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Bijitâ Q

  • 2001
  • R
  • 1h 24m
ÉVALUATION IMDb
6,5/10
18 k
MA NOTE
Bijitâ Q (2001)
Comédie noireSatireComédieDrameHorreurThriller

Un mystérieux inconnu s'immisce dans la vie d'une famille troublée et perverse, peut-être pour les aider à trouver un équilibre dans leur nature inquiétante.Un mystérieux inconnu s'immisce dans la vie d'une famille troublée et perverse, peut-être pour les aider à trouver un équilibre dans leur nature inquiétante.Un mystérieux inconnu s'immisce dans la vie d'une famille troublée et perverse, peut-être pour les aider à trouver un équilibre dans leur nature inquiétante.

  • Director
    • Takashi Miike
  • Writer
    • Itaru Era
  • Stars
    • Ken'ichi Endô
    • Shungiku Uchida
    • Kazushi Watanabe
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,5/10
    18 k
    MA NOTE
    • Director
      • Takashi Miike
    • Writer
      • Itaru Era
    • Stars
      • Ken'ichi Endô
      • Shungiku Uchida
      • Kazushi Watanabe
    • 129Commentaires d'utilisateurs
    • 50Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 3 victoires au total

    Photos12

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    Rôles principaux7

    Modifier
    Ken'ichi Endô
    Ken'ichi Endô
    • Kiyoshi Yamazaki…
    Shungiku Uchida
    Shungiku Uchida
    • Keiko Yamazaki…
    Kazushi Watanabe
    Kazushi Watanabe
    • The visitor
    Jun Mutô
    • Takuya Yamazaki…
    Fujiko
    • Miki Yamazaki…
    Shôko Nakahara
    • Asako Murata
    Ikkô Suzuki
    • Sasaoka
    • (as Ikko Suzuki)
    • Director
      • Takashi Miike
    • Writer
      • Itaru Era
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs129

    6,517.7K
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    10

    Avis en vedette

    8gavin6942

    Possibly the Most Screwed-Up Film You'll Ever See

    Another world exists, and we are given a glimpse into that world: where sons beat their mothers, fathers are attracted to their daughters, and random strangers take up residence in a home and begin to run the household as they see fit. This is the world of "Visitor Q".

    I've been on something of a Takashi Miike kick lately, thoroughly enjoying "Audition" recently. He's more offbeat and push-the-envelope than much of what passes for horror in America. This film is no exception. While the violence is much less than I've seen from Miike, the bizarre sexual aspects are pushed to new limits.

    I don't know what I can write here without being obscene, but it's hard to describe this film without at least mentioning a few of the extreme sexual cases presented: incest, necrophilia, sex with feces, a woman who enjoys making herself lactate until she's flooded the room. And that's just the tip of the iceberg. If you're looking for something weird, this is your best bet. The only film that comes close to being this strange is "Slaughtered Vomit Dolls", which is more gross and artistic than this -- this film is just weird in general.

    So, how do you judge a film that's bizarre? As art? Because the plot is really hard to pin down (not much happens, and the visitor is never explained). The acting is amazing, at least as far as they really pulled off the dark humor (I think most people will miss the fact this is supposed to be funny, but you can tell the violence is exaggerated on purpose). I really liked it, if for no other reason than that every time I thought it couldn't get weirder, I was wrong.

    If you watch the opening scene and don't mind what you see, watch this film. I was uncertain at the beginning because the use of video quality made it seem all too real. But after the initial shock faded, I really few in love with this family and wanted to know what was going on. Not sure I understand it, but that just leaves me wanting to see it again. So, yeah, if you're into bizarre films or Miike (or both), put this on the top of your list!
    9spacemonkey_fg

    Ready for a really screwed up film?

    Title: Visitor Q

    Director: Takashi Miike

    Review:

    Jeez, I don't know where the heck to begin with this one. Well I guess it could be talking about Miike and how he is known for his ultra violent yakuza films or his love for shocking the heck out of his audience. But I could also talk about how he doesn't just shock for the sake of shocking. There's some context and a message that accompanies the shocking imagery. Such was the case with Visitor Q a very strange journey, but ultimately a very shocking, entertaining and thought provoking one.

    The story is about this incredibly dysfunctional family in which everyone is living in their own little world. There's no unity...no love. Heck, when the movie starts out you think they are all different stories, then, slowly you start to realize that this people are all related and living in the same house hold. The mothers a heroin addict, the kid gets beat up at school by bullies, so he takes it out on his mother by violently hitting her, the fathers a failed reporter who is trying to come to grips with his premature ejaculation problem and the daughter, well shes a whore (literally!). So as you can see, this family is all over the place. In comes a strange visitor who suddenly starts to live with them, observing them from afar. Not talking much, just observing at the insanity of the everyday lives of this four crazy people.

    The thing about this movie is that, yes it is very shocking with the images. In fact, I don't think you will ever see a movie as crazy as this one. I'm sure of it. Not even in your wildest craziest horniest dreams will you see the crazy things that you will see on Visitor Q. But you see, the film is not only about the shock value, for Miike makes sure that there is substance to the story, because it really touches upon some important social themes. It talks about the importance of family and love, about the role of the father as protector of the house hold, about the need of motherly love and about bullies getting whats coming to them. I think that many of the themes explored on this film are very relevant for the Japanese culture and I'm sure Miike is just venting all those frustrations out through this artistic outlet, but Ill be damned if all this social commentary isn't relevant to any other culture.

    Then there's the Visitor Q. He is just someone who starts to co exist with the family and I saw him as maybe God coming down to earth and seeing this family quietly acting as only an observer, seeing what he has created and what his creation has turned into. He is almost emotionless...though he will let the family members know when they are doing something wrong by banging it into their head. Literally! Anyhows, I'm sure many people will have their own interpretation as to who the visitor is and what he represents...so Ill leave that up to you.

    All in all I thought this movie was hugely entertaining, just because of the fact that I couldn't believe some of the things that were happening on the screen as I watched. Some of the things are so amusing that you cant help but laugh. At the same time, just like when you watch a film by Lynch or Cronenberg...you know there's some deep commentary on the human condition in there somewhere. So you watch...watch and interpret. Watch and try and figure it out. Amazed and shocked as you learn.

    Is it a horror movie? I don't know, Its as much a horror movie as some might consider Mullholand Drive or Lost Highway a horror movie. It goes deep into those dark regions of the human mind. The insanity and crazyness of the situations can get horrifying if you look at it from that perspective. It does have some gore and blood, but Id say its more a horror movie because of the places that it takes us on a psychological level.

    Though I must go down in saying that this film is certainly not for everyone. It certainly isn't for anyone who likes their movies safe and Hollywood like. Its not for those who love happy endings and that warm feeling inside. Its more for those unconventional people who like to dive deep into to the dark regions of the human psyche and are brave enough to see what they find.

    Rating: 4 1/2 out of 5
    8psaygin

    The key is in the movie itself

    Amazing movie playing around with the idea of reality TV, voyeurism and even the nature of reality itself.

    Among all the scenes -- of which there are many many memorable ones -- I thought the one which has the key to the movie is when the father is frantically taping the attack on his house and speaking at the same time and among a frenzy of "reporter-talk" he says,

    "What are we supposed to feel?"

    The key to the movie is, you are never allowed to know what you are supposed to feel. These days, in movies and TV, we are frequently "told" what to feel. Takashi Miike takes this and pulls the carpet from under all of us. he builds his film around the phenomenon of TV/media, emotion-building, exposing, exploiting... Yet keeps this tension through the movie and does not allow us for a moment to settle in our armchairs, does not for one moment let us get into that comfy zone of being told what to feel.

    And hence watching this movie becomes this eerie, stressful process as noted by everyone else. Am i disgusted, indignant, amused, sympathetic, angry, confused? You are never told. You have to go through it on your own. And that is the point.
    10zetes

    A vile masterwork

    Visitor Q is hard to deal with, but I think I'd call this a masterpiece. This is an update of Pier Paolo Pasolini's Teorema. It's often compared to Pasolini's Salò because of its shocking content, but, plot-wise, it's virtually a remake of the 1968 film, brilliantly updated and moved to modern Japan. Teorema is not Pasolini's best film, but I do consider it a great one. It is a very simple allegory. Miike expands the concept even further. A family is falling apart, and a stranger whom nobody seems to know moves into their home and starts knocking some sense into them (sometimes literally). There are some truly disturbing things in Visitor Q that few people of sound mind and body will want to sit through. Fortunately, I am not of sound mind or body. If you can take it, the film can be extremely funny, as well. And I think it actually captures something truthful not only about the decay of Japanese culture, but also the rest of the world. It just does this in the most extreme way possible. Most will probably judge that it goes too far. I thought it was amazing.
    sandspider1

    I Liked it.

    This was the fourth Miike film I have seen and I have to say like Ichi the Killer, Audition and Dead or Alive I liked it immensly. Like all Miike's films it is disturbing but it wouldn't be a Miike film if it wasn't. Fans of Miike would definitely like it but others may think it is a little too disturbing. the film is very funny but the only downside is that it is alittle short but other than that it is very good. I recommend it.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Shot in just 7 days.
    • Gaffes
      (at around 52 mins) In the dinning room while the father, son, and the guest are having their dinner, the boom mic is totally visible and continues for a while.
    • Citations

      Kiyoshi Yamazaki: This isn't a mystery of life! It's a shit!

    • Connexions
      Follows Tôkyô gomi onna (2000)

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    FAQ17

    • How long is Visitor Q?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 17 mars 2001 (Japan)
    • Pays d’origine
      • Japan
    • Langue
      • Japanese
    • Aussi connu sous le nom de
      • Visitor Q
    • sociétés de production
      • Alphaville
      • CineRocket
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 7 000 000 ¥ (estimation)
    • Brut – à l'échelle mondiale
      • 15 678 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 24m(84 min)
    • Couleur
      • Color
      • Black and White
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.33 : 1

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