Failan

'Failan' is the sophomore feature film of director Song Hae-seong, who made a big splash in 1999 with another time-twisting romance called 'Calla'. This time around, he works with acclaimed Japanese novelist Jiro Asada (reknowned for his best-selling novel 'Love Letter' which had been previously made into a memorable Japanese film in 1995).

Song has created a stirring romantic tragedy of immense emotional wallop that it's not easily shaken. Executed with the same quiet subtlety seen in other recent Korean romances (such as 'Il Mare' and 'Christmas in August'), 'Failan' poignantly and convincingly illustrates the tragic missed opportunity between two ill-fated star-crossed lovers while eloquently showing what it means, and how it feels, to be in love.

Despite having never met, they end up giving each other the dignity and self-respect that their lives had been missing for so long. Unfortunately, the realization of what he meant to Failan comes to Kang-jae comes too late, leading to the film's most heartbreaking scene, which is compounded by the irony of how she treasured what he quickly forgot or cast off.

As the film's titular character, Cheung easily does the best work of her career. Her sympathetic turn as the quiet Failan is a marvel to watch. Two of the film's more memorable sequences: Failan using quick-thinking to avoid being sold to a strip club, and the heart-wrenching first night at her new home. It is also easy to see why Choi, as Cheung's love interest, is one of Korea's most popular actors-- despite his character's slovenly appearance and boorish behavior, Choi evokes sympathy for Kang-jae with a nuanced performance that reveals the man's insecurity and gentle spirit.

This indeed goes without saying that 'Failan' is one of the best films of the year.

This movie has a very strong story, somehow its both sentimental and not at the same time. Kang-jae is a lowlife gangster who to get some money marries a Chinese immigrant who he doesn't even care to look at. Failan pays for the arrangement in order to seek out her remaining relatives after her other passes away. Even though Kang-jae don't care for her at all, she is to him forever grateful for what he has done and keeps writing him letters like a loving wife.

This movie is very well done. By the end of it I shed a few tears and felt really moved by it. The devotion and hardship of Failan is very touching and the indifference of Kang-jae makes it all tragic. Tragic in a realistic way that is, not as in the TV drama variety. Also this is the movie which made me a fan of Choi Min-sik, not the little overrated 'Oldboy' in which he is cool, but too remote to make an impact. In here he is like Kitano Takeshi in his seedy gangster-don't-care fashion, but rawer and even cooler. Cynthia Chung ain't bad either, she makes a good character and is very pretty, but I couldn't stop wishing that she didn't do her nose like that. I don't get it, why surgically make a western nose when whats there from before is much more beautiful?? Asians (and others of course) everywhere, please stop the foolish surgery, people are beautiful as they are, not as they are created in a fashion image.

Failan is the tale of a Chinese woman who comes to Korea seeking relatives after the death of her parents. Unfortunately, they have moved on to Canada and now she must try and make a new life for herself in a foreign country. Firstly, I must admit, what drew me to Failan was the presence of Choi Min-Shik in the cast. After seeing him in both Shiri and Oldboy I wanted to explore more of the career of this extraordinarily talented actor. I expected a lot from him, and I was not disappointed. Nor was I disappointed with the extremely talented supporting cast. Cecilia Cheung is both charming and eminently watchable as Failan. And the rather colourful mobsters are appalling and humorous in equal amounts. The story is a slow paced one and is built heavily around character and emotion and is not made in the style of Hollywood offerings. Following Failan's experiences and the way in which others react to her story is a captivating experience which quickly pulls you in. It is a keenly observed and intimate tale that will pull at the heart-strings of anyone, even the most cynical. Make sure you have a handkerchief to hand when watching this, there really is a good chance you'll cry.

If you are a fan of world cinema, don't miss this film, arguably the best film of the 21st century so far.

After the first watching this film, I was left dumb-founded. How can I understand this movie? Is this really a melodrama? How can a movie where main male and female characters really never meet be a melodrama? Though, this movie is still an absolutely heart-breaking and tear-jerking love story. This movie is a quantum leap in the melodrama genre. We will probably never see a melodrama like this one again. This movie not only completely rewrites the rules of melodramas but shows that a melodrama can deliver powerful social commentary. Can a melodrama be subversive? Check it yourself. This movie is as subversive as Fight Club.

Though this movie is based on 'Love Letter', a Japanese short fiction by Jiro Asada, the movie is much richer in social context. Failan is the saddest movie in my living memory. I don't know how many times I have seen this film. I cry at the same parts during each viewing. The ending where Failan sang for her 'husband' is simply heart-wrenching. The saddest of all is that even Failan could not save us, poor souls like her husband, from this cruel world. Then, who can? Only death?

A friend of mine told me about this Korean movie. He's a rough fellow, not the soft type. But he said this is the one movie that made him cry. Mind you, I hate sappy movies too.

Although this movie didn't make me cry, I can see why others have found it so moving. It tells a tragic story of a purehearted girl who is so hard to find in this modern world. But it also tells a story of another tragic character--a gangster, a commoner, the one that we all know.

I also found this movie entertaining in other ways. Acting is top notch, and the story and dialogues are pretty funny too at times in its realistic ways. Some of its intense scenes have burnt permanent images into my head.

If you're a Hollywood blockbuster junkie, don't bother with this movie, because you'll never get it. If you have the slightest ability to appreciate finer things, this is a must see movie.

Another gem from Korea.

Cheers!