ÉVALUATION IMDb
7,4/10
2,8 k
MA NOTE
Ajouter une intrigue dans votre langueSurfers and secret spots from around the world are profiled in this documentary.Surfers and secret spots from around the world are profiled in this documentary.Surfers and secret spots from around the world are profiled in this documentary.
- Prix
- 2 nominations au total
Richie Fitzgerald
- Self
- (as Richard Fitzgerald)
Avis en vedette
'Step Into Liquid' director and writer carries on the torch of his father, Bruce Brown's legacy with an even more intense, but momentary glimpse into a rather incredible sport in a sort of follow up made more than thirty-five years later after The Endless Summer. Though difficult for the loyal surfer to explain his love for surfing, which the surfers and filmmakers assure audiences that the "way of life" is as inexplicable as trying to explain what describe what colors look like, Dana Brown and others make an excellent effort in trying to reveal through words and visuals why this sport is indeed "their way of life." As the filmmakers traverse the globe, following more than just an endless summer, they feature thousands of surfers in even some of the most unusual locations (Wisconsin, Rapa Nui, Ireland, etc.) where the participants in the sport each have their own definition of the perfect wave, that extreme point where nature meets a fiberglass board and makes the rider feel so stoked and so addicted. It may be difficult to explain to the non-surfer, or probably even to the surfer, but Dana Brown and others make a wonderful attempt at capturing one of the oldest sports. While the actual ride itself is an intense experience, it is an adrenaline rush to watch it. And, even for the non-surfer, it can be appreciated on the level that you may feel this way about something you participate in, whether it be another sport or activity altogether. That, I highly admire.
This film offers amazing footage and it's accompanying glorious scenery (and sometimes, not so glorious) and interviews from more than just the most well-known surfers. The DVD package also includes a hefty supply of special features, including the full-game version of Kelly Slater's pro-surfer, additional interviews, and so forth. It is a stacked supply for surfing appreciation destined to make even the most indifferent of audiences stoked.
This film offers amazing footage and it's accompanying glorious scenery (and sometimes, not so glorious) and interviews from more than just the most well-known surfers. The DVD package also includes a hefty supply of special features, including the full-game version of Kelly Slater's pro-surfer, additional interviews, and so forth. It is a stacked supply for surfing appreciation destined to make even the most indifferent of audiences stoked.
I like surfing films, in part because moving water is one of the most cinematic things in existence.
And surfing photography has advanced tremendously in the last decade, both in the way the camera can be placed and the lenses that can be used. It matters I suppose that surfers had gotten more exhibitionist.
But given all this raw stuff, you still have to weave something worth watching. Despite the mundane story, I really liked "Blue Crush." It had energy and charm, thanks mostly to the editor.
This mostly misses. And that's because it focuses not on the surfing but the surfers. These guys and gals just aren't very interesting, and their ordinariness takes away from the extraordinary potential of the motion adventure.
Once we're locked into hearing about these guys we are forced into having to like them and that's a bad strategy for a movie. Only in one episode do we really go with the appeal, when some Irish American boys go back to Ireland and teach surfing to kids of mixed backgrounds (who naturally enough us all seem the same).
I think with iMovie and better music, someone could make a better, shorter movie of this material. It should be all about the water. In spite of this starting out with the clear announcement: "no stereotypes," it is precisely about stereotypes and the realization that the filmmaker can't see it is a profound weight.
Precisely.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
And surfing photography has advanced tremendously in the last decade, both in the way the camera can be placed and the lenses that can be used. It matters I suppose that surfers had gotten more exhibitionist.
But given all this raw stuff, you still have to weave something worth watching. Despite the mundane story, I really liked "Blue Crush." It had energy and charm, thanks mostly to the editor.
This mostly misses. And that's because it focuses not on the surfing but the surfers. These guys and gals just aren't very interesting, and their ordinariness takes away from the extraordinary potential of the motion adventure.
Once we're locked into hearing about these guys we are forced into having to like them and that's a bad strategy for a movie. Only in one episode do we really go with the appeal, when some Irish American boys go back to Ireland and teach surfing to kids of mixed backgrounds (who naturally enough us all seem the same).
I think with iMovie and better music, someone could make a better, shorter movie of this material. It should be all about the water. In spite of this starting out with the clear announcement: "no stereotypes," it is precisely about stereotypes and the realization that the filmmaker can't see it is a profound weight.
Precisely.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
STEP INTO LIQUID (2003) ***1/2 (Featuring as themselves: Rochelle Ballard, Shawn Barron, Layne Beachley, Jesse Brad Billauer, Taj Burrow, Ken Collins, Darrick Doerner, Brad Gerlach, Laird Hamilton, Dave Kalama, Keala Kennelly, Alex Knost, Jim Knost, Rob Machado, Chris Malloy, Dan Malloy, Keith Malloy, Peter Mel, Mike Parsons, Kelly Slater, Mike Waltze. Surf's up dude! Surfing enthusiast cum documentarian Dana Brown, son of filmmaker Bruce Brown who helmed the sport's quintessential flicks 'The Endless Summer' and 'The Endless Summer 2', picks up from his dad about the way of life for the thrill-seeking, daredevil and nature worshipping oceanographers of waycool as they embark on a globetrotting look at the awesome spectacle of catching a wave without it catching you! Jaw-dropping cinematography of 60 foot avalanches of ocean's crests glistening in glass clear blue water off Oahu, Ireland (!) and such exotic locales as Rapu Nui , Vietnam and Sheboygan, Wisconsin (!!!) Truly amazing for those uninitiated and for purists there is no substitute in realizing that it's a style of life and not a lifestyle. The real-life surfers show unbridled passion at what makes it all worth while enjoying something you love; what's not to admire about that 'philosophy'.
Dana Brown, the son of legendary film maker Bruce Brown, continues the family tradition with his own take on the world of people that are totally committed to ride those waves, no matter where. In a way, this is another installment in the way Brown sees the world of the surfers as he takes us all over the world to show us what people will do in order to discover the perfect wave, and ride it.
The brilliant cinematography is amazing to watch. Things obviously have improved greatly since Bruce Brown pioneered this genre of documentary. We get glimpses of Oahu, with its rugged coast and giant waves. We are taken to places like Rapa Nui, Ireland, Viet Nam and even Sheboygan, Wisconsin, where we had no idea people will go to their rough lake to surf! Someone made a comment about the title being pretentious, but in reality, the line comes right from one woman that is being interviewed and says she feels like "stepping into liquid" whenever she is surfing.
The film is beautiful to watch. It could have used some editing, but in general Dana Brown ought to be congratulated by what he has captured on camera for fans of the sport and just plain folks that will be, no doubt, wowed by what they see on the screen.
The brilliant cinematography is amazing to watch. Things obviously have improved greatly since Bruce Brown pioneered this genre of documentary. We get glimpses of Oahu, with its rugged coast and giant waves. We are taken to places like Rapa Nui, Ireland, Viet Nam and even Sheboygan, Wisconsin, where we had no idea people will go to their rough lake to surf! Someone made a comment about the title being pretentious, but in reality, the line comes right from one woman that is being interviewed and says she feels like "stepping into liquid" whenever she is surfing.
The film is beautiful to watch. It could have used some editing, but in general Dana Brown ought to be congratulated by what he has captured on camera for fans of the sport and just plain folks that will be, no doubt, wowed by what they see on the screen.
Step Into Liquid is full of breathtaking cinematography of (mostly American) surfers achieving heroic feats of beauty in the lap of Neptune. From the crazy Californians who boat 100 miles off shore to ride 60-foot waves breaking over an underwater mountain, to a paralyzed former surf phenom who manages to get back into the tide splashing near shore, to creative nutcases in south Texas who surf in the wake of oil supertankers in a 15-mile-wide canal, the movie offers a snapshot of the breadth of the sport as practiced in an endless number of ways wherever water, for whatever reason, forms waves.
Unfortunately the movie is not edited with the same grace with which its subjects navigate the waves. The director's ceaseless voiceover offers few opportunities for self-reflection during the film, and pounds the poetry into sentiment. Music is used haphazardly and too frequently to add unneeded emphasis to the footage. The use of "white boy angst" hard rock under much of the footage gives it the feeling of a cheap extreme sports video; all that's missing are the pseudo-MTV titles in the bottom-left corner to identify the Limp Biskit wannabees at the end of each scene. This film could have been great if it had been edited with a modicum of restraint, if the filmmakers had been content to let its themes be implied rather than stated over and over again in talking-head interviews and the voiceover. By the end you feel like you've watched a spectacular motivational seminar training film instead of a true drama.
Nonetheless the movie is mostly enjoyable, and the subject itself is interesting, amazing, and often funny (the Green Bay Packer fans surfing in Lake Michigan off the shores of Milwaukee ought to have their own sitcom, and might if the right person sees the movie...).
Unfortunately the movie is not edited with the same grace with which its subjects navigate the waves. The director's ceaseless voiceover offers few opportunities for self-reflection during the film, and pounds the poetry into sentiment. Music is used haphazardly and too frequently to add unneeded emphasis to the footage. The use of "white boy angst" hard rock under much of the footage gives it the feeling of a cheap extreme sports video; all that's missing are the pseudo-MTV titles in the bottom-left corner to identify the Limp Biskit wannabees at the end of each scene. This film could have been great if it had been edited with a modicum of restraint, if the filmmakers had been content to let its themes be implied rather than stated over and over again in talking-head interviews and the voiceover. By the end you feel like you've watched a spectacular motivational seminar training film instead of a true drama.
Nonetheless the movie is mostly enjoyable, and the subject itself is interesting, amazing, and often funny (the Green Bay Packer fans surfing in Lake Michigan off the shores of Milwaukee ought to have their own sitcom, and might if the right person sees the movie...).
Le saviez-vous
- AnecdotesThe 66-foot wave ridden by Mike Parsons at the Cortez Bank is believed to have been the largest wave ever surfed at the time the movie was released. It has since been surpassed by a 70-foot wave ridden by Pete Cabrinha in 2004 at Peahi in Hawaii.
- ConnexionsReferenced in Dust to Glory (2005)
- Bandes originalesStep into Liquid
Performed by The Hollywood Studio Symphony
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- How long is Step Into Liquid?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- El club de las olas
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 700 000 $ US (estimation)
- Brut – États-Unis et Canada
- 3 681 803 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 135 985 $ US
- 10 août 2003
- Brut – à l'échelle mondiale
- 4 041 588 $ US
- Durée
- 1h 27m(87 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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