Mystic River

Mystic River deals with three men, once boyhood friends, who all estrange the people closest to them. Their characters become flawed because of events, of how they choose to be, or their calling. It doesn't really say anything profound, but the acting and screenplay in the first half are quite good. Brian Helgeland, whose script writing seems to veer between brilliant (L.A. Confidential) and fairly abysmal (The Sin Eater), provides three quarters of sheer maestro, a story that unfolds with a growing sense of unease; characters that, as in real life, feel no need to state the obvious but let us piece together clues. But a gripping story of childhood bonds gone bad, murder, the frailty of human certainty and belief in flawed values – all wonderful elements that should offer a filmmaker so much – are stymied by flimsy resolutions and ultimately unlovable characters. An edge of the seat mystery builds to a limp climax that rather suggests they ran out of money, or film or ideas. There is no great moral dilemma as some critics have tried to suggest – all the characters try to do good in their own screwed up way, some with better intentions than others, and most of them fail.

Mystic River has a stellar cast – Tim Robbins, Sean Penn and Kevin Bacon to name a few – and there are some excellent performances. Penn, in the lead role, is sadly perhaps the weakest of these three as he is seems far too conscious of those ‘Oscar worthy moments', with the camera closing in for yet another close-up of his lingering, tortured, seemingly over-rehearsed expressions. Actors who go through this phase need a rapid infusion of French Cinema to correct their hyperbaric egos if they wish to ascend loftily and gracefully through stardom. Robbins and Bacon seem far more comfortable with their roles, without the need to be centre stage quite so much, and Marcia Gay Harden, who has already collected one Oscar for her role in Pollock, is quite superb, playing a long suffering wife with what seems like suppressed hysteria growing into panic. Mystic River is a good film and worth going to see - but such a shame it isn't another cinematic masterpiece we feel we can still hope for from director Clint Eastwood.

This movie is a kick in the gut. Rarely is such a brilliant cast assembled, and even when it happens, rarely do they act like this. Tom Guiry (very impressive), Tim Robbins and Sean Penn show emotion that directors don't often stick in. And it comes off flawlessly. During a scene with Marcia Gay-Harden and Tim Robbins crying in their kitchen, there is an energy coming off of the screen that strikes you right in the chest. Which is really the way the whole movie works. It grabs you and shakes you, and makes you watch even when it can be painful to do so. The only reason that this film didn't win best picture is Return of the King. Any other year, and Mystic River has it. Eastwood's finest moment. Check it out--you won't be disappointed.

"Mystic River" centers on a murder investigation involving three men - all friends as boys from a Boston working class neighborhood - who have taken different directions through life. One is an excon (Penn) whose daughter was murdered. Another is the homicide investigator (Bacon) who is assigned to the case. The third is an emotionally damaged man (Robbins) who is suspect. Eastwood has imbued this novel adaptation with his signature blend of grit and humanness and created a forum for high intensity drama superbly executed by the principals, most notably Penn, who wrestle with roots, regrets, recrimination, revenge, reconciliation, and much more. With plaudits from all corners, "Mystic River" is a must see for drama junkies, fans of the players, etc. (A-)

Eastwood's expert direction and wonderful performances from the three leads make MYSTIC RIVER a drama worth watching. The film is made up of three interlocking sections, each represented by one of the leads. Kevin Bacon supplies the lesser police procedural aspects of the movie, Tim Robbins lends plenty of mystery to a whodunit plot, and Sean Penn is at the heart of the family drama-cum-tragedy.

The film is unpredictable throughout and slowly paced, taking its time to get to grips with the storyline instead of rushing through the plot. Never once does it feel boring. The attention to technical detail is spot on as you'd expect, and the mood finely judged throughout. It takes actors and a director of rare talent to make a movie this compelling, but in the case of MYSTIC RIVER everything comes together in a film that never disappoints.

Watched this movie in 2022 as it had been almost 20 years since I'd seen it and couldn't really remember much. The story is still tragic, the acting is still very good, the directing is still top-notch, and the ending is still haunting. On paper, Mystic River could have turned into a classic murder mystery film, but the material actually goes much deeper. There are additional themes explored here: childhood trauma, consequences for our actions, connections from the past, ripple effects of neighborhood tragedy, etc. These elements are carefully intertwined with the main storyline which is what keeps Mystic River a step above its peers. A star-studded cast bring this film into Oscar-winning territory and you will be glad you rewatched it.

Verdict: Watch it.