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Un boulot à l'italienne

Titre original : The Italian Job
  • 2003
  • 14A
  • 1h 51m
ÉVALUATION IMDb
7,0/10
400 k
MA NOTE
POPULARITÉ
1 371
195
Charlize Theron, Mark Wahlberg, Seth Green, Edward Norton, Jason Statham, Yasiin Bey, and Franky G in Un boulot à l'italienne (2003)
Home Video Trailer from Paramount Home Entertainment
Liretrailer2 min 57 s
1 vidéo
99+ photos
CaperCar ActionHeistActionCrimeThriller

Après avoir été trahi et laissé pour mort en Italie, Charlie Croker et son équipe planifient un braquage élaboré contre leur ancien allié.Après avoir été trahi et laissé pour mort en Italie, Charlie Croker et son équipe planifient un braquage élaboré contre leur ancien allié.Après avoir été trahi et laissé pour mort en Italie, Charlie Croker et son équipe planifient un braquage élaboré contre leur ancien allié.

  • Director
    • F. Gary Gray
  • Writers
    • Troy Kennedy Martin
    • Donna Powers
    • Wayne Powers
  • Stars
    • Donald Sutherland
    • Mark Wahlberg
    • Edward Norton
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,0/10
    400 k
    MA NOTE
    POPULARITÉ
    1 371
    195
    • Director
      • F. Gary Gray
    • Writers
      • Troy Kennedy Martin
      • Donna Powers
      • Wayne Powers
    • Stars
      • Donald Sutherland
      • Mark Wahlberg
      • Edward Norton
    • 600Commentaires d'utilisateurs
    • 137Commentaires de critiques
    • 68Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 7 victoires et 9 nominations au total

    Vidéos1

    The Italian Job
    Trailer 2:57
    The Italian Job

    Photos193

    Voir l’affiche
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    + 187
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    Rôles principaux45

    Modifier
    Donald Sutherland
    Donald Sutherland
    • John Bridger
    Mark Wahlberg
    Mark Wahlberg
    • Charlie Croker
    Edward Norton
    Edward Norton
    • Steve
    Charlize Theron
    Charlize Theron
    • Stella Bridger
    Jason Statham
    Jason Statham
    • Handsome Rob
    Seth Green
    Seth Green
    • Lyle
    Yasiin Bey
    Yasiin Bey
    • Left Ear
    • (as Mos Def)
    Fausto Callegarini
    Fausto Callegarini
    • Italian Guard
    Stefano Petronelli
    • Garbageman…
    Fabio Scarpa
    • Garbageman…
    Cristiano Bonora
    • Garbageman…
    Tiberio Greco
    • Garbageman…
    Jimmy Shubert
    Jimmy Shubert
    • First Detective
    Tammi Cubilette
    • Second Detective
    Mary Portser
    Mary Portser
    • Stella's Receptionist
    Shawn Fanning
    Shawn Fanning
    • Shawn Fanning
    Christopher Moore Jr.
    • Young Left Ear
    Terrelle Jones
    • Kid On Left
    • Director
      • F. Gary Gray
    • Writers
      • Troy Kennedy Martin
      • Donna Powers
      • Wayne Powers
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs600

    7,0400.4K
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    Avis en vedette

    7iwatcheverything

    Highly entertaining

    If you are looking for a film that is quick witted and won't bore you then this is the place. It is fast paced and funny with some decent acting comeing from the characters. It is always hard for me to see Mark Walhberg as anything except Marky Mark. That image is burned in my mind forever. As an actor though he is pretty good. This movie is a must see for action fans who like to see a few little twists and turns. I will have to pick this movie up one day and buy it.
    7jimbo-53-186511

    Slick and lots of fun

    Charlie Croker (Mark Wahlberg) assembles a crack team to pull off one last job; a daring heist of a safe which contains $35 million dollars worth of gold bars. However, shortly after the heist has been completed, one of the team turns against the others and escapes with the gold and leaves the remaining members of the team for dead. Following this betrayal, Charlie and his crack team which includes computer genius Lyle (Seth Green), explosives expert Left Ear (Mos Def), and getaway driver Handsome Rob (Jason Statham) set to work in recovering the gold back from the 'rat' in the group with the assistance of safe cracker Stella Bridger (Charlize Theron).

    I saw the 1969 version of The Italian Job some time ago and remember finding it reasonably enjoyable (although I recall it having a rather bizarre ending). However, I have to admit to possibly enjoying this remake/reboot slightly more....

    I think the biggest strength of this film lies with the characters and their dialogues; as we're introduced to each character we're given a little bit of background information on each character in order to explain away their relevant 'expertise' but it's done in a way that was both funny and clever. I quite liked the way that each character was set-up in this way. I also felt a great sense of camaraderie between the cast; the whole production was done in a very slick and tongue in cheek manner; I thought the scenes between Green and Statham were the funniest and strongest scenes, but the rest of the cast were all great as well.

    Another big strength with this film is that it's just so much fun; some heists films have a tendency to become over-plotted and throw in twist after twist. However, with the Italian Job we're just given a straight-forward plot, but yet it's still entertaining enough to keep you interested.

    The chase sequences are fun, the direction, editing and basically all technical areas are also excellent resulting in a film that's not only fun, but it's also quite a good looking film too.

    Perhaps having low expectations helped here - I thought the original was a good film rather than a great one so I wasn't expecting much here, but the plot moved along almost as fast as the Minis, the script and the camaraderie between the cast were also top notch and above all else it was fun. Definitely worth watching (especially if you were a fan of the original).
    7ferguson-6

    Forget the Coopers, I want a Charlize

    Greetings again from the darkness. Today's giant movie screens and earth rumbling sound systems make action films an exhilarating experience. Throw in a nice story and some eye candy and it is truly a blast. OK the story is just a reshaping of the original with Michael Caine, but the added humor - mostly supplied by Seth Green ("Austin Powers" and "Knockaround Guys") and the super cool guys - Jason Statham, Marky Mark and veteran Donald Sutherland add a punch to this one. Who am I kidding? The big difference here is the eye candy! The mini-Coopers and Charlize Theron add a touch of Bond. Whether the stunner is driving the fun cars or cracking a safe in her hotel room, she is captivating. The films weak link is the usually dependable Edward Norton who seems to be sleep walking through his role. Maybe he has reached the point where he feels he deserves more screen time. His role is important, but his lackluster performance doesn't ruin the film at all. Would have enjoyed seeing what a meatier performance could have added to the film, though. Anyway, enjoy the ride and the view!
    8iohefy-2

    FAST PACED EXCITING MOVIE

    I went to see THE ITALIAN JOB with mixed reviews in my head. I was pleasantly surprised with an entertaining close to 2 hours. I thought the cast was just great and so were the special effects, with the safe and truck just dropping out of sight. If you like fast paced action movies, this is the one to see.
    7lemon_magic

    Slick, amusing caper film; Gray's best movie featuring Davis' best soundtrack

    My reaction to this remake of "The Italian Job" is probably hopelessly mixed up with the events occurring in my life when I saw it; This is the first movie I saw after I had just landed a job after 8 months of unemployment and going back to school for retraining. Money was still tight, but I no longer had to choose between seeing a movie in the theaters and paying bills (or eating lunch), and the sense of relief and gratitude I was feeling at the time was enormous. In consequence, my enjoyment of "Italian Job" was probably far out of proportion to its actual worth.

    Still, I picked it up used on DVD a few weeks ago and watched it again, and I still enjoyed it immensely. I have never seen the original (though I have heard it is an absolute classic), but its modern day counterpart is eminently watchable if you have a taste for modern day production values applied to older films plots and themes.

    What initially won me over to this movie was the soundtrack - IMO Don Davis writes some of the most supple, textured and aurally pleasing soundtracks around. IJ opens with a sly, witty, pulsing arrangement that combines strings, guitar harmonics, brush work and quiet moments - it won me over completely from the opening seconds. And the whole movie is like this - I haven't heard this kind of ringing, chiming, pulsing soundtrack music since Stewart Copeland left the Police and started doing soundtracks for movies like "Rumble Fish". There are at least a dozen irresistibly scored motifs in here, along with some pop song remakes that range from "all right" to "inspired". For people to whom the soundtrack is important, this movie is a delight.

    On to the movie: I can take or leave Mark Wahlberg, but he's okay here as the leading man, and the movie doesn't ask him to do anything he can't do well. He's the weakest "major" actor in the film, but that's because the rest of supporting cast is so strong, especially Donald Sutherland in a bit part. Mos Def, Jason Steadham, Ed Norton, Seth Green and Charlize Theron all turn in solid, fat-free performances. Norton seems to mostly be phoning it in (rumor has it that he didn't really want to be in the film), but he's still a natural even at 1/2 power. My one quibble with the casting and acting is with the character "Wrench", who seems to be a male model pretending to be an actor. His part seems to be shoehorned into the movie, and he has little chemistry with the rest of the cast (although you can blame some of that on the size of the part and the "late walk on" nature of the character). If I were a cynical sort,I would wonder who the actor slept with to get put into this movie in such a supernumerary role? Nah, never happen...

    Production values, camera work, stunts, plot...everything cooks along quite nicely and Gray and his production crew pull things together pretty seamlessly (with the exception of the "Wrench" character, see above).

    The dialog has a nice, light touch that rewards your indulgence, and there are several satisfying major and minor plot payoffs along the way. (My favorite moment - when Norton's character tells Wahlberg's character that he's just lost the element of surprise. Wahlberg proceeds to cold cock Norton with a right cross, and then asks him, "Were you surprised??" Hmmm, maybe you had to be there...)

    Of course the movie requires a certain level of "suspension of disbelief" to work, but if you just relax and go along with it (and don't think too hard about the mechanics of cracking a safe underwater, or the likelihood of anyone being able to successfully hack and manipulate LA traffic via a laptop, etc), you'll have a fun ride.

    "The Italian Job": it's lightweight summer fluff, but it's very good for what it is, and it doesn't try to be anything else. It isn't good enough for an "8" but I'd give it a "7.5".

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The actors did most of their stunts, even driving down the stairs in the LA Metro.
    • Gaffes
      Bullets do not travel at full speed through water. In reality, all bullets slow rapidly as soon as they hit the water, contrary to what is seen when Steve shoots into the lake. Not only do bullets slow down quickly when fired into water, high powered bullets from weapons like the assault rife Steve is using actually shred within inches of the surface of the water and then simply settle to the bottom of (in this case) the lake. Oddly enough, high-powered bullets have less penetration through water than lower-powered ones (a bullet's power is determined by the cartridge charge).
    • Citations

      Steve: Still don't trust me?

      Stella: I trust everyone. It's the devil inside them I don't trust.

      Steve: That's an interesting saying. It's very charming. I knew a guy who said that. He said it all the time. In fact he said it exactly like that.

    • Générique farfelu
      At the very end of the credits, the sound of coins falling and tinkling can be heard.
    • Autres versions
      For the US television version, Steve's line "What the fuck happened to my truck?" has been replaced with alternate footage of him saying "What happened to my truck?". It is not an overdub; it is a complete replacement.
    • Connexions
      Edited into Yoostar 2: In the Movies (2011)
    • Bandes originales
      The Wreckoning
      by Kellin Manning and Taryn Manning

      Performed by Boomkat

      Courtesy of DreamWorks Records

      Under license from Universal Music Enterprises

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    FAQ22

    • How long is The Italian Job?Propulsé par Alexa
    • Mountains and snow? What country were they in after the robbery in Italy?
    • When the street explodes, bringing the armored truck underground, did I see someone dressed as Spider-Man?

    Détails

    Modifier
    • Date de sortie
      • 30 mai 2003 (Canada)
    • Pays d’origine
      • United States
      • Italy
      • United Kingdom
      • Germany
    • Site officiel
      • Official Facebook
    • Langues
      • English
      • Russian
      • Italian
    • Aussi connu sous le nom de
      • The Italian Job
    • Lieux de tournage
      • Canazei, Trento, Trentino - Alto Adige, Italie
    • sociétés de production
      • Paramount Pictures
      • De Line Pictures
      • Mestiere Cinema
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 60 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 106 128 601 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 19 457 944 $ US
      • 1 juin 2003
    • Brut – à l'échelle mondiale
      • 176 070 171 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 51 minutes
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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