Le jour d'après

Now before you judge me for my 8/10 rating you gotta understand that you can't judge this film for its wacky science and all. It's a disaster film and none of them ever abide by science or the laws of physics and all. It's story and characters are pretty good and straightforward and the acting. Dennis Quaid is a good lead, Jake Gyllenhaal is alright, Emily Rossum is good, Ian Holm is always great to see etc. The story is straightforward and I won't spoil that but it flows well and makes sense mostly but I'll get to that in a bit. The effects are very good and still hold up almost 20 years later! That alone makes it worth a watch.

The only downsides to the film that I don't like are that 1) they cut out some good deleted scenes that would help build up things more and show more chaos around the world. And beyond what they cut I wish there was more to see how the whole world was effected. 2) the first half of the film is very strong. The build up and the unfolding disaster and how things get worse and how everyone reacts and the phony science babble, I love it! But the second half is a tad underwhelming in comparison and turns into a rescue film. It's not bad but it weighs the film down and I wish it was more about the various disasters and climate change instead of all that time spent on the rescue.

Overall a fantastic disaster film and one enjoy watching on a rainy spring or summer day.

How many times do I need to read other's reviews on disaster films before I remember most people on here writing these think they are actual film critics? It is a disaster movie. Yes, the science is terrible. Yes the coincidences are fantastical. If you watch these for ground breaking stories with rich plots, or for an Oscar worthy performance by one of the actors, then you are watching these for the wrong damn reasons. This movie shows a future where due to the rise in global temperatures, a modern ice age is triggered. How it is ushered in is by these violent, giant hurricane-like storms that cause flash freezing, and bring in a myriad of disasters with them. These include tsunamis and blizzards that drop so many feet of snow that people are walking level with the signs on the interstate that you would normally drive under. It also tries to throw in a lot of relatable human elements, such as the struggle of a man that is an absentee parent because of his job, trying to connect with his son, a lonely boy dying of cancer, and just the human death that this kind of disaster would bring. Do not watch this for the science, though I do feel that they had the causation of another ice age correct. Do not watch this for deep plot. Watch this for the enjoyable ride on which it takes you.

One of my all favorite time disaster movies! It's got the right mix of over the top weather moments, dramatic storylines, and Dennis Quaid. Endlessly rewatchable and surprisingly heartfelt.

I don't get it why this film just got 6.4, maann the visual effect alone was amazing. The tension is so high especially the new york scene. Maybe the science isnt accurate but I found this film is very entertaining. I watched this when I was 9 or 10 yo, now I'm 24 and this film still my fave disaster movie. The tsunami, tornado etc was perfect. Good job for the writers, director, producer especially the cast.

"The Day After Tomorrow" is a disaster movie, but it isn't a disastrous one. But if Roland Emmerich really thought he was making a movie with a message, he didn't quite succeed - to be honest, Emmerich is to serious film-making as Naomi Wolf is to recommending "Voluptuous" magazine. The fact that the movie begins with the Twentieth Century Fox logo under stormy skies doesn't make it any more significant.

Well-intentioned it may be, but the movie's plot takes second place to the imagery - the opening credits over an icy landscape, the massive weather systems over the planet, colossal hailstones pelting down on Tokyo, snowstorms over India, tidal waves - and the numerous effects houses make it an eye candy feast, especially for people with a grudge against the Big Apple (kudos to Industrial Light and Magic, Digital Domain and all the less renowned FX companies involved). So on that level, it works; the music by Harald Kloser and Thomas Wanker is also a bonus, being more restrained and serious in its support than is usually the way with Emmerich movies.

And then there's the script - it has a whole load of characters but doesn't do much with any of them. Example: Climatologist Dennis Quaid's relationship with son Jake Gyllenhaal doesn't seem to be as estranged as it's intended to be, and similarly the friendship Quaid has with a longtime colleague gets about as much emphasis as the crush his younger colleague has on fellow scientist Tamlyn Tomita (and the movie pays for it later on in a sequence shamelessly ripped off from "Vertical Limit," which has little of the emotional resonance it should). In fact, all the human elements - Gyllenhaal's repressed feelings for classmate Emmy Rossum, his doctor mother Sela Ward's problems with a young patient, etc - all of them are underdeveloped or just plain undeveloped, and some moments practically scream "Contrived Climax Ahoy!"

Those moments are there because "The Day After Tomorrow" doesn't have an enemy as a natural outgrowth of its story; the elements aren't really villainous as they have no concept of right or wrong, and the closest thing to a villain here is the current administration in the White House, so Emmerich and co-writer Jeffrey Nachmanoff have to impose a tangible enemy (why else are those wolves there?) on the proceedings. This does help things from getting totally boring in the second half, though it's still pretty watchable even then - but if some more thought had been put into the screenplay, like exploring the characters or developing the promising ideas therein (like Americans fleeing to Mexico, or further looks at the Government side), it would have carried more weight and made the movie into more than an improvement on "Godzilla."

As it is, it's a competently done if implausible attention-holder that wants to be more; that it actually had the potential to be more makes it a bit of a disappointment, but at least it's a watchable one.