Honey

If you wanna see a hot young beautiful girl shaking her bootie (and not in a vulgar way) go ahead and watch the movie!Jessica alba's character is way to innocent and a bit fake...I mean how can a girl like that , dressed like that could walk alone at night in a neighborhood like that...and what about Michael... how can that person could actually be successful...To me the only two things that are worth watching are the dancers ( a plus for Jessica alba) and the scenes with Missy Elliot!!But anyway it's really frustrating you have to write at least 10 lines...I'm running out of ideas...In conclusion go to the movie if you want because who knows...maybe you would like it.

Pros: - Jessica Alba is likeable

• The Dancing is good and frequent

• Missy Elliott, Tweet and other hip hop stars can be seen in cameo roles.

• It never gets too slow or too boring

Cons: - The characters don't feel realistic in certain situations

• ...that goes for the plot too. For example, peolpe seem to know a dance routine by looking at it once.

• The plot is unoriginal, you know where "Honey" is heading.

Summary: "Honey" is a likeable film, but you have to enjoy listening to hip hop and watch people dance.

Any comparisons between "Honey" and "Glitter" are probably due to both movies having script-work by Kate Lanier (who, funnily enough, isn't listed on the completed movie)... and, of course, to their having slightly similar plots. Except that "Glitter" is likely to be more of a black mark on Mariah Carey's book than "Honey" is on Jessica Alba's.

This movie about a kind-hearted young woman in New York who uses dancing to help the people in her neighbourhood (the people that she meets when she's walking down the street... sorry, couldn't resist) and who's plucked from a nightclub to become the Paula Abdul of the 21st century - she even has a little mole on her face - is aptly named; it's as sweet-natured as its title character and has little if any benefit on your system, except to slip down nice and easy and leave not very much behind. It's filled with all the realism you'd expect from the producer of "Legally Blonde" and "Josie and the Pussycats," but it's not quite as much fun as either. Part of it is a personal thing (the Rodney Jerkins-executive produced music that permeates the movie isn't my thing, rhythmic though it is), but the thin, originality-challenged scripting and silly dialogue are more of a problem; when our bartender-by-night/dance-teacher-by-day heroine tells a kid "Your flava's hot" it's a little embarrassing, although in fairness "Honey"'s street talk doesn't make you wince as much as some other examples of this kind of thing.

To be honest, the movie pretty much goes in one ear and out the other; there's not a single truly dramatic moment, with the setbacks coming on cue (when Li'l Romeo's character gets arrested it, and many other moments in the movie, plays like a less-than-brilliant After School Special) and the characters are right out of Cliches Central, from the almost saintly title character to the sexually predatory rival dancer. (And note to the filmmakers: as anyone who's ever watched MTV, VH-1 et al will confirm, music videos don't credit the choreographer on screen... regardless of what the one that plays next to the movie's end credits might say.)

But it's impossible to really hate "Honey"; the movie's too harmless and good-tempered for anyone to get into a hissyfit over its drawbacks, and though the R&B-flavoured cameos mean a lot of people who see this movie will probably be going "Who's this Tweet person?" Missy Elliott is genuinely funny in her very brief scenes. The dancing's also good, which is one of the main reasons to go and see movies like this; and though it doesn't actually seem to have anything like a narrative drive (it just seems to end instead of climax), there have been worse movies from music video directors, e.g. almost anything directed by Russell Mulcahy.

Oh yes, Jessica. She doesn't quite seem like the streetwise type, but she isn't supposed to be; she looks the part and comes off reasonably well, as well as having the edge over Jennifer Beals in "Flashdance" in that she actually does most of her own dancing. This isn't really the best vehicle for her, to be honest, but Jessica's an undeniable charmer on screen, and far too sexy for this or anything she's been in (with the arguable exception of "Paranoid") to be an unbearable experience. All she has to do is improve her choice of scripts...

Honey Danels (Jessica Alba) is trying to make it as a dancer in NYC. She's a bartender at a nightclub and teaches hip-hop dancing at a local youth center. Video director Michael Ellis is taken with her dancing. He makes her a star dancer and then a choreographer. Gina (Joy Bryant) is her best friend. Chaz (Mekhi Phifer) is a barber trying to keep the youth center going. When Honey rejects the controlling Michael's advances, he cuts off her career at every turn. Meanwhile she's trying to keep Benny away from the pull of the gangs.

Jessica Alba has the acting chops for this simple dance movie. This is very much a simplistic dance movie. There is limited edge. Alba doesn't have enough street in her. It's nothing new. The dancing from Alba is good but not acrobatic. Although complaining about this movie is like kicking a new born puppy. This movie doesn't have a mean bone in its body and it's perfectly watchable.

This movie, if the director had cut out all of the acting and concentrated on 90 minutes of music videos, it would be immensley more entertaining. Ms. Alba was at the screening I attended and admitted she did not know how to dance prior to being signed for the movie. This was very evident in the movie when she was surrounded by actual dancers. The plot was extremely contrived and is full of ethnic stereotypes. From the evil Black drug dealer to the rich White yuppie drug buyer. Interestingly enough, Ms. Alba's Hispanic roots are completely ignored, perhaps to escape any comparison to Jennifer Lopes as she repeatedly stumbles over the ethnic slang that predominates the dialog. The screen play could have used a little bit more humor to counter balance the sometimes dark subject matter. The ending made little sense and reminded me of a scene from "The Brady Bunch" as they had to put on the 'Big Show' to raise money.