Ajouter une intrigue dans votre langueTrevor is a troubled high school student, thanks to the effects of bullying. This is the story of his fight to break free.Trevor is a troubled high school student, thanks to the effects of bullying. This is the story of his fight to break free.Trevor is a troubled high school student, thanks to the effects of bullying. This is the story of his fight to break free.
- Prix
- 7 victoires et 1 nomination au total
- Mr. Green
- (as Mitch Davies)
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I knew someone who wasn't in an extreme case as Trevor but was caught up within the drama of being a teenager. I knew what kind of a person he was and I knew that he was more of a person than that. Since then he's doing well and is getting good grades. But I think the director did an exceptional job of making it seem like the viewer was in the scene, especially during the scene where the shooting was supposed to be held....it really captured the moment. So extraordinary job!!! 10 Thumbs Up!!!
The threat of violence hangs over every scene like a storm cloud. As we watch Trevor (Ben Foster in an amazing standout performance), an "at risk" kid, do what he has to to survive the rigors of daily life as an outsider, we are pulled into the pain of knowing that you don't belong. Several films (the entire John Hughes teen catalog comes to mind) turn outsiders into wretchedly noble characters and their popular and good-looking enemies into wicked brats with inferiority complexes. This one doesn't. It goes right to the root of Trevor's anger and shows how indignation and observation turn into a very rational and almost justifiable form of evil.
Can art redeem him? His do-gooder teacher Val Duncan (Tom Cavanagh, earning his acting chops here after showing his charm in "Ed") certainly hopes so. He casts Trevor for the lead part in the school play he is producing because he is perfect for it. This causes a stir among the student body, the faculty, Trevor's parents, and even within Trevor himself. You get the feeling that he is more concerned with the integrity of his production than potential controversy or consequences. There are even times when you feel like it is his strange, tough-love way of getting Trevor to face his demons head-on.
This is a film that adolescents, teens, parents, teachers, and principals need to see. In its own way, it moves you to hushed, contemplative silence, much the way "Saving Private Ryan" did. At the end of both, you know you have seen something that cuts to the bone, and you have to respect their power and vision.
The movie was paced fairly well, and the acting was good. Although, I found the plot to go off track for a while, I was emotionally thrilled throughout the film. Thomas Cavanagh put on a great performance as an educator. Ben Foster, as Trevor, was a good cast for the part. Both performances were well executed.
It's a very good movie. You don't know what will happen next. It's a good movie to show your kid if he is having social problems in school. It is also a big promotion for the `Bang Bang You're Dead' play.
The film is fictional, but it presents truths that exist most everywhere, to varying degrees. The message could hardly be clearer or more timely. And that message is that for kids, high school functions as an emotional and psychological ... trap.
But if high school is a trap for kids, it's a source of income for teachers and administrators, some of whom thus have selfish motives for preserving the status quo. And for parents, their kid's high school is useful to gauge their parenting skills which they hope will lead to a sense of pride of accomplishment ... for themselves.
In no part of high school life is this pressure more apparent than in school sports, and the film rightly zeros in on this culture. For boys, athletic accomplishment or non-accomplishment is the main, perhaps only, criterion by which they are judged and stamped, and sent on their way to fend for themselves in a society that demands competitive performance.
"Bang, Bang, You're Dead" is a clear, compelling story that shines a needed light into a dark corner of American society. The film should be required viewing for teachers, administrators, and parents. But it won't be required viewing, because a lot of adults would just as soon keep that light turned off.
Le saviez-vous
- AnecdotesVeronika Sztopa's debut with scenes actions (not only her voice).
- Citations
Trevor: [Shown on the videotape] When I am gone, you will all have this to ponder and maybe realize why I did what I did. A little push in front of other kids is a very big deal, particularly when you know it's gonna happen to you every single day, every single day, every single day, you are almost relieved when it actually happens. You are always waiting, waiting for the next attack. They don't just hurt kids, they make you hurt yourself. I cant take two more years of this, and the more they call me the mad bomber, the more they are scaring themselves. They dont know what am capable of, they dont know what I can do, and then there's the sanctuary of home sweet home. So, the play, yes Mr. do-gooder, why does he even bother? Doesn't he know its already too late? Sometimes I see the way things could've been, I just wish I could be the person she thinks I am. Kids can be the most ruthless people in the world. They can just be supernaturally cruel. You've got to be a man! Be a man! BE A MAN! Sometimes you just wanna cry. Sometimes hate is the only real thing in the world. You can stop loving someone, but hate seems to go on forever. People respect hate. It speaks, it vibrates. Some people don't even need a gun to hurt you. They use words or laughter. They enjoy watching you bleed to death. They get off watching you fighting back the tears, getting a lump in your throat, blushing, wanting to cry, and they give you a name: Trashcan, pizzaface, loser, faggot, loser, weirdo, spaz, retard. You know the name does something to you. It changes who you are, it alters your molecules and one day you wake up and you look in the mirror and you don't recognize yourself anymore, because you believe them. They win you lose. You wanna cry, please leave me alone, but nobody listens, because nobody cares, because you don't have a name anymore because they took it away, and then one day they say that name and you hear something go snap. You realize what you gotta do, you gotta take back your name and you've gotta do it in front of the whole school because that's where they took your name away from you. You gotta do it so every kid will remember. This is about justice and after a while you can only think of one way: Jonesboro, Springfield, Paducah, Columbine, a gun, a bomb, instant justice, Ba-bang! But what a rush when they roll out that yellow tape, miles and miles of yellow tape. They won't have enough when I'm finished. So when these hallways are flooded with rivers of blood, when these hallways are choked with their corpses in body bags you all say oh what a tragedy, oh what a tragedy, but possibly after viewing my tapes, you wont be so quick to judge. Maybe that's why I was put in this earth. So consider this my last will and testament.
- ConnexionsFeatured in Beyond Clueless (2014)
- Bandes originalesMy Own Prison
Performed by Creed
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- How long is Bang Bang You're Dead?Propulsé par Alexa
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