Chasse à l'homme

Some movies are made just for action, some just for story.

Unfortunately, the Hunted doesn't seem to fit either category.

There is not much depth to the story here, although they try hard to make it seem that way.

Simply: A killing machine is on the loose, so they send the guy who trained him to get him. No side story needed to forward the plot.

Tommy Lee Jones gives a decent performance as L.T. Bonham, the "hunter". Nothing spectacular, but not bad either.

Benicio del Toro gives a good performance as Aarom Hallam, the killing machine who does not give much purpose as to why he IS a killing machine.

Connie Nielsen and Jose Zuniga are OK as FBI agents Durrell and Moret.

There were some great action scenes, and a few interesting moments. I wouldn't call them extraordinary though.

Over all: OK movie. Watch if you have nothing better to do.

5/10

As a big fan of both Benecio Del Toro and Tommy Lee Jones, I might be slightly biased, but that's only because I really enjoy seeing them act. That said, there are in fact movies with BDT in them that I don't care for, and the same goes for TLJ, so obviously there's more to it than that here. To me, this movie pays homage to, or at least was clearly inspired by, the first Predator movie and in ways also US Marshals which starred TLJ in a similar role. But what I really loved about The Hunted was the polarity of the characters; the coldness of Del Toro, with a pinch of humanity at the beginning, and the civility of Jones, while being detached from the world and conscious of his deeds. Action wise the movie is a little scarce, though the war-like prologue wasn't without it, just a different kind of violence. The climax was satisfying, albeit a little drawn out even for my taste; it was the cat and mouse second act that kept me going.

Although it would be easy to write The Hunted off as a simple chase film (I can see the pitch now: "It's First Blood married to Predator with a dose of The Fugitive", and in reality that is a pretty fair description) but it's straight forward manner lends a constant sense of urgency. Throughout this gory (yeah it's pretty graphic) cat and mouse thriller we are also given some real insight into Del Toro's character. Unwilling to make sweeping judgments about nearly any of the characters (Connie Nielsen's FBI agent is a bit stubborn and single minded and occasionally very careless in discharging her firearm in public, Tommy Lee Jones'survivalist trainer has a guilty conscious of his own and even Del Toro's transformation is understandable), the finale is exciting but emotionally complicated, even tragic. The camera work and editing are very effective and affective while not overwhelming the finished product with the typical Hollywood style over substance dilemma. Combined with some very strong performances by the leads THE HUNTED makes for a very intense and satisfying thriller experience.

The movie is pretty well-produced overall, though there are a couple of glaring editing goof-ups (the knife being dunked into water, for example.) And the fact that it's clear Jones and Del Toro are doing much of their own stuntwork in the fighting sequences (and other places) is pretty impressive.

However, there is really nothing of substance here that will make you remember the movie long after you've seen it. While the action gets bloody at times, the actual struggling around is only okay at best. The Jones and Del Toro characters are thin, with little background revealed about them, and they don't have that much dialogue. There are some interesting themes that start to peek out, but they are simply not expanded on. (Like: Why didn't Jones' character answer those letters he got? You have to hear the explanation from director Friedkin on one of the DVD documentaries!) Ultimately, the movie becomes a simple-minded action movie, of the mentality of many direct-to-video movies.

A P.S. to Hollywood filmmakers: If it is heavily snowing in British Columbia, it is HIGHLY UNLIKELY that at the same time it would be sunny and warm in Oregon! The weather patterns in both places are more or less the same!

Jones and Del Toro show why they are amongst the best of their respective generations. Not only with strong acting, but also for the precisely coordinated and physically demanding fight scenes. While it may be hard to believe that Jones can deliver such impressive action at his age, he is more than believable as the type of grizzled ass-kicker who can square up against Del Toro's world-class assassin. The movie's plot is too simple; its basically two men hunting each other. Still, legendary director William Friedkin delivers a sharp well-paced 90 minute chase through the film's third star, the beautiful city of Portland and the magnificent forestry that surrounds it.