubts about that, but the movie exactly shows it as it was during those days (not that I experienced it myself, I was born more than 30 years after the war).
If you are looking for an alternative war movie, than this is certainly something for you. By alternative I mean that you won't see any soldiers fighting or bombs exploding, but you'll get an idea of how life was for the civilians who had to try to survive during the German occupation. Another reason why I call it alternative is because the movie does not only cover the small time period of 1938-1944, the period in which Europe was in the war. It tells the story between the 1920's and the present day.
What might be a bit confusing from time to time is the fact that the actors constantly switch between German and Dutch (especially at the end of the movie). Of course, when you don't understand anything of both languages and have to read the subtitles, you won't even notice. But anyway, I must congratulate the Dutch with this movie (as a Belgian this hurts a bit, hahaha). With this one, they have a nice movie they can be proud of. I give it a 7.5/10.
The movie starts in the 1920's when, after the death of their parents, the two twin sisters are separated at the age of six. One of them will stay in Germany where she'll have to work hard on her uncle's farm, the other sister will live with her upper middle class Dutch aunt and uncle in Holland. For many years the girls try to contact each other but both families are able to intercept their letters and to make them believe that the other sister is dead. While they both grow older and the Second World War affects their lives in a very profound way, both try to renew their bond several times, but fail time after time because of different reasons. Only at the end of their lives, they are able to forgive and forget...
Even though the movie has its weaker moments, overall this is some very nice and touching cinema. Especially the beginning and the end of the movie are hard to forget. And even though I'm not Dutch myself (I'm from their 'little neighbor' in the South), I could easily recognize the feelings between the Germans and the Dutch. I don't know if anybody has his or her doubts about that, but the movie exactly shows it as it was during those days (not that I experienced it myself, I was born more than 30 years after the war).
If you are looking for an alternative war movie, than this is certainly something for you. By alternative I mean that you won't see any soldiers fighting or bombs exploding, but you'll get an idea of how life was for the civilians who had to try to survive during the German occupation. Another reason why I call it alternative is because the movie does not only cover the small time period of 1938-1944, the period in which Europe was in the war. It tells the story between the 1920's and the present day.
What might be a bit confusing from time to time is the fact that the actors constantly switch between German and Dutch (especially at the end of the movie). Of course, when you don't understand anything of both languages and have to read the subtitles, you won't even notice. But anyway, I must congratulate the Dutch with this movie (as a Belgian this hurts a bit, hahaha). With this one, they have a nice movie they can be proud of. I give it a 7.5/10.
This is a beautiful Dutch movie. It is about two twin-sisters, around six years old, separated in 1926 because their real parents are dead. One of them (Lotte) lives in The Netherlands, she has a good and rich life. The other (Anna) lives in Nazi-Germany with Germans who do not take good care of her. They want to reach each other but the 'parents' make sure that does not happen.
In the beginning of the movie we switch from 1926 to the present a couple of times. Two old ladies in a Spa meet. The Dutch one is called Lotte and doesn't want to speak with the German one, Anna. What has happened? The movie shows us what happened. It is a sad story, a beautiful story as well. It could have been a very true story.
The lead actresses are great. Thekla Reuten and Nadja Uhl make sure that the sisters are lovely characters, you will like both of them and you feel sorry for both of them. They play the sisters when they are around 25 years old. The little girls playing the twins when they are six years old are amazing and lovely too. As the old ladies they are very touching. It is just beautiful.
With the perfect cast and its nice acting, a fine direction, a great cinematography and a very beautiful score this is one of the best Dutch films I have seen. I loved it and it is definitely worth watching it.
In the beginning of the movie we switch from 1926 to the present a couple of times. Two old ladies in a Spa meet. The Dutch one is called Lotte and doesn't want to speak with the German one, Anna. What has happened? The movie shows us what happened. It is a sad story, a beautiful story as well. It could have been a very true story.
The lead actresses are great. Thekla Reuten and Nadja Uhl make sure that the sisters are lovely characters, you will like both of them and you feel sorry for both of them. They play the sisters when they are around 25 years old. The little girls playing the twins when they are six years old are amazing and lovely too. As the old ladies they are very touching. It is just beautiful.
With the perfect cast and its nice acting, a fine direction, a great cinematography and a very beautiful score this is one of the best Dutch films I have seen. I loved it and it is definitely worth watching it.
Le saviez-vous
- AnecdotesThekla Reuten initially showed interest in playing Anna, but director Ben Sombogaart thought she would be better suited to play Lotte.
- GaffesThe BM sailing boat used by Lotte and David has sails with transparent plastic windows. These did not exist before the war.
- ConnexionsFeatured in The 76th Annual Academy Awards (2004)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Twin Sisters
- Lieux de tournage
- Spa, Belgique(forest scenes)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 1 563 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 207 $ US
- 8 mai 2005
- Brut – à l'échelle mondiale
- 5 938 165 $ US
- Durée2 heures 17 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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