Ajouter une intrigue dans votre langueAfter a martini-induced rampage, a fantasy-prone young woman is placed under house arrest.After a martini-induced rampage, a fantasy-prone young woman is placed under house arrest.After a martini-induced rampage, a fantasy-prone young woman is placed under house arrest.
- Prix
- 2 nominations au total
Avis en vedette
I happened upon this movie and loved it! It's nice to see a movie that's really worth your time. It was so simply done - taking place for the most part in one room. It didn't require big explosions, etc. I think when a movie like this is good, it really says something about what it takes to make a good film. I'm not familiar with the actor who played Daly. But I will look for more of him. In the beginning of the movie, the Daly character is not attractive. But as his character and relationship to Zoe progresses, you just love him. I just wish that he and Zoe could have ended up saying goodbye or something. I wanted something more for him. I loved it!!!!!
This is one of my favorite independent films. Yeah, the storyline may not be original, but Robin Tunney and Tim Blake Nelson do such a good job that you just love their characters (at least I did) and you want everything to turn out well for them. When I saw this in the theater originally, I loved the soundtrack, as it fit the storyline so well. The 80s songs featured are so cheesy and they fit the stalker theme. This film is so obviously low budget, but the actors involved made the story interesting, and I got so wrapped up in the story that I didn't care about the "little things." The DVD is well made, with an entertaining commentary track and an interesting "making of" featurette. What more could a film geek want?
I thoroughly enjoyed this movie. It's the type of flick that you want to see again, and real soon, because you have the sense you missed a lot the first time around.
The use of music is huge in this movie. Although completely different, I am drawing up memories of High Fidelity. Both movies feature music as its own entity or major theme in the story, not just as a backdrop to help tell the story. As a music lover, I just dig this.
Robin Tunney was phenomenal as Zoe. I think even if I didn't enjoy the other characters and the plot so much, this movie would be worth seeing just for her performance. She did an excellent job of portraying Zoe's journey. Her performance never felt pushed or strained; she just WAS Zoe, from the first scene to the last. Of course, this is what actors are paid for! I just felt she did an extraordinary job of capturing the character.
I love the way this movie was presented. It didn't abuse, or rely on, special effects. Rather, they were used at just the right time to help tell the story.
This movie has just enough of everything you want in a movie to make it suitable for all the types of moods you might be in when you see it!
The use of music is huge in this movie. Although completely different, I am drawing up memories of High Fidelity. Both movies feature music as its own entity or major theme in the story, not just as a backdrop to help tell the story. As a music lover, I just dig this.
Robin Tunney was phenomenal as Zoe. I think even if I didn't enjoy the other characters and the plot so much, this movie would be worth seeing just for her performance. She did an excellent job of portraying Zoe's journey. Her performance never felt pushed or strained; she just WAS Zoe, from the first scene to the last. Of course, this is what actors are paid for! I just felt she did an extraordinary job of capturing the character.
I love the way this movie was presented. It didn't abuse, or rely on, special effects. Rather, they were used at just the right time to help tell the story.
This movie has just enough of everything you want in a movie to make it suitable for all the types of moods you might be in when you see it!
Robin Tunney plays Zoe, a woman who finds herself trapped in her own home through the home arrest program after being falsely accused as a cop-killer. Tim Blake Nelson plays the home arrest worker who often visits to check on the equipment. The new film by Finn Taylor works like a romantic comedy, but also contains elements of a thriller. Cherish could easily have become buried in pretense or a messy mixture of genres, but it succeeds though, primarily by focusing on the complex character created by Tunney.
Most of the film takes place inside the loft apartment Zoe has been confined to. Gradually, she finds ways to expand her circle of territory, which mirrors her personal growth. The irony is that when she was free Zoe never connected with anyone, but when under arrest she is able to reach out and develop friendships. Tunney does a great job of playing an intelligent, but obviously flawed character. Tim Blake Nelson has a much smaller role, but he does a lot with it. When he becomes obsessed with Zoe he shows it in small ways, staring at a photo, buying her a radio. It's the kind of behavior I think we've all experienced when someone captures our attention. Other cast members that pop up in small but memorable roles include Jason Priestley (rather unrecognizable as a smarmy co-worker), Liz Phair, Nora Dunn and Brad Hunt as a stalker. But special mention should be made of Ricardo Gil, an amateur actor (he regularly works as a photographer) who plays Zoe's neighbor, a gay Jewish short person. Seems a bit extreme when writing it, but the nice thing is that Gil plays the part well never delving into pathos or caricature. The soundtrack is fun with several cheesy pop songs from the 70's and 80's, which often are played for comedic effect like when our stalker dances around to Hall and Oates's `Private Eyes'. What Taylor is aiming for though, is showing us people who want to use pop songs as a means of expression. It's a great twist to the usual method of just inserting an appropriate tune.
Most of the film takes place inside the loft apartment Zoe has been confined to. Gradually, she finds ways to expand her circle of territory, which mirrors her personal growth. The irony is that when she was free Zoe never connected with anyone, but when under arrest she is able to reach out and develop friendships. Tunney does a great job of playing an intelligent, but obviously flawed character. Tim Blake Nelson has a much smaller role, but he does a lot with it. When he becomes obsessed with Zoe he shows it in small ways, staring at a photo, buying her a radio. It's the kind of behavior I think we've all experienced when someone captures our attention. Other cast members that pop up in small but memorable roles include Jason Priestley (rather unrecognizable as a smarmy co-worker), Liz Phair, Nora Dunn and Brad Hunt as a stalker. But special mention should be made of Ricardo Gil, an amateur actor (he regularly works as a photographer) who plays Zoe's neighbor, a gay Jewish short person. Seems a bit extreme when writing it, but the nice thing is that Gil plays the part well never delving into pathos or caricature. The soundtrack is fun with several cheesy pop songs from the 70's and 80's, which often are played for comedic effect like when our stalker dances around to Hall and Oates's `Private Eyes'. What Taylor is aiming for though, is showing us people who want to use pop songs as a means of expression. It's a great twist to the usual method of just inserting an appropriate tune.
A fine exploration of love and obsession and a woman's journey for identity wrapped in an implausible plot, 'Cherish' is an admirable film full of well-rounded, comedic performances by a mostly unsung cast. Robin Tunney, who some of you may know from the remake of 'The In-Laws', stars as Zoe, a ditzy, confused young woman at the beginning of the film. She defines herself by her pitiful relationships with men, which through plot circumstances I won't reveal, result in her being confined to a seedy apartment somewhere in San Francisco, awaiting trial for a crime she didn't commit. Gradually, she discovers her strength as a woman, both physically and emotionally, through her relationships with her apartment mates, local neighbors, and most significantly with Tim Blake Daly, who portrays the cop who monitors her confinement. Great musical score that comments on the movie's themes, some great comic bits by the supporting cast and excellent direction by Finn Taylor. San Franciscans will snicker at the journey Zoe takes through the city to return to her apartment when she is allowed a day of escape, and some folks may scoff at the rather absurd plot, but I found this to be a very adorable film and recommend it to any film buffs who have grown bored by the usual Hollywood mush.
Le saviez-vous
- AnecdotesAs revealed in the DVD commentary, there was originally a scene that would have had her character masturbating out of boredom, 'but Robin Tunney''s father nixed that idea quickly.
- GaffesWhen Zoe is talking to Max from her upper-floor apartment building window, Max is in his wheelchair directly below Zoe's window. Most of the time Zoe is talking to Max, she is looking straight ahead, instead of down were Max is.
- Générique farfeluBefore the end credits roll, we see "For Gary."
- ConnexionsReferences Un frisson dans la nuit (1971)
- Bandes originalesCherish
Written by Terry Kirkman
Performed by The Association
Used by permission of Warner Tamerlane Publishing Corp. (BMI)
Courtesy of Warner Bros. Records Inc.
by arrangement with Warner Special Products
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Чериш
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 179 751 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 36 618 $ US
- 9 juin 2002
- Brut – à l'échelle mondiale
- 179 751 $ US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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