Ella l'ensorcelée

I had so much fun watching this movie, a piece of light hearted fun that everyone can enjoy. *If* they remember the opening lines of the movie; this is a fairytale. And is therefore not to be taken seriously, it should be watched for the pure enjoyment of getting away from the daily humdrum.

I have seen this movie twice and both times the audience was literally buoyed by the fun of the movie, though I must say the best parts and lines come from Uncle Edgar(a deliciously evil Cary Elwes) and Heston the snake(the slimy voice of Steve Coogan is wonderful). That is not to say that the two leads(Anne Hathaway and Hugh Dancy) are not bright and funny in their parts, they are. Only that the wonderful and memorable lines come mainly from the more evil characters.

Joanna Lumley (as the evil Dame Olga) and Minnie Driver(one of her best yet, possibly only beaten by her surprisingly good turn in "Phantom of the Opera") are also great in their minor roles, providing colorful characters and not just filling in screen time. Aidan McArdle(Slannen the Elf) is wonderful comic relief each and every time he appears, as is Lucy Punch as the horrid Step-Sister and chief fan-girl(shudder). Eric Idle, Jeniffer Higham, Jimi Mistry and Parminder Nagra are also memorable, particularly Jimi as Benny, Eric as the Narrator and Parminder as Ella's best friend, though I think Parminder's talents are woefully under recognized in this film and I would love to see her in more main roles like in "Bend it like Beckham".

But I digress.

Hopefully those watching this movie will remember the fun it is supposed to be and not fall into the trap of over analyzing this piece of light-hearted happiness.

This movie was gifted with a spell of fairy tale which was likable. From the beginning Ella Enchanted was good – and all thanks to the beautiful Anne Hathaway who seemingly sparkled. Great work of escapism, such that though it's stupidity can be considered, it is shadowed by its modernism and it's attempt to drive the audience into attention by it's sarcastic humor present at certain desirable instances. Anne Hathaway stole the show – there seemed to possess an invisible halo on her making her the most preferable Ella. However I did ruminate over the fact that is that all Anne Hathaway can play- this character had almost cloning gestures as her character of Mia in The Princess Diaires – so is that how much her talent can expand? Well as for the other cast member - There was a casting perfection as taking into consideration Cary Elwes, Minnie Driver and Vivica Fox, all were matched perfectly to their designated roles. In conclusion I would not suggest this movie to grown ups- as they would certainly NOT enjoy this step out of reality – however this would be a great movie for kids and may be pre teenagers and if you are an Anne Hathaway fan like me – well than don't miss this.

Given the recent success of fantasy movies, it was probably inevitable that "Ella Enchanted" would get its turn on the silver screen. Like "Harry Potter," Gail Carson Levine's delightful re-imagining of Cinderella has been popular with both readers and critics, and contains plenty of imagination and engaging characters. One only wishes it had translated to screen better.

Levine comes up with a clever explanation for the reason why Ella (played in the film by Anne Hathaway) must slave for her horrid step-family: at her cradle, a well-meaning but rather dim fairy godmother (Vivica A. Fox) granted her the "gift" of obedience, forcing the poor girl to comply with any direct order regardless of how ridiculous or dangerous. Refusing to be resigned to her lot, Ella sets out to return the unwanted gift--and en route, find romance with Prince Charmont ("Char" for short, played by Hugh Dancy).

Unfortunately, it is here that the similarities to the source material end. In the film, Ella comes off as far less resourceful and clever as she does in the book, and mostly seems to wind up getting into embarrassing or awkward situations through her enforced compliance. Which is a shame, because Hathaway is a vibrant and talented actress who could have easily imbued the character with more spunk had she been called on to do so. It doesn't help that the screenwriters have seen fit to muddy Ella's quest with a standard-issue villain in the form of Char's Claudius-esquire uncle (Cary Elwes, channeling the spirit of Prince Humperdink and accompanied by a very unconvincing CGI snake), and some business about the oppression of the kingdom's non-humans.

Like "Shrek," "Ella Enchanted" takes the fractured fairy-tale route, throwing in sly references and anachronisms at every opportunity. Some of these work (I liked the man-powered escalator in the medieval mall), but more than a few fall flat (mostly Char's squealing fan club, who are perhaps too accurate in their annoying behavior). Hathaway and Dancy play it more or less straight, but everyone else camps it up grandly, especially Elwes. Unfortunately, both Fox and Minnie Driver as Ella's more sensible godmother feel miscast, and Parminder Nagra (the talented star of "Bend it Like Beckham") is virtually wasted as Ella's foreign-born friend.

"Ella Enchanted" is nice enough to sit through--Hathaway's presence keeps things going, and there are enough nice visuals. But in a genre that in the past few years has seen "Harry Potter," "Lord of the Rings," and "Shrek"--with "A Series of Unfortunate Events" and "Charlie and the Chocolate Factory" among the films on the horizon--it takes more than nice to distinguish oneself in the field.

The story of young Ella who was given the gift of obedience is a very frustrating movie, it should be wild and charming and funny and the best thing since sliced bread, or if not sliced bread then The Princess Bride, but some how it doesn't quite work as whole.

The cast is game, the special effects are good and the direction seems to be mostly on target, but somewhere along the way the movie decided to be too hip, too happening, too many things all at once. Its a comedy, fantasy, adventure, musical and a few other things all at the same time. It has timeless humor and humor that is in danger of dating very badly. It feels some times like a TV movie for kids and at other times something that should be on the big screen for everyone. It doesn't seem to know what it wants to be. Somehow I think that there were too many people with too many ideas (good ideas) but no one to say too much is a bad thing.

I like this movie a lot, the pieces much more than the whole, but I can't help but wanting to beat up everyone involved in it because this should be so much better.

Six out of ten. Wait for video.

It seems that many, many commentators disliked this movie because it wasn't at all like the book. Fair enough, I suppose, but movies seldom are. In any case, I haven't read that book, and was blissfully unaware that this film was supposedly adapted from one. I found it surprisingly cute. Many of the campy things hit the mark, like the "medeival modern" anachronistic setting, reminiscent of The Flintstones cartoon wherein it was filled with modern things constructed from prehistoric materials; and the modern songs transposed to the time setting herein. That last was a bit like Moulin Rouge, which annoyed me at first, but then grew on me. I don't believe that I've seen this Anne Hathaway before, but she is intriguing. Her vivacity and wide smile remind me a bit of Julia Roberts. Can't say that I was much impressed with Hugh Dancy or Aiden McArdle. Minnie Driver was most charming as the incompetent fairy, and Vivica Fox was quite amusing as the lush fairy. It's too bad that Parminder Nagra's part was so small, as she always lights up a screen. And Cary Elwes couldn't hide his amusement with the material as he munched on the scenery. I say check this out, if you aren't going to throw a fit over the book.