ÉVALUATION IMDb
7,2/10
24 k
MA NOTE
Kenichi et son oncle Shunsaku Ban doivent découvrir le mystère qui se cache derrière la fille-robot Tima.Kenichi et son oncle Shunsaku Ban doivent découvrir le mystère qui se cache derrière la fille-robot Tima.Kenichi et son oncle Shunsaku Ban doivent découvrir le mystère qui se cache derrière la fille-robot Tima.
- Prix
- 1 victoire et 4 nominations au total
Toshio Furukawa
- Skunk
- (voice)
Scott Weinger
- Atlas
- (English version)
- (voice)
Yuka Imoto
- Tima
- (voice)
Kei Kobayashi
- Kenichi
- (voice)
Kôki Okada
- Rock
- (voice)
Tarô Ishida
- Duke Red
- (voice)
Kôsei Tomita
- Hige-Oyaji
- (voice)
Norio Wakamoto
- Pero
- (voice)
Junpei Takiguchi
- Dr. Laughton
- (voice)
Takeshi Aono
- Ponkotz
- (voice)
Masaru Ikeda
- President Boon
- (voice)
Shun Yashiro
- Notarlin
- (voice)
Shigeru Chiba
- Lamp
- (voice)
Masashi Ebara
- Ham Egg
- (voice)
Takaya Hashi
- Lyon
- (voice)
Norihiro Inoue
- Atlas
- (voice)
Rikako Aikawa
- Fifi
- (voice)
Avis en vedette
I'm not a big fan of Manga I must admit. The movies I've seen have been few and far between and while I certainly enjoyed the likes of Ninja Scroll, Akira and Ghost In The Shell, I've never had much urge to seek out a really wide knowledge of the genre. That being said though, Metropolis has to rank as one of my top five films of all time, not just the animated ones.
Telling the story of a far future world where humans and robots exist alongside one another, it focuses on the adventures of a Private Investigator and his son visiting the city for the first time and hunting down a missing robot called Tima. And what a city it is! The animation, simply put, is stunning. The epic scope of this vast urban world is beautifully captured on screen. It is richly detailed and lit up like a fantastic world of colour, like a fine piece of dramatic art that has come to life. The animation on the characters meanwhile is no less amazing, it is more akin to French than Japanese in stylistic terms, but is still very detailed and beautifully realised.
But this is no piece of aesthetic beauty with nothing to back it up as the storyline is truly gripping. As the boy befriends a young girl, both of them unaware that she is in fact an experimental robot, you find yourself getting swept up in their plight and they have just as much, if not more depth and emotion than any real-life actor's work.
Come the climax, you'll be simultaneously thrilled and left emotionally stunned. This is a magnificent film, I can't praise it enough.
Telling the story of a far future world where humans and robots exist alongside one another, it focuses on the adventures of a Private Investigator and his son visiting the city for the first time and hunting down a missing robot called Tima. And what a city it is! The animation, simply put, is stunning. The epic scope of this vast urban world is beautifully captured on screen. It is richly detailed and lit up like a fantastic world of colour, like a fine piece of dramatic art that has come to life. The animation on the characters meanwhile is no less amazing, it is more akin to French than Japanese in stylistic terms, but is still very detailed and beautifully realised.
But this is no piece of aesthetic beauty with nothing to back it up as the storyline is truly gripping. As the boy befriends a young girl, both of them unaware that she is in fact an experimental robot, you find yourself getting swept up in their plight and they have just as much, if not more depth and emotion than any real-life actor's work.
Come the climax, you'll be simultaneously thrilled and left emotionally stunned. This is a magnificent film, I can't praise it enough.
I knew little about this film but when I saw that it was going to be on television I decided to watch it; there is so little non-Ghibli anime on TV one has to take what one can get. When it started I knew this was going to be different; most of the characters didn't look like anime characters, they looked more like characters from western cartoons of the 1930s. This fitted in with the feel of the whole film which was a 1920s/1930s view of the future reminiscent of Fritz Lang's film of the same name.
Set in the city state of Metropolis where the robot underclass must stay in their designated areas and a scientist is building a robot that looks like a girl but is destined to run a new skyscraper known as the Ziggurat. Into this city comes a Japanese private detective and his nephew Kenichi who are seeking to arrest the scientist for organ trafficking. The state's de facto leader Duke Red's adopted son Rock is determined to destroy the robot thinking his father is replacing him. Rock starts a fire in the lab. During this the robot is activated and escapes with Kenichi although neither know that she isn't human. Rock continues to hunt them as the flee through the various layers of the city to a climax in the mysterious Ziggurat.
I loved the retro feel to the animation along with a sound track that also felt like it was from that time. The use of the song "I Can't Stop Loving You" during the climactic scene was inspired. Even if you don't normally like animation this is worth watching as it is a good story which is well told.
These comments are based on watching the film in Japanese with English subtitles.
Set in the city state of Metropolis where the robot underclass must stay in their designated areas and a scientist is building a robot that looks like a girl but is destined to run a new skyscraper known as the Ziggurat. Into this city comes a Japanese private detective and his nephew Kenichi who are seeking to arrest the scientist for organ trafficking. The state's de facto leader Duke Red's adopted son Rock is determined to destroy the robot thinking his father is replacing him. Rock starts a fire in the lab. During this the robot is activated and escapes with Kenichi although neither know that she isn't human. Rock continues to hunt them as the flee through the various layers of the city to a climax in the mysterious Ziggurat.
I loved the retro feel to the animation along with a sound track that also felt like it was from that time. The use of the song "I Can't Stop Loving You" during the climactic scene was inspired. Even if you don't normally like animation this is worth watching as it is a good story which is well told.
These comments are based on watching the film in Japanese with English subtitles.
When I first saw this I was totally blown away by its beautiful animation and groundbreaking use of music! It really made me lyrical in a way few anime does - Rintaro and Otomo really has what it takes to make a masterpiece. The blend of charming old-fashioned technology and allusions to modern phenomenons makes it the perfect anime for the beginning of 21st century!
Metropolis is based on Tesuka Osamus first manga and later gave inspiration to his more famous "Astro Boy". Some story elements and characters from Tesukas later works are clearly inserted in Metropolis to make it work as a movie, which in this case is good... The choice of music is, in my opinion, daring and rather funny; jazzy tunes spiced with hits from the 60s (Ray Charles) sets the tone of the "optimistic atomic age". All in all, well made nostalgia...
I could go on forever with this rant, so I spare you that if you see this little animated gem! Rent it, buy it, steal it (if necessary ;) , you won't regret it!
Metropolis is based on Tesuka Osamus first manga and later gave inspiration to his more famous "Astro Boy". Some story elements and characters from Tesukas later works are clearly inserted in Metropolis to make it work as a movie, which in this case is good... The choice of music is, in my opinion, daring and rather funny; jazzy tunes spiced with hits from the 60s (Ray Charles) sets the tone of the "optimistic atomic age". All in all, well made nostalgia...
I could go on forever with this rant, so I spare you that if you see this little animated gem! Rent it, buy it, steal it (if necessary ;) , you won't regret it!
For crying out loud, it's stylized! That's why the soundtrack is jazz and blues and stuff. That's why the character animation is "crappy".
Look at a comic book from the twenties/thirties, namely Herge's Tintin books, or Tezuka's manga (fifties actually), which this is based off of, DANG IT! The characters are designed to look like comic book character's from that era. Shinsaku looks like one of the Thompsons. Kenechi looks like a cross between Tintin and Astro Boy.
It's meant to be like a Prohibition era Chicago or something.
Look at a comic book from the twenties/thirties, namely Herge's Tintin books, or Tezuka's manga (fifties actually), which this is based off of, DANG IT! The characters are designed to look like comic book character's from that era. Shinsaku looks like one of the Thompsons. Kenechi looks like a cross between Tintin and Astro Boy.
It's meant to be like a Prohibition era Chicago or something.
I am a fan of anime, so after hearing all the great acclaim this movie got, I knew I had to see it.
Visually, the movie it top-notch. The blend of computer graphics and hand-drawn animation is seamless, with incredible detail given to each. Graphically, this movie is indeed a milestone in animation, one that will definitely be referred to over and over in the future. If you are a fan of animation (Japanese or otherwise), you MUST see this movie.
As for the story and character - they were somewhat underwhelming. Occasionally each got to the point where they intrigued you and made you want to learn more - but you got no more. You learn really nothing about the youthful male protagonist or the female humanoid who he saves and takes care of. They hardly even say a word to each other! There were also some big jumps in the storyline, feeling like a lot of important information was cut out.
The movie was based on a long manga, so it's obvious that A LOT of character and story development had to be cut out so that the movie would run at an acceptable running time. I honestly think this story would have worked - it certainly would have been somewhat better - had it been done as a miniseries. Maybe the visuals wouldn't have been so stunning, but a more compelling story and more memorable characters would have made up for it.
Visually, the movie it top-notch. The blend of computer graphics and hand-drawn animation is seamless, with incredible detail given to each. Graphically, this movie is indeed a milestone in animation, one that will definitely be referred to over and over in the future. If you are a fan of animation (Japanese or otherwise), you MUST see this movie.
As for the story and character - they were somewhat underwhelming. Occasionally each got to the point where they intrigued you and made you want to learn more - but you got no more. You learn really nothing about the youthful male protagonist or the female humanoid who he saves and takes care of. They hardly even say a word to each other! There were also some big jumps in the storyline, feeling like a lot of important information was cut out.
The movie was based on a long manga, so it's obvious that A LOT of character and story development had to be cut out so that the movie would run at an acceptable running time. I honestly think this story would have worked - it certainly would have been somewhat better - had it been done as a miniseries. Maybe the visuals wouldn't have been so stunning, but a more compelling story and more memorable characters would have made up for it.
Le saviez-vous
- AnecdotesOsamu Tezuka claimed that he received inspiration for his Metropolis manga from seeing the poster for Metropolis (1927), but never actually saw the film.
- GaffesRock's costume disappears in the Throne of Power scene.
- Autres versionsEnglish subtitled version doesn't subtitle the word "Kuso" at the begining of the film.
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Détails
Box-office
- Budget
- 15 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 722 932 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 84 660 $ US
- 27 janv. 2002
- Brut – à l'échelle mondiale
- 4 035 384 $ US
- Durée
- 1h 48m(108 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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