Gonggongui jeog

Director Kang Woo-suk dresses up his diatribes about the social ills of modern Korea in the well- worn finery of the cop-vs-serial-killer thriller so beloved by Hollywood. Disheveled cop Sol Kyung-gu, unrepentantly violent and perpetually on the take--because, let's face it, that's just how thing's get done in Korea--relentlessly pursues a dapper, smarmy financial whiz (Lee Sung- jae, who he believes killed his parents over his father's decision to remove a large chunk of money from a big investment deal in order to save an orphanage from the bulldozers. There's no doubt Lee is guilty of the crime--we see the act in all it's squishy glory, and he further confounds the investigators by randomly killing a hapless stranger to make all the murders appear to be the work of a serial killer, but Sol knows better, and will use every dirty trick at his disposal to put this doggy down. The real target of director Kang's venomous social criticism is quite obviously the soulless corporate culture he seems convinced has poisoned Korean society and subverted traditional family values far more than corrupt law enforcement ever could, and which he views as a wellspring of self-obsessed Armani-clad sociopaths who would slit their own mothers' throats to score a big ROI, only here the metaphor isn't actually a metaphor, it's the central plot device! (I'm guessing he read "American Psycho" or at least saw the movie; certainly Lee's icy villain would make an ideal overseas pen-pal for Bret Easton Ellis' Patrick Bateman). As in TWO COPS 1 and 2, the director sides squarely with the overworked, underpaid cops, and he lovingly (and humorously) illustrates the complex, even necessary web of corruption and deception they must weave in order to maintain the status quo.

There is no denying that it is good to see this film released in the uk around the summer blockbuster season (i saw this film in a ugc multiplex which was playing as part of a season of asian films released across the summer), but this film in particular suffers from flaws, mainly a plot that is unoriginal and scenes and situations that dont seem to stick together, the change in mood for instance, from almost slapstick comic to dark murder thriller, but that is not to say that the film is not good, there are many scenes and themes that work well, such as the contrast between the tough maverick cop and the arrogant and psychotic fund manager who has shades of AMERICAN PSYCHO'S Patrick Bateman, and the use of dark humour which seems to be present in many of the recent asian cinema releases. Overall a film worth checking out but not one to keep your hopes up high for.

Simple story here, a cop chases down a psychotic serial killer. He is the only one who believes that this respected, wealthy, family man is the serial killer, and so must bring about some under-handed methods whilst keeping the politicians off his back. What the film lacks in story it makes up for in complex relations and psychological warfare. A stroke of genius coming about once Gyu-Hwan (the killer) kills a man not related to the murder of his parents, just to tease Chul-Jung (the cop). The film begins by letting us get to know the two characters, Chul-Jung's partner shoots himself leaving Chul-Jung to be the focus of an internal investigation, while he also tries to get rid of some heroin. Gyu-Hwan is introduced ferociously masturbating in the shower, before exiting the bathroom and greeting his son. The film, like a few Korean police thrillers ('Memories of Murder', 'Nowhere to Hide') has a fantastic sense of humour to counteract the shocking scenes of violence. One scene has Chul-Jung on a stakeout, running round the streets in the rain trying to find a place to take a dump. The film can be looked at as a commentary on social status, as the cop has a bad reputation, and is tainted as he tries to do the right thing. The psychopathic serial killer, is highly respected, possibly because of his wealth. The murder scenes are at times chilling, while the fight scenes are brutal and never unbelievable (apart from a hilarious encounter in a shop between Chul-Jung and a large number of gangsters). An interesting array of supporting characters, fill in any holes that this film leaves through lack of originality, the chief of homicide, and a knife expert being among my favourites. The film seems needlessly long in places, and since we as the audience know who the killer is the investigation can get frustrating, although this may be used to reflect the anger of Chul-Jung and nobody believing him. Speaking of Chul-Jung it is very, very hard to get to like him as he is a bit of a low-life and this is a shame as it becomes hard to be brought into his world. By the end however he sort of redeems himself. The performances are wonderful from the two leads, and rather than trying to upstage each other, like good actors they play off each other and seem to be enjoying it when their character has the upper hand. It's a film that is comfortable being what it is, never wanting to push the boundaries, but offering a brilliant, tense and funny cat and mouse thriller.

The good thing is about the bad guy in the movie... the text on the DVD box told about a corrupt cop vs. a psychopath... Well, I feared the psychopath was a serial killer with all the nauseating, fetishist rituals stuff "a la" Seven or other movies alike. But the killer is almost a normal guy (as much as a killer can be a "normal guy"!), killing with a purpose... Well, the guy is seriously crazy anyway, killing for very trivial motives, such as a man spilling his drink on him.

The bad thing in the movie is a kind of a scatological scene. It may seem trivial for some people, but for me, it wasted my enjoyment. Apart from that and 2 or 3 bloody sequences this is a very good movies.

OK for a starters my girlfriend hates subtitled films. One week i spent my paycheck buying all the tartan extreme collection. The best decision i have ever made. talk about value for money. From versus, to the bride with white hair, to the ramones and public enemy. The film has everything black hunour, comic scenes, a psycho killer, and one of the most unusual cops since briggs in lethal weapon, a pure loner who develops a conscience while the movie progresses. The movie trailer really made me want to watch this. As i said my girlfriend hates subtitles film but she loved this a must for all thriller and black humour fans. A little long at two hours but highly enjoyable.