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6,9/10
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MA NOTE
Ajouter une intrigue dans votre langueA young man with spider like abilities fights crime as a superhero in New York City while trying to have a normal personal life.A young man with spider like abilities fights crime as a superhero in New York City while trying to have a normal personal life.A young man with spider like abilities fights crime as a superhero in New York City while trying to have a normal personal life.
- Prix
- 2 nominations au total
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I've never been too much of a Spider Man fan. I've never seen the movie the whole way through. But this show this amazing! I love it! I mean this is not emmy material, but it is just pure fun! I'm hooked in it's web!
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Spider-Man 2003 is a cel-shaded cartoon series for adults that aired on MTV and in syndication. It features amazing computer animation and the story-line is not the worst, though it does leave on a mini- cliff hanger. The action is interesting and fast-paced but not so much that you can't absorb scenery details and what's happening on the screen. I recommend that you give this series a try, as long as you watch the episodes in the correct order sequence.
I have determined the order in which to watch Spider-Man 2003. (I voted it an 8, but only if you watch the entire series in the correct order.)
Spider-man 2003 comes in a 2-disc set: disc 1 is A, disc 2 is B. Episodes are numbered, as on the discs. Copy and print this for your records.
Disc 1 (A) 3 4 1 5 2 6 7 8
Disc 2 (B) 2 1 3 4 5
If you can watch the episodes digitally, without discs, then watch the episodes in this sequential order (base this sequence on Wikipedia's list of episodes for Spider-Man 2003):
5. Law of the Jungle --- 2. Sword of Shikata --- 1. Heroes and Villains --- 3. Keeping Secrets --- 9. Royal Scam --- 4. Tight Squeeze --- 6. Head over Heels --- 10. The Party --- 7. Spider-Man Dis-Sabled --- 11. Flash Memory --- 8. When Sparks Fly --- 12. Mind Games I --- 13. Mind Games II
I have determined the order in which to watch Spider-Man 2003. (I voted it an 8, but only if you watch the entire series in the correct order.)
Spider-man 2003 comes in a 2-disc set: disc 1 is A, disc 2 is B. Episodes are numbered, as on the discs. Copy and print this for your records.
Disc 1 (A) 3 4 1 5 2 6 7 8
Disc 2 (B) 2 1 3 4 5
If you can watch the episodes digitally, without discs, then watch the episodes in this sequential order (base this sequence on Wikipedia's list of episodes for Spider-Man 2003):
5. Law of the Jungle --- 2. Sword of Shikata --- 1. Heroes and Villains --- 3. Keeping Secrets --- 9. Royal Scam --- 4. Tight Squeeze --- 6. Head over Heels --- 10. The Party --- 7. Spider-Man Dis-Sabled --- 11. Flash Memory --- 8. When Sparks Fly --- 12. Mind Games I --- 13. Mind Games II
Spidey on TV has always suffered from being intended for children, and blatant cases of cheesiness, and that was a part of the appeal of it. Recently however, they've come out with a new Spider formula: more mature, having characters die on screen, insanity, and dealing with a broad range of new subject matter like sex, violence, drug abuse, and murder. This show is Spider-Man: The New Animated Series (or MTV Spider-Man).
Being done in full cell shading animation, it loosely follows up on the events of the first Spider-Man movie, following Peter Parkers life as he tries to deal with college, women, life, and his responsibility of being Spider-Man. The 13 eps. series flows in a somewhat sequestered format, with each eps being cut off from the others, aside from a few exceptions (a new love interest being introduced halfway through, and the 2-part series finale), which takes away from the feel that you're watching Pete's life go on, since his actions in one eps don't necessarily reflect in any of the others. But overall it works to establish the villains which show up in every eps.
As said, there is a villain appearance in each eps, ranging from a college girl obsessed with Spider-Man, to Russian terrorists, to telepathic twins. Of course some of your old favorites make an appearance such as Kingpin, The Lizard, and Electro to name a few, though not all of them are handled appropriately. For example, Kingpin, who's basically the nexus with which all crime in New York revolves around, comes off as no more dangerous than a somewhat successful crime boss. While others, such as Electro and The Lizard, are almost epic in their presentation. Both of which will tempt a tear to be released if not making you cry openly.
The voice acting is decent, with Spidey sounding appropriate and having a good hint of silly sarcasm to his voice, but the problem is he doesn't really change it. In some serious scenes, it just doesn't sound much different than when he's taunting a villain, only in a slightly lower tone. The real shining voicework comes from the one-shot villains. Particularly from Rob Zombie as Dr. Kurt Conners and Kathy Griffin as Roxanne (a telepathic twin). Both giving amazing performances and convey their characters marvelously. Especially Kathy Griffin, who doesn't seem like she would be the type to play a psychotic killer at all, but her voice fits amazingly well. One special note I'd like to make is about Ethan Embry who plays Max Dillon/Electro. While his performance isn't really anything special in the first half of his eps, once he becomes Electro his quality skyrockets. With 2 lines being given by him that are the 2 most memorable, and emotionally stirring in the entire series:
It's not the lines themselves, but the way that they are said that just rips your heart out. The second line never fails to make me close my eyes and turn away slightly at his pain no matter how many times I see it. It's just that well delivered. You need to listen to it in order to understand what I mean, words can't explain it.
Overall, this is a well made Spider-man series with a more mature twist than what we're expecting to see from a spidey series. Though not without it's flaws (reuse of 3-4 people designs as extras continuously, repetition of Spidey's catch phrase "seriously.. ow!", etc.) it's definitely a worthy addition to the Spidey franchise, and is definitely worth a look if you're at all interested in your Friendly Neighbourhood Spider-Man.
Being done in full cell shading animation, it loosely follows up on the events of the first Spider-Man movie, following Peter Parkers life as he tries to deal with college, women, life, and his responsibility of being Spider-Man. The 13 eps. series flows in a somewhat sequestered format, with each eps being cut off from the others, aside from a few exceptions (a new love interest being introduced halfway through, and the 2-part series finale), which takes away from the feel that you're watching Pete's life go on, since his actions in one eps don't necessarily reflect in any of the others. But overall it works to establish the villains which show up in every eps.
As said, there is a villain appearance in each eps, ranging from a college girl obsessed with Spider-Man, to Russian terrorists, to telepathic twins. Of course some of your old favorites make an appearance such as Kingpin, The Lizard, and Electro to name a few, though not all of them are handled appropriately. For example, Kingpin, who's basically the nexus with which all crime in New York revolves around, comes off as no more dangerous than a somewhat successful crime boss. While others, such as Electro and The Lizard, are almost epic in their presentation. Both of which will tempt a tear to be released if not making you cry openly.
The voice acting is decent, with Spidey sounding appropriate and having a good hint of silly sarcasm to his voice, but the problem is he doesn't really change it. In some serious scenes, it just doesn't sound much different than when he's taunting a villain, only in a slightly lower tone. The real shining voicework comes from the one-shot villains. Particularly from Rob Zombie as Dr. Kurt Conners and Kathy Griffin as Roxanne (a telepathic twin). Both giving amazing performances and convey their characters marvelously. Especially Kathy Griffin, who doesn't seem like she would be the type to play a psychotic killer at all, but her voice fits amazingly well. One special note I'd like to make is about Ethan Embry who plays Max Dillon/Electro. While his performance isn't really anything special in the first half of his eps, once he becomes Electro his quality skyrockets. With 2 lines being given by him that are the 2 most memorable, and emotionally stirring in the entire series:
- No one is innocent!! NO ONE!! - Spidey: I know.. what it's like!! Electro: No.. you.. don't!!
It's not the lines themselves, but the way that they are said that just rips your heart out. The second line never fails to make me close my eyes and turn away slightly at his pain no matter how many times I see it. It's just that well delivered. You need to listen to it in order to understand what I mean, words can't explain it.
Overall, this is a well made Spider-man series with a more mature twist than what we're expecting to see from a spidey series. Though not without it's flaws (reuse of 3-4 people designs as extras continuously, repetition of Spidey's catch phrase "seriously.. ow!", etc.) it's definitely a worthy addition to the Spidey franchise, and is definitely worth a look if you're at all interested in your Friendly Neighbourhood Spider-Man.
After being burned by how the two Fox Kids "Spider-Man" cartoons were cut short before the plot lines were resolved, I was ready for a whole new incarnation of the wise-cracking webslinger in the red-and-blue pajamas.
At first, I was dismayed when I learned the entire thing was going to be done in computer animation. Come on! I didn't like the computer animation in neither the Spider-Man nor the Hulk feature films. I'll be scourged if computer animation will ever capture human motions as fluidly and as flawlessly as either live action or cell animation. If this series is going to be saved, it would have to be by the virtue of the story lines.
Luckily, it delivered in that avenue. Unlike the earlier incarnations of Spiderman on television, the writers either focused TOO much on pointless dialogue which can easily be conveyed through the actions of the characters, or as in the 1994 version, a lot of action (good) but a lot of superfluous dialogue was crammed in as well (bad). Here, they understood that the TV show does NOT always have to resemble a d**m comic book and actually utilized the cinematography offered through this medium (as well as the appropriately requisite dialogue) to convey the constant drama that is the dual life of Peter Parker/Spider-Man. Plus the fact that they take "liberties" with the language and themes by virtue of it being broadcast on Empty-V is an added bonus.
Speaking of the cinematography, the dizzying exhilarating web-slinging action almost makes up for the religious use of computer animation. The 1994 Spider-Man was enhanced by computer animation during the action sequences, so you can't really blame these people for taking the genre to its logical conclusion. Yet the characters still have that robotic feel to them, a major drawback to the CGI world that must be resolved before it's fully accepted.
The show still looks promising, and I will definitely place this among the shows to watch - a statement that is rare considering the channel it's being shown on.
*** out of **** stars.
At first, I was dismayed when I learned the entire thing was going to be done in computer animation. Come on! I didn't like the computer animation in neither the Spider-Man nor the Hulk feature films. I'll be scourged if computer animation will ever capture human motions as fluidly and as flawlessly as either live action or cell animation. If this series is going to be saved, it would have to be by the virtue of the story lines.
Luckily, it delivered in that avenue. Unlike the earlier incarnations of Spiderman on television, the writers either focused TOO much on pointless dialogue which can easily be conveyed through the actions of the characters, or as in the 1994 version, a lot of action (good) but a lot of superfluous dialogue was crammed in as well (bad). Here, they understood that the TV show does NOT always have to resemble a d**m comic book and actually utilized the cinematography offered through this medium (as well as the appropriately requisite dialogue) to convey the constant drama that is the dual life of Peter Parker/Spider-Man. Plus the fact that they take "liberties" with the language and themes by virtue of it being broadcast on Empty-V is an added bonus.
Speaking of the cinematography, the dizzying exhilarating web-slinging action almost makes up for the religious use of computer animation. The 1994 Spider-Man was enhanced by computer animation during the action sequences, so you can't really blame these people for taking the genre to its logical conclusion. Yet the characters still have that robotic feel to them, a major drawback to the CGI world that must be resolved before it's fully accepted.
The show still looks promising, and I will definitely place this among the shows to watch - a statement that is rare considering the channel it's being shown on.
*** out of **** stars.
I was very impressed with this show when I first viewed it on MTV. As a Spider-Man fan, I was intrigued by the changes made here with the characters from Spidey's comic history, but find them all acceptable. Of course, after I found out the Ultimate Spider-Man comic team was responsible for the series, that explained the changes.
I have no problem with the series at all except one. I hear it may not be continued. As Mr. Damien says in the Shikata episode, "Why in the hell not?" This series really captures the spirit of Spider-Man and the animation dazzles, in my opinion. If MTV is not going to continue the series, then I would sincerely hope that another network will. It would be a shame to have this die a premature death.
I have no problem with the series at all except one. I hear it may not be continued. As Mr. Damien says in the Shikata episode, "Why in the hell not?" This series really captures the spirit of Spider-Man and the animation dazzles, in my opinion. If MTV is not going to continue the series, then I would sincerely hope that another network will. It would be a shame to have this die a premature death.
Le saviez-vous
- AnecdotesSince the series was developed for MTV, stories were free of censorship marring kids programming. For the first time in a Spider-Man series characters were allowed to die on screen and there was some (mild) bad language.
- GaffesThe episodes are numbered out of order. For instance episode 1.7 (Head Over Heels), happens before episode 1.1 (The Party), and episode 1.4 (Tight Squeeze) happens before episode 1.3 (Spider-Man Dis-Abled).
- Citations
Electro: [Before killing Doug] Sucks to be you.
- ConnexionsFeatured in Atop the Fourth Wall: Spectacular Spider-Man: "Persona" (2017)
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Détails
- Date de sortie
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- Aussi connu sous le nom de
- Spider-Man: The New Animated Series
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By what name was Spider-Man (2003) officially released in India in English?
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