ÉVALUATION IMDb
7,3/10
44 k
MA NOTE
Un étudiant français s'installe dans un appartement à Barcelone avec six autres jeunes venus de toute l'Europe. Ensemble, ils parlent la langue universelle de l'amour et de l'amitié.Un étudiant français s'installe dans un appartement à Barcelone avec six autres jeunes venus de toute l'Europe. Ensemble, ils parlent la langue universelle de l'amour et de l'amitié.Un étudiant français s'installe dans un appartement à Barcelone avec six autres jeunes venus de toute l'Europe. Ensemble, ils parlent la langue universelle de l'amour et de l'amitié.
- Prix
- 8 victoires et 9 nominations au total
Kelly Reilly
- Wendy
- (as Keilly Reilly)
Cécile de France
- Isabelle
- (as Cécile De France)
Federico D'Anna
- Alessandro
- (as Fédérico D'anna)
Irene Montalà
- Neus
- (as Irène Montala)
Paulina Gálvez
- Flamenco Teacher
- (as Paulina Galvez)
Avis en vedette
This is a very good film on so many levels. Mostly, because it is such a memory-inducing film for me and I suspect for many.
Xavier (Romain Duris) is a French grad student going to Barcelona to learn economics and Spanish to be more competitive in the new European job market. Sadly, he left behind his girlfriend (Audrey Tautou) and family to seek new learning. His first words on arriving are prophetic: Xavier: When you first arrive in a new city, nothing makes sense. Everything's unknown, virgin... After you've lived here, walked these streets, you'll know them inside out. You'll know these people. Once you've lived here, crossed this street 10, 20, 1000 times... it'll belong to you because you've lived there. That was about to happen to me, but I didn't know it yet.
As one who has absorbed dozens of new cities in Europe and the US, I can immediately relate. There is an anxiety that cannot be described that will only subside when you are fully immersed in the culture. Xavier did that and it changed his life. It can only be felt by someone who leaves the protection of their life and culture as he did.
But, he had fun doing it. He made friends with Isabelle (Cécile De France), a lesbian that taught him about women, which came in handy with Anne-Sophie (Judith Godrèche), with whom he was having an adulterous liaison. He mixed with German, Dutch, Spanish, and English - even Wendy's (Kelly Reilly) obnoxious brother (Kevin Bishop), who really saved the day for his sister.
All-in-all a very funny coming of age comedy with a European twist that made it a delight.
Xavier (Romain Duris) is a French grad student going to Barcelona to learn economics and Spanish to be more competitive in the new European job market. Sadly, he left behind his girlfriend (Audrey Tautou) and family to seek new learning. His first words on arriving are prophetic: Xavier: When you first arrive in a new city, nothing makes sense. Everything's unknown, virgin... After you've lived here, walked these streets, you'll know them inside out. You'll know these people. Once you've lived here, crossed this street 10, 20, 1000 times... it'll belong to you because you've lived there. That was about to happen to me, but I didn't know it yet.
As one who has absorbed dozens of new cities in Europe and the US, I can immediately relate. There is an anxiety that cannot be described that will only subside when you are fully immersed in the culture. Xavier did that and it changed his life. It can only be felt by someone who leaves the protection of their life and culture as he did.
But, he had fun doing it. He made friends with Isabelle (Cécile De France), a lesbian that taught him about women, which came in handy with Anne-Sophie (Judith Godrèche), with whom he was having an adulterous liaison. He mixed with German, Dutch, Spanish, and English - even Wendy's (Kelly Reilly) obnoxious brother (Kevin Bishop), who really saved the day for his sister.
All-in-all a very funny coming of age comedy with a European twist that made it a delight.
I have long been torn between Madrid and Barcelona, the former a dignified repository of old Spanish architecture and customs (a Catholic parade at 11 PM!) and the latter a Ramblas-rambunctious splash of youth and energy (Oh, that Olympic harbor!). Cédric Klapisch's `L'Auberge Espagnole'(`Euro pudding') now tips the scales to Barcelona for me as I watch a group of 20 somethings negotiate life in a communal apartment. They represent the emerging melting pot of Europe, learning each other's language and purging themselves of racism and sexism. The film is alive with change.
Protagonist Xavier (Romain Duris) is moving from Paris (a city against its type here-repressive and decidedly unromantic) to Barcelona for a year in order to qualify for a business job that demands immediate experience in Spain. Leaving his girlfriend (Audrey Tautou) and his hippie mother behind, he witnesses love in forms his shy French persona would have never encountered, including adultery and lesbianism. That he will be different, more urbane and wise, is preordained by the decision to move; that the director wishes us to see the allegory of a polyglot Europe is all too obvious.
But the photography through the narrow streets, even in the barrios, is muscular and lyrical, especially when it takes us all to the top of the Gaudi Cathedral to survey the messy world below (Xavier eventually comments the world is `badly made').
Beyond my affection for Spain, this film reaffirms for me the salutary effect travel has on the uncertain heart. After one year on his own, Xavier is ready to make a serious decision, but not about Paris vs. Barcelona-it's whether the corporate world that started this string of events is the one he wants or the artful one in his heart. Tennyson's Ulysses says, `I cannot rest from travel.' Xavier, on the other hand, found his rest in travel.
Protagonist Xavier (Romain Duris) is moving from Paris (a city against its type here-repressive and decidedly unromantic) to Barcelona for a year in order to qualify for a business job that demands immediate experience in Spain. Leaving his girlfriend (Audrey Tautou) and his hippie mother behind, he witnesses love in forms his shy French persona would have never encountered, including adultery and lesbianism. That he will be different, more urbane and wise, is preordained by the decision to move; that the director wishes us to see the allegory of a polyglot Europe is all too obvious.
But the photography through the narrow streets, even in the barrios, is muscular and lyrical, especially when it takes us all to the top of the Gaudi Cathedral to survey the messy world below (Xavier eventually comments the world is `badly made').
Beyond my affection for Spain, this film reaffirms for me the salutary effect travel has on the uncertain heart. After one year on his own, Xavier is ready to make a serious decision, but not about Paris vs. Barcelona-it's whether the corporate world that started this string of events is the one he wants or the artful one in his heart. Tennyson's Ulysses says, `I cannot rest from travel.' Xavier, on the other hand, found his rest in travel.
The first thing I wanted to do after watching this film was watch it again (because I'd missed lots with all the laughing I did). I'm European and I've studied abroad and I've as good as lived with Spanish, french, Italian and German people. The film was full of stereotypes, which, more often than not, p*** people off, and reading some of the other reviews I see that it did p*** people off. But, this film gets the stereotypes so right I cannot fault it. Except for maybe the way the french guy became a drunken party animal. The English guy was the perfect "geezer" stereotype. Drunk, annoying, insulting but shines through in the end. As well as the stereotypes the film also got the emotional aspect of studying abroad correct. At first he's shy, doesn't know anybody, misses home, doesn't know his way around. As time progresses it becomes his home and when the time comes to leave, it is extremely difficult. A feeling people can only understand if they've experienced it. I highly recommend this film.
friendship, ages, community, small human map of E.U., French style to present a world far of limits , delicate feelings, reflection in the others, love, adventures, common existence, trips, joy, search of sense, invention of experiences and sentimental connections. a film about evolution and self definition. nothing complicated. but profound analyse of escapes, dreams and importance of gesture as skin of words. a picture of young people as picture of a very strange and, in same measure, common, Europe. a message of hope. with crumbs of courage, sentimental complications, personal problems, need of friends and importance of meeting. the first virtue - its fresh seductive air. the second virtue - its art to be perfect mirror of a generation. the last virtue - unspoken words, mixture of realism and poetry and the waters of emotions. a love story. for a continent as part of its citizens.
I think anyone who when young has moved to a foreign city, especially alone, would immediately recognize and appreciate the truths apparent in this film. Certainly everyone's experiences are different but some things, the initial disorientation, the difficulties and pleasure of adapting to a new and very different set of friends, the joys of eventual acceptance and adaption of a new routine; these are probably universal. This film depicts all of this very well.
The Spanish Apartment rings especially true for me. Almost ten years ago I moved from NYC to Antwerp for one year then on to Barcelona, where I am living still. I was a bit older than the film's characters (late 20 's) but my experience was eerily similar. I lived just blocks away from their apartment, in Raval, and recognized many of the streets and locales. Myself, a Slovak girl I was dating, three male apartment mates from Bolivia, France and Italy. I made tons of expat friends from all over Europe (many of whom departed long ago) and eventually Spanish friends as well.
I'm older now and settled down but watching this, I was overwhelmed with nostalgia and wished that I could travel back in time if only to relive one of those glorious weekends.
If you've never done anything like this watching The Spanish Apartment may be the next best thing.
The Barcelona tourist office should probably pay me for this.
The Spanish Apartment rings especially true for me. Almost ten years ago I moved from NYC to Antwerp for one year then on to Barcelona, where I am living still. I was a bit older than the film's characters (late 20 's) but my experience was eerily similar. I lived just blocks away from their apartment, in Raval, and recognized many of the streets and locales. Myself, a Slovak girl I was dating, three male apartment mates from Bolivia, France and Italy. I made tons of expat friends from all over Europe (many of whom departed long ago) and eventually Spanish friends as well.
I'm older now and settled down but watching this, I was overwhelmed with nostalgia and wished that I could travel back in time if only to relive one of those glorious weekends.
If you've never done anything like this watching The Spanish Apartment may be the next best thing.
The Barcelona tourist office should probably pay me for this.
Le saviez-vous
- AnecdotesThe first instalment of a trilogy written and directed by Cédric Klapisch, which follows the journey of Xavier from student to family man. This is followed by "Les poupées russes", released in 2005, and completed with "Casse-tête chinois", released in 2013.
- GaffesNext to the telephone, on the board indicating how to say a roommate is not there in many languages, the colors on the German flag are wrong. (It looks like a Belgian flag rotated 90 degrees clockwise.)
- Citations
Wendy: Xavier's gone to school. Okay?
Xavier's Mother: Ah, oui! Il est à la fac.
Wendy: What?
Xavier's Mother: La fac!
Wendy: LA "FUCK"?
Xavier's Mother: Yes. After fac he can telephone maman.
- Générique farfeluIn the opening credits, each actor is credited along with the flag of the country where their character is from.
- ConnexionsFeatured in European confusiòn: Making-of 'L'auberge espagnole' (2002)
- Bandes originalesL'Auberge Espagnole
Performed by Mathieu Dury (as Kouz-1) Feat Ardag
( Ardag / Loïc Dury (as L. Dury) / Mathieu Dury (as M. Dury) )
Simon Andrieux / Guillaume Dutrieux / Cyril Guiraud: Brass
Didier Combrouze: Guitar
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Détails
Box-office
- Budget
- 5 300 000 € (estimation)
- Brut – États-Unis et Canada
- 3 897 799 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 57 692 $ US
- 23 mars 2003
- Brut – à l'échelle mondiale
- 33 272 835 $ US
- Durée
- 2h 2m(122 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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