My Kingdom

This film is about gangster in the mean streets of Liverpool about the ups and down of the underworld and one man who was at the top became bottom after what the family did to him. There is some nice acting northing really bloody in the film but can't understand why its an 18 and over to watched this film but anyway it had a fine cast but really felt sorry for the little boy.

I did find Sexy Beast alot better then this but My Kingdom is worth watching and mostly BRITISH GANGSTER FILMS ARE ALOT BETTER THEN AMERICAN GANGSTER FILMS

Give this film 5/10

Overall, I'd vote this a 7.5/10 film, if fractions were available.

I think the comments by L8Hatter (above) veer near the essential tone as to whether or not a person reading these comments might want to view the film. Nonetheless, I am rather more sympathetic than Mr/s Hatter, because I think the film is especially strong in one regard: directing.

I differ with L8Hatter re "We're supposed to believe that this tough, streetwise gang boss would be stupid enough not to see the consequences of his actions..." I believe that is an oversimplification of the presentation of a powerful figure near the end of his life not realizing how his strength and, indeed, bullying conduct of his life have kept him more than a little ignorant of the feelings of those in his own family.

While I disagree with L8Hatter's phrasing, "...the second half of the film becomes increasingly silly...", I agree that there is definite stumbling in the plot line about halfway through the third act, which is a hell of a bad place to have it.

All that said, the directing pretty much single-handedly carries the film. If one particularly enjoys that aspect of the craft, this is a should-see film. And if you haven't some powerfully better film to watch this evening, the character work, cinematography, 92% of the plot line, and definitely the superbly paced directing of action, timing and actors, mean you can make up your mind now.

and one his best. He plays the boss of a Liverpool rime family, whose own naivety brings his downfall. This is based on King Lear but it doesn´t really work for me here. We´re supposed to believe that this tough, streetwise gang boss would be stupid enough not to see the consequences of his actions (I don´t want to give the story away, but those familiar with King Lear will know what happens. This supposed sudden naivety goes totally aginst the grain of the character Harris portrays in the film up until his fateful decision.

It was an interesting idea but just doesn´t work for me and the second half of the film becomes increasingly silly as a consequence. I´ve also no idea why one of the main gangsters is a Sihk. Liverpool is unusual amongst British cities in having a very small asian population and I don´t think I´ve ever seen a Sihk there. Strange.

That said, it´s not a bad film. There´s some good camerawork, Harris is on good form and the supporting cast are mostly very good. 8/10 for the first half of the film, 5/10 for the second.

Yet another film inspired by 'King Lear'; this time set in the world of drug running and violence in rundown Liverpool. This makes it as quirky a setting as Imperial Japan (Ran) or the wild West (Broken Lance) but it doesn't quite come off.

Yes, the parallels are there. Richard Harris as Sandeman gives up control of his gangster empire to his two unlikeable daughters while effectively 'banishing' the youngest; there is a character who has his eyes put out as Gloucester did ... and yet, behind this inspiration the story is thin indeed.

Beautifully shot and atmospheric in its detail of the bleak Merseyside setting, this film disappoints with largely poor acting and a cop-out ending - where we should have had fire and brimstone, we had a whimper.

Richard Harris however is excellent, as ever, in a towering performance which makes me grieve that we never got to see him play Lear for real. There are few actors who could put this complex character across (a variant on the one he played in 'Trojan Eddie', sure, but a meaty role none the less). He's let down by the script but with what he has to work with he is impressive and the one reason to see this film.

It's a fallacy, of course, that you can't go wrong with great source material, judging by the unholy slew of variable Shakespeare knock-offs perennially cluttering cinemas. This is one of the better ones.

Legendary British director-producer Don Boyd (the man behind Scum and The Great Rock 'N' Roll Swindle), uses 'King Lear' as the premise for an uncompromising tale of family (dis)loyalties, played out against the violent backdrop of gangland Liverpool.

Following his wife's murder in a street mugging, weary crime boss Sandeman (Harris) entrusts his sizeable criminal dynasty to his three daughters - one of whom, Jo (Catherwood), flatly refuses to play ball, as the other power-crazed pair, Tracey (Pilkington) and Kath (Lombard), plot his downfall. Meanwhile, a veteran customs agent, Quick (Bell), is also doggedly on his tail, determined to send him down before they both retire.

Though not the first attempt to ground Shakespeare in such territory (1955's Joe MacBeth was a misguided attempt to transpose the Scottish Play to New York's criminal underworld), My Kingdom delivers with considerable panache. While most of the basic story elements are in place, writers Boyd and 'Guardian' journalist Davies carefully avoid a straight re-telling (many lines here being playful nods to other Shakespeare works, in any case). Instead, they employ smart, darkly funny spins - witness the siblings' competing eulogies by Karaoke to their dead mother.

The performances here, from a top-flight British and Irish cast, are exemplary. Harris, as the shattered Sandeman, proves one needn't have lived the life of a cloistered monk to produce great performances in your seventies.