Dans les bidonvilles de Rio, les chemins de deux enfants divergent à mesure que l'un tente de devenir photographe et l'autre un baron de la drogue.Dans les bidonvilles de Rio, les chemins de deux enfants divergent à mesure que l'un tente de devenir photographe et l'autre un baron de la drogue.Dans les bidonvilles de Rio, les chemins de deux enfants divergent à mesure que l'un tente de devenir photographe et l'autre un baron de la drogue.
- Directors
- Writers
- Stars
- Nommé pour 4 oscars
- 75 victoires et 50 nominations au total
Leandro Firmino
- Zé Pequeno
- (as Leandro Firmino da Hora)
Michel Gomes
- Bené Criança
- (as Michel De Souza Gomes)
Kiko Marques
- Cabeção
- (as Maurício Marques)
Sommaire
Reviewers say 'City of God' is lauded for its gritty realism, powerful storytelling, and innovative cinematography, often drawing comparisons to 'Goodfellas' and 'Pulp Fiction'. The film is celebrated for its complex characters, compelling narrative, and raw depiction of Rio de Janeiro's favelas. However, some find the violence excessive and the script lacking depth. The use of non-professional actors and unflinching portrayal of poverty and crime are both praised and criticized. Pacing and length are also points of contention.
Avis en vedette
The film revolves around the, 'City of God,' a favela (or ghetto) in Rio de Janeiro, Brazil, a horrifying area where drug dealers run the community, and where children killing children is not an uncommon occurrence.
The story begins with the early stages of the City of God (in the 1960's) showing where many of the problems stem from- the extreme poverty, overcrowding etc. Here, in the early stages of the favela, we meet our main characters, along with the supporting cast. The story revolves mainly around two characters living in the favela, Rocket and Lil Ze, and how they take two different paths through life. Rocket's dream is to become a photographer and to escape the City of God while Lil Ze becomes a powerful gang leader and drug dealer.
The film offers an unflinching look at gang life in the City of God, as it follows the favela through three decades; the 60's, 70's and 80's, and shows how violence just spirals into more violence with the disturbingly high amounts of violence in the favela, most involving teenagers and children.
The direction, cinematography, and editing are all Oscar-worthy. The cinematography is some of the best I have ever seen- with a very visceral, jerky feel, very reminiscent of Saving Private Ryan. The editing is very frantic, which makes you feel like you are on the streets of the City of God, and the direction is flawless, seamlessly blending the many elements of the story.
The film was definitely one of the best films I have ever seen. The story, the direction, the cinematography, the editing and the acting all add up to make a excellent movie that I would recommend to all.
10/10, A+
Would also recommend: Bus 174 and Carandiru
The story begins with the early stages of the City of God (in the 1960's) showing where many of the problems stem from- the extreme poverty, overcrowding etc. Here, in the early stages of the favela, we meet our main characters, along with the supporting cast. The story revolves mainly around two characters living in the favela, Rocket and Lil Ze, and how they take two different paths through life. Rocket's dream is to become a photographer and to escape the City of God while Lil Ze becomes a powerful gang leader and drug dealer.
The film offers an unflinching look at gang life in the City of God, as it follows the favela through three decades; the 60's, 70's and 80's, and shows how violence just spirals into more violence with the disturbingly high amounts of violence in the favela, most involving teenagers and children.
The direction, cinematography, and editing are all Oscar-worthy. The cinematography is some of the best I have ever seen- with a very visceral, jerky feel, very reminiscent of Saving Private Ryan. The editing is very frantic, which makes you feel like you are on the streets of the City of God, and the direction is flawless, seamlessly blending the many elements of the story.
The film was definitely one of the best films I have ever seen. The story, the direction, the cinematography, the editing and the acting all add up to make a excellent movie that I would recommend to all.
10/10, A+
Would also recommend: Bus 174 and Carandiru
I knew nothing of this film before I saw it by chance in a rare Pub open screening, but boy was I glad I got the chance to take a look. I was riveted all night - I completely ignored my friends! I thought it was an awesome re-enactment of a true story - powerful, moving, raw, real - and even funny in parts. I walked away afterwards, beaming. It's rare a great film like this is made, especially these days. I gave it ten out of ten. Please see it if you can.
Such an amazing film that deserves the accolades and acclaimed hype it's garnered. One of the best foreign language films there is and one of the best films personally seen recently, after a long time of being on my to see list but taking a while to get round to it due to being so busy and going through a difficult phase.
Perhaps 'City of God' is not for everybody. It is not some audience members' idea of being entertaining, and is pretty unflinching, uncompromising and challenges the viewer. It does, with that being said, a superlative job bringing those qualities to life, and there are others, including myself, who judge films by what they set out to do rather than just wanting to be "entertained". There are many hugely entertaining films, while there are others that are clearly intended to be things other than entertainment and either are deep character studies, deliberate mood pieces and poignant dramas and shouldn't be denounced because of stereotypical views of what a film should be like.
'City of God' is very well made, with some stunning and hard-hitting images, even if the budget is not high or enormous. It's all audaciously shot and edited with a lot of gritty atmosphere and sense of tension. The music fits well and has some haunting moments without being intrusive, while Fernando Meirelles's direction, particularly in the visual style, is superb.
The story is not hard to follow, with lots of provoking thought, tension and emotion, while the action is positively explosive, frighteningly brutal and designed with a real meticulousness. In no way either does it glamorise crime and gives an unflinching view of gangland rivalry, provoking comparisons to Martin Scorsese and 'Goodfellas'.
Alexandre Rodrigues and Leandro Firmino da Hora are fabulous in their roles and carry the film and their compellingly real characters adeptly.
Overall, a masterwork. 10/10 Bethany Cox
Perhaps 'City of God' is not for everybody. It is not some audience members' idea of being entertaining, and is pretty unflinching, uncompromising and challenges the viewer. It does, with that being said, a superlative job bringing those qualities to life, and there are others, including myself, who judge films by what they set out to do rather than just wanting to be "entertained". There are many hugely entertaining films, while there are others that are clearly intended to be things other than entertainment and either are deep character studies, deliberate mood pieces and poignant dramas and shouldn't be denounced because of stereotypical views of what a film should be like.
'City of God' is very well made, with some stunning and hard-hitting images, even if the budget is not high or enormous. It's all audaciously shot and edited with a lot of gritty atmosphere and sense of tension. The music fits well and has some haunting moments without being intrusive, while Fernando Meirelles's direction, particularly in the visual style, is superb.
The story is not hard to follow, with lots of provoking thought, tension and emotion, while the action is positively explosive, frighteningly brutal and designed with a real meticulousness. In no way either does it glamorise crime and gives an unflinching view of gangland rivalry, provoking comparisons to Martin Scorsese and 'Goodfellas'.
Alexandre Rodrigues and Leandro Firmino da Hora are fabulous in their roles and carry the film and their compellingly real characters adeptly.
Overall, a masterwork. 10/10 Bethany Cox
Li'l Zé and his gang is having fun chasing a runaway chicken in a Rio favela called the Cidade de Deus "City of God". The chicken comes to Rocket with his camera. Then flashbacks to the 60s tell the story of Rocket who becomes the photographer of his friends. Li'l Zé and his best friend Benny grow up to be the crime boss of the city. There's Carrot who is a criminal leader tolerated by Benny and there's Knockout Ned who turned away from crime.
It is truly a new Godfather. It is the harsh brutality of the slums. It's the randomness of the world. It beats with a human heart. It's a little messy. It's visceral. The kids are played by kids. The criminals are remorseless. The amateur actors are authentic. The cinematography is terrific. The location can't get more real. It is a new crime masterpiece.
It is truly a new Godfather. It is the harsh brutality of the slums. It's the randomness of the world. It beats with a human heart. It's a little messy. It's visceral. The kids are played by kids. The criminals are remorseless. The amateur actors are authentic. The cinematography is terrific. The location can't get more real. It is a new crime masterpiece.
I agree with the other positive reviews here. I just saw this again after 15 years - still far exceeds anything made today when it comes to struggles of troubled youth in urban slums plagued by drugs and violence. So raw. So shocking to the system. Highly recommended!
Le saviez-vous
- AnecdotesWhen we hear Buscapé (Alexandre Rodrigues) talking to Marina (Graziella Moretto) about how "he never took a hot bath", that was not scripted. Actually, that was Rodrigues and Moretto talking off camera, during a pause in the shooting, when the boy (who lived on the slums) was telling her about his life.
- GaffesZé Pequeno is taken into custody by the police, Buscapé runs after the police truck. The Police truck passes by a late - model Chevrolet S10, black, circa 2001. The movie is set in the seventies.
- Générique farfeluThe closing credits shows pictures of the main actors, their name, their character's name and pictures of the real life characters (for the ones based on existing people).
- Autres versionsThe Indian Censor Board nonsensically deleted the visuals of frontal nudity in the motel scene and the dialogue of a woman talking about her sexual experiences for an 'A' (adults) rating.
- ConnexionsFeatured in Siskel & Ebert & the Movies: The Best Films of 2002 (2003)
- Bandes originalesAlvorada
Written by Cartola / Carlos Cachaça / Hermínio Bello de Carvalho (as Hermínio B. Carvalho)
Performed by Cartola
Peer Music do Brasil Edições Musicais Ltda
Licensed by EMI Music Ltda
Meilleurs choix
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- How long is City of God?Propulsé par Alexa
- Is 'City of God' based on a novel?
- Why is the favela called "City of God"? It seems like just the opposite.
- The "Runts" frequently mention the formation of a "Red" gang. Is there any significance to this?
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- City of God
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 300 000 R$ (estimation)
- Brut – États-Unis et Canada
- 7 564 459 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 88 292 $ US
- 19 janv. 2003
- Brut – à l'échelle mondiale
- 30 681 033 $ US
- Durée2 heures 10 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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