Irréversible

This film won't be for everyone. There are two scenes that require a strong stomach, the camera work, initially at least, is near nausea inducing and the narrative structure, playing chronologically backwards to some may feel gimmicky.

I thought this was terrific though.

The plot is essentially a revenge thriller, where a sexual assault is avenged through a brutal act of violence.

The narrative structure works for me - starting with a brutal act of violence, then gradually plays out the events that led up to that point. It is frenetic, urgent and compelling. Vincent Cassel is brilliant as ever here too.

The trigger for the revenge is shown as a protracted sexual assault, and I'm sure many will consider it gratuitous. To describe it as such is kinda missing the point - its duration and violence makes the viewer complicit in the crime and is, in part intended to justify the act of violence that follows (though we the audience have already seen).

It would be easy to reduce the film to the narrative device and these two scenes. Those scenes do live long in the memory, but the film is more than that. Don't get me wrong, I have no intention of watching the film again, but that's because once is enough, doesn't make it any more compelling. I thought this was mint.

I have seen this film only once. It needs multiple viewings, I feel, to fully appreciate it's merit. This is something that will come in time but I felt it was only right to comment after my first impression. I instantly gave the film 10 out of 10, not because I overly enjoyed it (nigh on impossible) but because it shook me, at times, to my very core and affected me in a way that I cannot easily or fully describe. I can honestly say Irreversible is the most devastating piece of cinema I've ever witnessed. This isn't solely due to it's shocking content but more so the production as a whole and how it has been constructed and packaged. It truly is a work of art. Camera-work, lighting, colour (primarily gaudy, striking tones of red and orange) all combine in an unforgettable amalgam of brilliance. Featuring towering performances from Cassel, Belluci and Dupontel the film lurches backward in time depicting the events of a truly tragic night in the lives of three friends. Alex (Belluci) is brutally raped on her way home from a party and Marcus (Cassel) and Pierre (Dupontel) set off determined to wreak vengeance on the perpetrator. However, that is merely the plot. Admittedly quite a simple premise but the way it is played out is unforgettable. This is a film that everyone should and arguably needs to see as it is, for me, a milestone of modern cinema. Raw and unflinching, can you stomach it?

A lot has been said about this movie. Yes, there are a couple of brutal and violent scenes. It's even hard to watch at times, but Irreversible is much more than that.

I personally think that the acting is great. There's a natural chemistry between the 3 main characters. Monica Bellucci does a wonderful job as Alex. I give her a lot credit for being involved in such difficult role.

I really like the way the story was told. Some people say that it's a rip off of Memento, and that it doesn't work well in this movie, but I have to disagree. The movie "starts" in a dark way, with a lot of graphic images and violence. But at the end there's this kind of peace, a little dose of happiness..."the calm before the storm". It works really well, and that's what make this a really sad story.

I really recommend this film. But like I said before, it can be hard to watch. Just watch it with an open mind and give it a try.

When his girlfriend Alex is brutally raped in an underpass, boyfriend Marcus and Alex's ex-boyfriend Pierre are approached by a couple of criminal types who claim to know who did it and lead Marcus on the path to revenge via hookers and a man in a brutal gay club known as the Rectum.

I shan't waste my time or yours by writing more of a plot to this film than that because this is all quite thin stuff. Normally I find myself gradually engaged by a film as it develops characters and stories however with Irréversible I was gripped immediately but the effect worked in reverse, just like the film. Others have asked why this film is told backwards, with some waxing lyrical about the film demonstrating the nature of actions and consequences. I don't buy this and I almost believe that the film is structured this way because Noé knows that his film is not good enough to engage the audience with the development of the story and characters to the point where they would still care by the end. Whereas, by starting with his biggest and most impacting sequences he has preventing the audience thinking "this is going nowhere" by putting us right where it is going to.

Of course what this means is that the film genuinely has nowhere to go to because the developmental issue is still there – albeit the need to see roots rather than branches. With this there is nothing and I felt myself becoming more and more disappointed with the film as it went on as it seemed to offer nothing but missed potential. Unlike Memento (which was a thriller with the reason being to find out what caused the end), Irréversible's ending is an act of violence and revenge that, in essence occurs out of bad fortune rather than a series of events that are worth holding out for. With this in mind the focus comes more on the characters and their relationships to find a reason to make the impacting opening to the film feel that much more impacting. Sadly it does fall down and despite some interesting stuff that might have gone somewhere (if not to the actual crime), themes of sexual intimacy, differences in men and women and so on are just suggested but never delivered upon and my interest and respect for the film waned frighteningly quickly.

It is a terrible shame because the film had initially won me over quickly. With the first shots of spinning camera, "irrelevant" men and disorientating delivery I prepared myself to hate this film and slate it for being pretentious. This feeling didn't subside much as we were thrown into a gay club ending with an intensely brutal scene of violence that quite sickened me. The reason for this is almost the following scene where we see the beautiful and classy Alex brutally and meaninglessly sodomised on the floor of a dirty underpass for no other reason than being in the wrong place at the wrong time and the wrong sex. With my eyes at the time I found these scenes to be quite brilliant but finding out later there was nothing beyond them I take a dimmer view. In his defence, Noé's sequences should not be mentioned in the same breath as the recent Holly wood trend for torture porn because there is nothing erotic here. The rape scene in particular is disturbing, sickening and based on violence, certainly not sex, attraction or arousal. Some comments on IMDb have disturbed me and shown that some people will still "enjoy" these scenes – one particular comment saying "fans of rape movie will appreciate" the sequence I felt was in particular poor taste. However for me it is as effective as it is unpleasant, Noé does not adopt the angles, style or nudity of pornography and indeed leaves the camera on the floor and lets the actors deliver an experience that is undeniably cruel and wrong. Viewers who chose to get off on that will do so however for those of us not stimulated by the violent degradation of another the effect will be harrowing.

The cast are good where they are caught up in things. Cassel is convincing in his revenge scenes but has less to work with in the later (earlier) scenes. Likewise Bellucci is amazing in her key scene; utterly convincing and heart-wrenching in her agony and I can only imagine how difficult it was for her to shoot. Dupontel is interesting but his performance would have benefited from going from innocence to violence and not the other way round. Prestia is a convincing human version of Satan, who is sickeningly real. Noé's direction is impressive even if his ability as writer is not. His camera earlier on matches the frantic violent mood of his characters but gradually calms down. Quite what he is saying with where the film goes or how it ends is beyond me but by then he had done sufficiently little to convince that I shouldn't worry myself too much.

Overall an impacting "experience" film that starts out with the potential to be a challenging and difficult art film. However with nothing past these scenes of significant value, the backward telling just seems like a way of having the "big" scenes before losing the audience, rather than afterwards and for all my appreciation and admiration for his intense and creative technique as director, I found Noé the writer to be lacking. In summary I'm not sure if I liked this or not or if it is worth seeing but it is certainly an experience that should be seen by those looking for a diverse taste of cinema whether it is "enjoyable" or not.

I'm a sucker for film-world hype--always have been, and probably always will be. When I stumble across a film that is so controversial it inspires both gasps of horror and cheers of praise, I flock to it. There is something intriguing about film's capacity to house unpleasantness, and just how far a director will go in conveying his message (it's always interesting to see whether or not they have a justified reason for the excess). "Irreversible," the backward-structured film from French shock auteur Gaspar Noe ("I Stand Alone") spins you out of control with as much regularity as his camera and characters will allow. It's a curious piece of work designed to provoke the audience--at the beginning, you're disoriented and confused (and, if you're like me, getting carsick from the deliberately erratic camera movements), and even repulsed by the actions of the unfamiliar characters hassling the patrons of a seedy homosexual club, a sequence that ends with a ghastly murder. Okay, then, so what? Clearly the rest of the movie is going to give us an explanation...but would the film have had a similar effect if it were told in a straightforward manner? Is the backward motion of "Irreversible" just a gimmick used by Noe (who is not immune from snobbery and pretension) to draw attention to his film? It's hard to say. Personally, I reject the notion of the reverse storyline being used as a gimmick, simply because of how deliberately the previous pieces fit (certain passages of dialog, particularly a discussion of orgasms that serves as a prelude to one of the most horrifying rape scenes in film history); Noe certainly wasn't asleep in his construction of the film. "Irreversible" displays the type of oppressive misanthropy (the dialog is loaded with racial and homophobic slurs) evidenced in Noe's "I Stand Alone" (the tale of an out-of-work butcher driven to madness by everyone around him), but then pulls back from the hard-edged violence to show a tender humanity that might be even more startling, since the film could have easily played itself for nothing but shock value the entire time. "Irreversible" is an unsettling conundrum that guides us through the highs and lows of the human condition--it pushes buttons of morality, shows in graphic detail what others would only suggest, and brings us out the end of the tunnel exhausted, invigorated, and breathless. A stunning film, somewhat hampered by its excessive dialog.