La bande dessinée « Bluntman and Chronic » est basée sur les vrais stoners Jay et Silent Bob. Quand ils apprennent qu'une adaptation grand écran est en production et ne leur rapportera rien... Tout lireLa bande dessinée « Bluntman and Chronic » est basée sur les vrais stoners Jay et Silent Bob. Quand ils apprennent qu'une adaptation grand écran est en production et ne leur rapportera rien, ils s'apprêtent à saboter le film.La bande dessinée « Bluntman and Chronic » est basée sur les vrais stoners Jay et Silent Bob. Quand ils apprennent qu'une adaptation grand écran est en production et ne leur rapportera rien, ils s'apprêtent à saboter le film.
- Prix
- 1 victoire et 3 nominations au total
- Baby Jay
- (voice)
- Dante
- (as Brian Christopher O'Halloran)
Avis en vedette
Nonetheless, Smith has not alienated his core audience who are, "...over and underweight guys who can't get laid." (See Holden McNeil in "Chasing Amy"). The simple visual affects, as in his past movies, are FAR overshadowed by the fantastic dialogue he writes which has Hollywood stars chomping at the bit to deliver. If anything, the only disappointment was a very thin plot (OK, Mallrats: Had a plot, no one ever said it was a good one). But as he did in Mallrats, for what J.S.B.S.B. is lacking in plot, Smith sure as hell made up for it in laughs.
This movie junkie gives "Jay and Silent Bob Strike Back" a 9 out of 10.. .let's just hope what Chris Rock says in the movie doesn't come true. See the movie and you'll get what I mean.
"Jay and Silent Bob Strike Back" is a movie that has so much going on, that one screening is not enough for me to all that was thrown at me in 90 plus minutes.
Writer/Director/Co-Star, Kevin Smith (Silent Bob) has without a doubt created if not his best movie, then it would have to be his funniest. A fitting conclusion to his "New Jersey Trilogy" (that now consists of five films instead of the originally planned three) forgoes the serious religious overtones of "Dogma" and the Sexuality issues brought forth in "Chasing Amy" to go for pure Laughs...............and it succeeds.
The film's main plot revolves around the familiar duo of Jay (Jason Mewes) and his "Heterosexual Life mate" Silent Bob and their attempts to thwart a movie based on a comic book about Jay and Bob. It's essentially a road picture as the guys make their way from Leonardo, New Jersey to Hollywood. Along the way they meet international Jewel Thieves, Steal a Monkey, Meet The Scooby Doo gang, Try and Beat up Ben Affleck and Matt Damon, and much more.
As Silly as all this sounds it's done in such a way that's smart, witty, and still has a touch of class about it. And that's pretty hard to do considering I can't even tell you some of the content of the movie without being censored heavily.
If you are at all familiar with Smith's movies (Clerks, Mallrats, Chasing Amy, and Dogma) you will get a kick out of the countless cameos and connections to his other films. For Example, Jason Lee reprises two roles (one from "Mallrats" and one from "Chasing Amy") as does Ben Affleck. Matt Damon appears as himself playing "Will Hunting" in a fictitious sequel to "Good Will Hunting" entitled `Good Will Hunting II: Hunting Season". There are two highlights of this movie that I need to talk about. First Being Jason Mewes as "Jay". This guy is for real, by far and away he has put in the best performance of all his five film appearances as "Jay" He carries the picture and is side splittingly funny. It is my hope that he can now get other roles in movies besides the loveable Dope smoking "Jay". Secondly I want to address Kevin Smith's Directing. To all the people who say Smith can't direct need to see "Jay and Silent Bob". His use of motion should silence everyone who claims there are no moving shots in a Smith film!!! It's almost become fashionable to blast Smiths direction because that's the Thing to do. With all the great action and movement in "Jay and Silent Bob' Smith can finally shrug off all the criticisms of the past.
What can I say to sum up? It's a brilliant movie for everyone, not just Smith fans. You will laugh and laugh some more. Do yourself a favour and go see it as soon as you can!
Directorially, the 'post-modern' elements (several actors playing dual roles) are fairly well-handled, though presumably quite confusing for those who haven't seen earlier entries in the series. Unfortunately, however, Smith's usual lack of visual awareness and style is once more in evidence. In Clerks it didn't matter: the script was so tight that the primitive direction was irrelevant, but here, with hardly any gags hitting the mark (special mention for Mark Hamill's spectacularly unfunny cameo) it's extremely noticeable.
The acting too, is of a poor standard with too many lines and jokes fluffed, though Jason Mewes' usual one-note performance (essentially playing a toned-down version of himself, by all accounts) works well here. All in all, more puerile and less funny than its predecessors, though foul-mouthed children, stoners and idiots may take to it more than most.
Half the movie is an insult to people who can best be described as The Comic Book Guy from The Simpsons (myself included). Half of the "Joke" is ripping on his own fanbase, and any average person who critiques him negatively over the net. This cheazy ploy went out with low-brow comics ripping on Siskel and Ebert (real critics), but now it's like the Slapshot scene where they go into the audience and beat-up their fans.
Except Slap Shot was funny.
Maybe I'm old (I'm Kevin Smith's Age). But F just isn't funny anymore Be clever. Why was Scooby Doo in the movie? It was a waste of 10 minutes that did nothing to the plot. Couldn't he tie that in somehow humously at the end like, those kids show up to expose the jewel theifs, who end up being 3 cranky old men who woulda gotten away with it. And the love interest... we won't even get into that believability.
Anyhow. Kevin, if you ever wanna come over and beat me up, drop me a note and I'll give ya my address.
Le saviez-vous
- Anecdotes(at around 1h 5 mins) Ben Affleck and Matt Damon mention that one reason to do a film is because they owe the director a favor. It was writer and director Kevin Smith who brought the script of Le destin de Will Hunting (1997) to the attention of producer Harvey Weinstein at Miramax.
- Gaffes(at around 38 mins) The label in the animal testing lab under the dart gun implores you to "brake" glass.
- Citations
Holden: If the buzz is any indicator, that movie's gonna make some huge bank.
Jay: What buzz?
Holden: The Internet buzz.
Jay: What the fuck is the Internet?
Holden: The Internet is a communication tool used the world over where people can come together to bitch about movies and share pornography with one another.
- Générique farfeluInstead of "Jay and Silent Bob Will Return In...", it now reads, "Jay and Silent Bob have left the building." Then there is a clip of Jay saying "Snoogans" which, he explained to Justice, means "Just kidding".
- Autres versionsThe Enhanced CD Soundtrack has a video for "Jay's Rap 2001", in which is shown a number of shots that did not make it into the final film mixed in with those that did. These shots include: (1) Jay and Bob in a plane, (2) the two drinking beers (at the appropriate moment of "Jay's Rap") on the set of "Good Will Hunting 2: Hunting Season", (3) Jay and Bob outside a parking lot, (4) an alternate take of Jay miming sucking a breast in "Brodie's Comic Stash", (5) Jay smoking a cigarette during the "E.T."-influenced bike scene, (6) Bob stepping out of a room with a goofy grin on his face while Jay tokes up, and finally ends with (7) a hilarious blooper where Jay offers Suzanne the orangutan a hit off a joint.
- ConnexionsEdited into Jay and Silent Bob Strike Back: Deleted Scenes (2002)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Jay and Silent Bob Strike Back
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 22 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 30 085 147 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 11 018 543 $ US
- 26 août 2001
- Brut – à l'échelle mondiale
- 33 788 161 $ US
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1