Mortellement sexy

For me to write a bad revue of a Shannon Tweed's movie,has to be very bad.I've been following Shannon's movie progress since the first one she made wich I own.In this movie wich she is the star was a blow for me because when you see Shannon's name it means nudity and sexy scenes,but in this one she does not carry the movie as the star.Every girl that appear in this so call movie is naked,except Shannon Tweed the Star.Why did she follow that route after establishing her name in those so call erotic thriller is beyond me.I love Shannon's work most of the time.She is not a great actress but she is a good one.When I bought this movie, since Shannon Tweed was the star I was expecting the same kind of good work like she did before.Not this time,not even close.Lots of shots of her face and legs,one sex scene and she use a body double.I'm Canadian like she is.I really hope she won't finish a good stack of work on this note.When I bought Shannon's movie I knew I would get beauty ,sensuality and good acting.It is sad for me to distrust an actress that I use to love and trust in her work.So so sad to end that way.

The reason Shannon Tweed no longer appears nude in films is because she no longer looks good nude. The reason for that is simple: she is 43 in this movie (48, almost 49 at this writing) and showing her age. Actually, she looks older than 43. She looks grim, hard, and beat-up. These girls (strippers, soft-core porn workers) apparently don't age well, and Tweed is no exception. The problem isn't that she doesn't appear nude here (I am grateful that she doesn't. One look at her clothed and you know you do not want to see her naked), it's that this is just a bad movie.

Tweed is not a good actress and cannot convince us she is a cop. The writing is weak, the characters stereotypes, and the storyline is threadbare. Movies like this are not supposed to be good anyway, but when they try to be, in between sex scenes, it's ludicrous. Stilted dialogue, awkward direction, poor editing, bad acting, this film has them all. There aren't enough sex scenes (with younger, better-looking women than Tweed) to justify renting this.

Of all the "Basic Instinct" copies that have been made since 1992 (and there are plenty), "Dead Sexy" must be one of the most blatant. Sure, it switches the genders of the two main characters, but keeps almost everything else the same, right down to the only other suspect for the killings being someone within the police force who has hidden ties to the primary suspect. Of course "Dead Sexy" does not come anywhere near the style and suspense and general quality of the Verhoeven film, but on its own low-budget straight-to-video terms it's a fair way to pass some time. Shannon Tweed is acceptable, Sam Jones (as her partner) is even better, injecting some needed humor into the proceedings. As for the matter of the body double, I personally cannot understand why Tweed felt the need to use one. She showed everything - and it looked good as usual - in "The Rowdy Girls", made in 2000; what could have changed so much over a year? (**)

Back in the 1990s, blonde actress Shannon Tweed was a mainstay of late night cable television. After the success of the psycho-thriller sub-genre, in particular BASIC INSTINCT, B-movie producers were desperate to get a slice of the proverbial pie by doling out their own low budget erotic thrillers, invariably starring one of half a dozen actresses who were happy to strip for their craft.

Shannon Tweed was the best known of these stars, a pneumatic blonde who displayed some measure of acting talent which was rare for this sub-sub-genre. DEAD SEXY marks the final erotic thriller she made; her advancing years and a general public dissatisfaction for the stale genre saw tastes move elsewhere. Invariably this film is a disappointment, lacking the finesse of an Andrew Stevens production, feeling instead like a cheap cash-in on a once popular market.

Tweed plays a detective investigating a series of murders in which call girls were thrown off high buildings. Her investigation leads her into the clutches of a rich playboy (John Enos III) called Blue, a guy who's the main suspect. She has to literally go to bed with him in order to find out the truth, and of course there are the requisite twists and turns along the way.

Tweed is the best actor in this film, which is saying something. The years have been kind to her, and even if she doesn't parade around naked anymore then she still packs a attractive punch. The less said about Enos the better, although viewers are treated to a slumming-it Sam J. Jones (FLASH GORDON) playing Tweed's partner. As a whole, though, the thrills are non-existent, the plotting is very poor, and the sex scenes are a complete waste of time, no better than filler material. You'd be better off checking the films that came out ten years before this to see the genre at its finest.

A low budget Basic Instinct clone (as if we needed another one), this vehicle for ageing soft-core star Shannon Tweed (43 and looking it) features far more sex and nudity than Verhoeven's classic erotic thriller, but none of the style (you don't say!).

Tweed plays detective Kate McBain, whose latest case—the murder of several blonde-haired call girls—takes a dangerous turn when she goes undercover and becomes physically involved with the prime suspect, billionaire Blue Dresden (John Enos). As Kate 'investigates', she becomes convinced of Blue's innocence, her suspicions falling upon her police colleagues (seasoned detective Rackles, played by Sam Jones, and young hotshot Billy Trainer, played by Eric Keith).

Flatly directed by Robert Angelo, with perfunctory performances all round, Dead Sexy is an unremarkable thriller that treads water between several uninspired soft-core sex scenes. Even the most die-hard fans of Tweed will be disappointed, the star employing a body double for her romp with Enos.