Bonheur es-tu là?

A Robert Altman-style film, but written and directed by women. Several characters ponder what happiness means as they slog through their daily lives. The cast is impeccable, and includes Clea Duvall, Matthew Mc., John Turturro and Alan Arkin, who steals the show amid a very large cast. He plays an embittered, divorced middle manager well past retirement age with a junkie son. On a whim, Arkin commits an irresponsible act that will come back to haunt him. Duvall is an accident victim whose life can never be the same. If you like Altman movies, in all probability you will like this one. All others, beware. No wild car chases, explosions or shoot-outs here.

The lawyer Troy (Matthew McConaughey), the actuary Gene (Alan Arkin), the physical science professor Walker (John Turturro) and the housecleaner Beatrice (Clea DuVall) have their lives connected through some sort of event. Troy meets Gene in a bar, hits Beatrice on the street and due to the accident, decides to sell his car to Walker. Through this non-chronological connection line, the viewer participates of their personal dramas, all of them relative to happiness and how unpredictable life is. In a moment, each character has a moment of happiness or expectation of a good event in his life, which is changed later due to some unexpected occurrence. The question is `Can we be happy in a world where our destiny is governed by uncertainties?' This movie is a very bitter and profound story about happiness and unpredictability of life. I saw this movie yesterday on cable television and my vote in IMDB User Rating was seven. However, I intend to see this film again (maybe on DVD) and reevaluate my review. I was not aware of the theme of this complex and almost unpleasant story and maybe my first impression was unfair. The direction and the performance of the cast are outstanding, highlighting the acting of the (always) excellent Alan Arkin.

Title (Brazil): `Treze Visões' (`Thirteen Visions')

In `13 Conversations About One Thing,' the `one thing' that everyone keeps having conversations about is whether or not happiness is possible in a world that seems to be made up of little more than a series of random events haphazardly strung together. Just as everything seems to be going your way, an unexpected and unforeseen `event' may knock you completely off course, thereby depriving you of that `happiness' you felt, moments before, lay just within your grasp. This view of life seems to be rather popular among filmmakers this year, having also been explored in some depth in the sci-fi thriller `Signs' this summer. `13 Conversations' takes a more low-keyed approach, providing a series of interlocking vignettes from everyday life that, when pieced together, provide a possible answer to life's ultimate question.

Writers Karen and Jill Sprecher (the latter also directed the film) have fashioned a complex narrative involving a number of characters whose paths cross in bizarre and often shocking ways. In fact, the film is rather unique in that the structure actually BECOMES the theme, as we discover that events that seem random to us - and indeed to the characters - at the outset actually come together to form a meaningful pattern. As one character says at the end of the film, life really only makes sense when we take the time to look back on it, for it is only from that perspective that we are able to discern the overarching pattern and meaning of it all.

All of the many characters in the film are struggling not only to define happiness but to attain a measure of it for themselves in a world in which they are made to feel like mere helpless pawns, blown about by the whims of `fortune,' `luck,' `chance,' `fate,' whatever one wants to call the `power' that seems to determine the courses our lives end up taking. Matthew McConaughey plays a handsome and successful public defender who feels that he has achieved happiness in his career only to have it ripped from him when he runs over a young woman at a corner and leaves the scene of the crime. The woman herself (Clea Duvall), before the accident, is a sincere believer in a higher power that watches over us and guides us along the path it most wants us to take. Yet, after the accident, she loses that belief, coming instead to see life as a chaotic jumble of chance circumstances, devoid of meaning and purpose. John Turturro plays a college professor suffering from the classic symptoms of major midlife crisis. He abandons his wife (Amy Irving), conducts a meaningless affair with a coworker, and finds no relevance or fulfillment in his teaching job or in the students he could be guiding and helping. As a Physics teacher, he knows that the universe is NOT random, that it does, in fact, operate within a series of finely proscribed natural laws. Perhaps this is why he is the one character who actually tries to buck `fate' and to take proactive measures to change the course of his life. The problem is that the course change brings him no more satisfaction than did his previous life path. Perhaps, most fascinating of all is Alan Arkin, a businessman so unhappy with his own life that he takes pleasure in ruining the life of a co-worker who seems somehow to have attained the happiness that has eluded the rest of us.

`13 Conversations About One Thing' is definitely a movie that grows on you. Like `Go' a few years back, the makers of this film respect the intelligence of their audience. They gather the strands of their story slowly, thereby allowing us to make connections and to eventually come up with the theme on our own. As the film's director, Jill Sprecher never hurries us along. In fact, much of the profundity of the screenplay is brought out by the elegiac, lyrical tone she establishes throughout. The quiet, unhurried pacing of the scenes puts the audience into a reflective state of mind that helps us see beneath the deceptively simple surface of the film's action.

McConaughey, Duvall, Turturro and Irving are all outstanding in this film, but it is Arkin who soars in the key role of the disgruntled businessman. His sad-faced, understated portrayal of a man so caught up in petty bitterness that he will willfully destroy a harmless fellow human being to make himself feel a bit less miserable is shattering in its brilliance. He has truly never been better. Ditto for the other actors, for this is a great ensemble cast, even though most of the performers never appear in any scenes together.

`13 Conversations About One Thing' is a film that feels like it has REALLY BEEN THOUGHT OUT ahead of time, not thrown together in haphazard fashion as so many other films appear to be. And that, given the theme of the film, is exactly the point.

The structure of this film is familiar as we see different stories with characters that in some sort of way are connected to one another. The structure is reminiscent of a John Sayles film but this is top notch writing and character development. Directed by Jill Sprecher who also wrote the script with her sister Karen and has a number of very good actors who help raise the level of the material. The film seems to be about characters who make decisions then have to live with the consequences of their actions. Matthew McConaughey is a lawyer who after winning a big case and celebrating hits a woman (Clea DuVall) with his car and leaves the scene of the crime. John Turturro is a teacher who decides to have an affair. Alan Arkin gives the strongest performance in the film, which is no surprise. He works in an insurance office and must let someone go and decides it will be a man who is always happy. This has always irritated Arkins character. He simply cannot understand how anyone could be happy all the time. Later, he feels guilty about his actions and tries to get him another job at another company. Sprecher does a good job of keeping the script simple without going over the top to satisfy a more shallow audience. This is a film that gets more interesting when viewed on more than one occasion. Definitely a film that can be discussed at great lengths considering the realistic and flawed nature of each character.

This is most definitely not my first choice of genres, but still I thought this film was pretty good. The film is a little slow, but it's quite interesting in the end. The characters in the film are really quite interesting and even at the end of the film I wanted to know what else happened to the characters.

The acting was good on all accounts, Matthew McConaughey, John Tuturro, Clea DuVall and Alan Arkin all did a fantastic jobs and I really liked all of their characters quite a bit.

Even though, I liked the film I wouldn't recommend this to everyone. It's pretty much just a movie about a bunch of people and the things that happen in their lives. I kind of found the movie to be a lot like "Playing By Heart", so if you liked that film, you may like this film. I hope you enjoy the film. Thanks for reading,

-Chris