Un chef de police de Floride doit résoudre un double homicide brutal avant d'être lui-même soupçonné.Un chef de police de Floride doit résoudre un double homicide brutal avant d'être lui-même soupçonné.Un chef de police de Floride doit résoudre un double homicide brutal avant d'être lui-même soupçonné.
- Prix
- 5 victoires et 7 nominations au total
Tom Hillmann
- Living Gift Salesman
- (as Tom Hilmann)
Avis en vedette
While staying in a motel in Bandon, Oregon (on the southern coast) over the past weekend, I noticed that the room had a number of DVDs, including "Out of Time". I decided to kill some time watching it, not expecting very much. I must say that I was pleasantly surprised.
I should identify that the movie has nothing to do with the Rolling Stones' song. Denzel Washington plays Matt Whitlock, a cop in a small Florida town. He's been having an affair with a certain Ann (Sanaa Lathan). Since she's dying of cancer, she's made him the beneficiary of her will. But when she and her husband die in a fire, all evidence points to Matt (you'll understand what I mean if you see the movie). So arises the quandary of how he's going to solve the case and clear his name before it's too late, especially given that his ex-wife Alex (Eva Mendes) is absolutely intent on solving the case.
The movie's real strength lies in the twists and turns that they throw in from time to time. I think that probably the coolest scene is the whole sequence in the police station about halfway through the movie; I would have never imagined any movie having a whole sequence like that! But I actually considered Matt's friend Chae (John Billingsley) to be the best character in the movie; I mean, some of those monologues were so great.
All in all, it's not any kind of masterpiece. But it's better than your average man-on-the-run-has-to-clear-himself story. And if I may say so, Eva Mendes looked mighty fine in some of those outfits!
I should identify that the movie has nothing to do with the Rolling Stones' song. Denzel Washington plays Matt Whitlock, a cop in a small Florida town. He's been having an affair with a certain Ann (Sanaa Lathan). Since she's dying of cancer, she's made him the beneficiary of her will. But when she and her husband die in a fire, all evidence points to Matt (you'll understand what I mean if you see the movie). So arises the quandary of how he's going to solve the case and clear his name before it's too late, especially given that his ex-wife Alex (Eva Mendes) is absolutely intent on solving the case.
The movie's real strength lies in the twists and turns that they throw in from time to time. I think that probably the coolest scene is the whole sequence in the police station about halfway through the movie; I would have never imagined any movie having a whole sequence like that! But I actually considered Matt's friend Chae (John Billingsley) to be the best character in the movie; I mean, some of those monologues were so great.
All in all, it's not any kind of masterpiece. But it's better than your average man-on-the-run-has-to-clear-himself story. And if I may say so, Eva Mendes looked mighty fine in some of those outfits!
This is yet another cops and robbers whodunit movie. The movie features solid performances by Denzel Washington (as Matt Lee Whitlock) and Eva Menedes (as Alex Diaz Whitlock) playing the separated couple each working their own angle on the crime that occurs. With excellent supporting work by John Billingsley (as Chae, the medical examiner), Dean Cain (as Chris Harrison), and Sanaa Lathan (as Ann Merai Harrison) this movie keeps you guessing until the end.
There are some interesting plot twists at the end of the movie which you may or may not figure out by the end. I think the climax of the movie could have been a little more fluid, but it works and I think its satisfying to the viewers. I found this movie to be above average compared to much of the standard fare that has been offered in 2003, especially, because I didn't look at my watch once during the entire film.
There are some interesting plot twists at the end of the movie which you may or may not figure out by the end. I think the climax of the movie could have been a little more fluid, but it works and I think its satisfying to the viewers. I found this movie to be above average compared to much of the standard fare that has been offered in 2003, especially, because I didn't look at my watch once during the entire film.
When I first saw the trailer for "Out of Time," I was pumped to go and see it when it came out. But then I saw the lame TV spots and decided against going, and the reviews it received didn't exactly give incentive for seeing it either. But I still always sort of had the urge to see it, and I finally got my chance, with decent results.
"Out of Time" is the type of thriller that tries hard, but still comes up short. There were no horrible aspects of this movie, nothing that stands out as being horribly dumb or even horribly unorginal. Yet everything seems mediocre. Denzel's acting was great, but other cast members occasionally seemed a little lost. The direction was also pretty good, but Carl Franklin seemed to have a little trouble pacing the movie, with a couple scenes seeming completely out of place. The music also, by Graeme Revell, was pretty good, but wasn't exemplary or especially dramatic. The cinematography was good, but didn't really stand out, while the screenplay also lagged in places. Plus, the story was original, but not original enough to really keep you guessing.
Yet the movie does create suspense quite well and Denzel saves the movie from complete mediocrity.
Final Grade: B.
"Out of Time" is the type of thriller that tries hard, but still comes up short. There were no horrible aspects of this movie, nothing that stands out as being horribly dumb or even horribly unorginal. Yet everything seems mediocre. Denzel's acting was great, but other cast members occasionally seemed a little lost. The direction was also pretty good, but Carl Franklin seemed to have a little trouble pacing the movie, with a couple scenes seeming completely out of place. The music also, by Graeme Revell, was pretty good, but wasn't exemplary or especially dramatic. The cinematography was good, but didn't really stand out, while the screenplay also lagged in places. Plus, the story was original, but not original enough to really keep you guessing.
Yet the movie does create suspense quite well and Denzel saves the movie from complete mediocrity.
Final Grade: B.
This reminded me of an old Film Noir style plot.
Was this film a direct copy of any such plot, does anyone know?
Or was it just an 'homage' to that style of 1940s-ish Hollywood plot-line?
It was a good film and kept you thinking. Though had its flaws, as some of the details as why characters were doing what they did could have been filled out.
Denzel Washington nicely underplayed this role, with none of the histrionics a lesser actor could have used to portray the stress he was under (i.e. with his character under such pressure) - bubbling but not boiling over.
And it was good to see Dean Cain in a 'bad guy' role!!
~ Scene by Scene ~
Was this film a direct copy of any such plot, does anyone know?
Or was it just an 'homage' to that style of 1940s-ish Hollywood plot-line?
It was a good film and kept you thinking. Though had its flaws, as some of the details as why characters were doing what they did could have been filled out.
Denzel Washington nicely underplayed this role, with none of the histrionics a lesser actor could have used to portray the stress he was under (i.e. with his character under such pressure) - bubbling but not boiling over.
And it was good to see Dean Cain in a 'bad guy' role!!
~ Scene by Scene ~
This is one of the few Denzel Washington movies that flopped. It was just wasn't likable enough to hit a chord with moviegoers. His acting is still fine, but the film as a whole wasn't up to Washington's standards.
Being someone attracted to good visuals, I loved the colors in this film, set in South Florida. The orange-and-greens were beautiful and I enjoyed the music, too. It all elevated the likability of this modern day film-noir for me. Unfortunately, a lot of people were bored with this because it had so little action. That didn't bother me, although I have to admit at one point I began wondering "when is something violent going to happen." Many film noirs were like this, anyway, building up tension until the end.
I still found it pretty interesting most of the way, with a nice twist at the end. It's worth a rental, but not a purchase.
Being someone attracted to good visuals, I loved the colors in this film, set in South Florida. The orange-and-greens were beautiful and I enjoyed the music, too. It all elevated the likability of this modern day film-noir for me. Unfortunately, a lot of people were bored with this because it had so little action. That didn't bother me, although I have to admit at one point I began wondering "when is something violent going to happen." Many film noirs were like this, anyway, building up tension until the end.
I still found it pretty interesting most of the way, with a nice twist at the end. It's worth a rental, but not a purchase.
Le saviez-vous
- AnecdotesDenzel Washington was paid $20 million for making this film.
- GaffesAs Chae talks to Matt next to the soda machine in the police station, he has a cigarette in his mouth which disappears between shots.
Smokers are not required to have the cigarette in their mouth all the time. It was in his hand, off camera.
- Citations
Matt Lee Whitlock: I gave her the Scarcetti money.
Chae: Godd...
Matt Lee Whitlock: SHHH.
Chae: Would you have given it to me if I slept with you?
- Générique farfeluThe name Burt Ward appears as "Boy Wonder Executive Producer"
- ConnexionsFeatured in Siskel & Ebert & the Movies: Ebert & Roeper Redux (2003)
- Bandes originalesOut of Time
(1966)
Written by Mick Jagger and Keith Richards
Performed by Johnny Searing
Published by Abkco Music, Inc.
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Détails
Box-office
- Budget
- 50 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 41 088 845 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 16 185 316 $ US
- 5 oct. 2003
- Brut – à l'échelle mondiale
- 55 495 563 $ US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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