Quatre semaines après qu'un mystérieux virus incurable se soit répandu dans tout le Royaume-Uni, une poignée de survivants tentent de trouver un refuge.Quatre semaines après qu'un mystérieux virus incurable se soit répandu dans tout le Royaume-Uni, une poignée de survivants tentent de trouver un refuge.Quatre semaines après qu'un mystérieux virus incurable se soit répandu dans tout le Royaume-Uni, une poignée de survivants tentent de trouver un refuge.
- Réalisation
- Scénariste
- Vedettes
- Prix
- 10 victoires et 32 nominations au total
Avis en vedette
28 Days Later is clearly composed of two distinctive parts. The first part deals, in a very dynamic and effective way, of the survival itself after the catastrophe, and one gets easily carried away by the journey of the group. Then, as soon as they get to the military "base", the scenario takes a turn, the rhythm, the tension drop, and the atmosphere of the movie shifts completely, not necessarily in a good way, with this storyline of a chaotic society capable of the worst atrocities.
While the first part seems rather better than the second, the brutal transition between the two is what stands out, so much that it seems like two different movies. The outcome also turns out to be a bit abrupt and would have deserved a lit more thinking and a better integration with the rest of the plot. It is a shame because there certainly was a more subtle way of associating these elements to create a more logical, fluid and homogeneous movie.
Finally, it should be noted that this feature was shot using DV cameras (except for the last few minutes at the cottage) which explains the roughness of the image and its lack of detail.
While the first part seems rather better than the second, the brutal transition between the two is what stands out, so much that it seems like two different movies. The outcome also turns out to be a bit abrupt and would have deserved a lit more thinking and a better integration with the rest of the plot. It is a shame because there certainly was a more subtle way of associating these elements to create a more logical, fluid and homogeneous movie.
Finally, it should be noted that this feature was shot using DV cameras (except for the last few minutes at the cottage) which explains the roughness of the image and its lack of detail.
28 Days Later successfully takes the zombie genre to a new level, this movie is far more than just a horror flick. There are some great characters, that you actually care about, some you'll like, some you'll be glad to see killed, but all solidly performed.
The story is well written and avoids the clichéd cheesy scripts that are too often attached to the horror genre. And I must add that the direction is exactly what you would expect from 'Danny Boyle' top class.
For me though the real difference between this movie and many others made in this genre is as follows - The infected (the zombie like folk) are more menacing, they turn instantly and they move fast, a combination that would instill fear in every one of us.
I don't mean to run down the zombie movie genre - I am a huge fan of most of these films, but lets be honest its been done to death, re-animated and done again, and this was the first movie to break the mould and transcend to a new level.
If you like your horror flicks, then this is certainly worthy of your attention.
9/10
The story is well written and avoids the clichéd cheesy scripts that are too often attached to the horror genre. And I must add that the direction is exactly what you would expect from 'Danny Boyle' top class.
For me though the real difference between this movie and many others made in this genre is as follows - The infected (the zombie like folk) are more menacing, they turn instantly and they move fast, a combination that would instill fear in every one of us.
I don't mean to run down the zombie movie genre - I am a huge fan of most of these films, but lets be honest its been done to death, re-animated and done again, and this was the first movie to break the mould and transcend to a new level.
If you like your horror flicks, then this is certainly worthy of your attention.
9/10
This film is about a virus, 'Rage' virus that makes the infected person mad with extreme rage and hungry for blood. Within 28 days one outbreak in London caused entire Britain dead or evacuated leaving behind a blood-thirsty infected population and a handful of solitary normal persons. Civilization came to a halt, society got destroyed while those limited survivors fight for existence among frequent attack by the vicious victims.
Sounds familiar? Then what makes "28 Days Later..." a classic among a horde of zombie/biohazard movies? Simply a touch of art that Danny Boyle is able to bring what others could not. The others focus too much on extensive, special-effects-controlled, gory action sequences between infected and normals, with heavy background music. But here there's always a tinge of sadness, emptyness, helplessness. Consider that empty London scene with that background music. We found out there's much else to show than just electrifying action or gore to describe the picture of life in this condition that these movies talk about.
There are mistakes and loopholes in this movie. But that couldn't weaken the otherwise tight-gripping storyline. The greatest achievement of this movie is to make one viewer stay neutral throughout the film, without taking any side in the first place. Because the virus we talk about is simply used as a metaphor. 'Rage' is shown as a social disease. That makes it a 'serious' film, not a flick. Every person, even the harshest critic of zombie horror movies should watch this. 5 out of 5 stars.
Oh, did I mention Cillian Murphy was awesome?
Sounds familiar? Then what makes "28 Days Later..." a classic among a horde of zombie/biohazard movies? Simply a touch of art that Danny Boyle is able to bring what others could not. The others focus too much on extensive, special-effects-controlled, gory action sequences between infected and normals, with heavy background music. But here there's always a tinge of sadness, emptyness, helplessness. Consider that empty London scene with that background music. We found out there's much else to show than just electrifying action or gore to describe the picture of life in this condition that these movies talk about.
There are mistakes and loopholes in this movie. But that couldn't weaken the otherwise tight-gripping storyline. The greatest achievement of this movie is to make one viewer stay neutral throughout the film, without taking any side in the first place. Because the virus we talk about is simply used as a metaphor. 'Rage' is shown as a social disease. That makes it a 'serious' film, not a flick. Every person, even the harshest critic of zombie horror movies should watch this. 5 out of 5 stars.
Oh, did I mention Cillian Murphy was awesome?
No, I'm not kidding. I've been a horror fan for years, but few movies scared me, until one of my friends told me about this one. I rented it, wondering if it was any good, and I watched it. Well, I was very impressed...so impressed that I freaked out during one of the scenes and reached for a pillow, and my thumb snapped back, breaking the bone. Sad, isn't it? This movie is that good. If you can find a movie that can cause you to react and break a bone, then you've found a movie worth watching. 28 Days Later had an amazing plot, great actors, a great director, and most of all, it wasn't like all of the other horror movies. It's now one of my favorites, and one of the best horror type films I have seen.
Perhaps I'm a little biased. After all, this is set in the city I live and work in, and seeing Oxford Street and Piccadilly Circus, which I pass by every morning and which are usually teeming with crowds of people, completely empty was enough to send shivers down my spine. Usually when you watch a movie like this it's located in some nondescript Midwestern village, which makes it easy to detach yourself from the events unfolding on screen. But seeing them occur in the place you call home is something that gives it an entirely new sense of reality, and one I was previously unaccustomed to.
Still, judging 28 Days Later entirely on its merit as a film, it's easy to arrive at the conclusion that it's a fantastic achievement, as well as a coming-of-age of sorts for director Danny Boyle; I can't say the MTV-inspired vanity of The Beach, or the self-consciously trendy posturing of Trainspotting appealed to me, and to my shame I initially expected 28 Days Later to be given a similar treatment. Thankfully, my fears proved unfounded, discarded straight after a opening sequence which is at once effortless and fearsome. The rest of the movie was a joy. A terrifying joy, but a joy nonetheless.
It's true that sometimes minimalism can be more effective than overblown bravado, and it's definitely true for this movie. It's the scenes of complete silence which get to you the most; an entire metropolis empty. The grainy picture serves to add a documentary-style quality to the film, which makes the whole situation seem almost too real to bear. Definitely a wise choice to film this on digital video.
You will occasionally meet people who thought 28 Days Later wasn't 'scary' or 'gory' enough. These are the same people who will tell you that 2001 was 'boring', or that Memento was 'confusing'. Ignore them. Others didn't understand the purpose of the second half, or were confused by its change of pace, feeling that it distracted from the movie as a whole. However, I personally regard the second half as very important because, as another reviewer pointed out, it makes a very succinct point: What is scarier, the end of the world, or having the world repopulated by maniacs? That, I think, is where the real Horror of 28 Days Later lies.
28 Days Later, like the Romero zombie flicks of yore, is ultimately an allegory of the days we are living in, an age in which we are constantly confronted with violence by the media (much like the ape right at the start of the film), where violence begets violence, and humanity faces an uncertain future. I applaud Danny Boyle's bravery in making 28 Days Later because he undoubtedly took a big commercial risk when the majority of the cinema-going public might prefer escapism to words of caution. Remember, Rage is a human-made disease. Quite the allegory there.
Like most great masterpieces of their time, 28 Days Later has been misunderstood by a considerable amount of people. I have no doubt it will go down in history as a classic, the one movie which perfectly sums up the confused era we are living in. And even if you didn't like it, it would be advisable to give 28 Days Later another chance; it's a haunting experience when looked at from the right angle. Danny Boyle has many years left in him, I hope he'll continue making more movies like this.
Still, judging 28 Days Later entirely on its merit as a film, it's easy to arrive at the conclusion that it's a fantastic achievement, as well as a coming-of-age of sorts for director Danny Boyle; I can't say the MTV-inspired vanity of The Beach, or the self-consciously trendy posturing of Trainspotting appealed to me, and to my shame I initially expected 28 Days Later to be given a similar treatment. Thankfully, my fears proved unfounded, discarded straight after a opening sequence which is at once effortless and fearsome. The rest of the movie was a joy. A terrifying joy, but a joy nonetheless.
It's true that sometimes minimalism can be more effective than overblown bravado, and it's definitely true for this movie. It's the scenes of complete silence which get to you the most; an entire metropolis empty. The grainy picture serves to add a documentary-style quality to the film, which makes the whole situation seem almost too real to bear. Definitely a wise choice to film this on digital video.
You will occasionally meet people who thought 28 Days Later wasn't 'scary' or 'gory' enough. These are the same people who will tell you that 2001 was 'boring', or that Memento was 'confusing'. Ignore them. Others didn't understand the purpose of the second half, or were confused by its change of pace, feeling that it distracted from the movie as a whole. However, I personally regard the second half as very important because, as another reviewer pointed out, it makes a very succinct point: What is scarier, the end of the world, or having the world repopulated by maniacs? That, I think, is where the real Horror of 28 Days Later lies.
28 Days Later, like the Romero zombie flicks of yore, is ultimately an allegory of the days we are living in, an age in which we are constantly confronted with violence by the media (much like the ape right at the start of the film), where violence begets violence, and humanity faces an uncertain future. I applaud Danny Boyle's bravery in making 28 Days Later because he undoubtedly took a big commercial risk when the majority of the cinema-going public might prefer escapism to words of caution. Remember, Rage is a human-made disease. Quite the allegory there.
Like most great masterpieces of their time, 28 Days Later has been misunderstood by a considerable amount of people. I have no doubt it will go down in history as a classic, the one movie which perfectly sums up the confused era we are living in. And even if you didn't like it, it would be advisable to give 28 Days Later another chance; it's a haunting experience when looked at from the right angle. Danny Boyle has many years left in him, I hope he'll continue making more movies like this.
Le saviez-vous
- AnecdotesFor the scenes on the motorway, the production got permission to shoot on the M1 on a Sunday morning between 7.00am and 9.00am. The police gradually slowed traffic in both directions. Using 10 cameras, the filmmakers managed to capture a total of one minute of usable footage.
- GaffesWhen the camera pulls back to show Manchester aflame, a row of flashing lights is visible in the distance. It's the police keeping traffic back so that the road looks empty. About 2 seconds later, a car drives by in the distance.
- Citations
[Jim enters a dark abandoned church when he sees writing on the wall]
Writing on a Wall: 'Repent, The End Is Extremely Fucking Nigh'
- Générique farfeluOther than the Fox Searchlight logo, there are no opening credits whatsoever. The title of the movie, 28 Days Later, only appears as a descriptive subtitle.
- Autres versionsFox Searchlight attached an alternative downbeat ending to all 1400 US prints of the film, while it was still in U.S. release. The revised ending was the one that appeared in the original script, but the script's ending was ditched in favor of a happy ending after it did not test well. Director Danny Boyle decided "We can't do this to people, because it was such a tough journey anyway."
- ConnexionsEdited into Cent une tueries de zombies (2012)
- Bandes originalesEast Hastings
Performed by Godspeed You! Black Emperor (as Godspeed You Black Emperor)
Appears courtesy of Kranky, Ltd.
Written by Efrim Menuck, David Bryant, Roger Tellier-Craig, Thierry Amar, Mauro Pezzente, Aiden Girt, Bruce Cawdon, Sophie Trudeau and Norsola Johnson
Published by Rough Trade Publishing
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- 28 Days Later
- Lieux de tournage
- Schwabenpark, Kaisersbach-Gmeinweiler, Baden-Württemberg, Allemagne(as 'Cambridge Primate Research Centre')
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 45 064 915 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 10 061 858 $ US
- 29 juin 2003
- Brut – à l'échelle mondiale
- 74 945 045 $ US
- Durée
- 1h 53m(113 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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