Scotland, PA

Lately, I've been forcing everyone I know to watch this film. It may not go down in history, but it is hilariously funny--especially if you don't take it too seriously! People need to chill out a bit about it, and not try to analyze it too deeply. It's a funny 1970's version of Macbeth with fabulous actors and actresses, and while much of its comedy comes from its similarites to the play, much of the comedy stands on its own. It's a great update, and I don't think it should be compared to films like "Shakespeare in Love" because the idea is completely different. It's not too violent of a black comedy, either, though moments like the killing of Duncan are outright hilarious. Take smaller moments, too, like when the children play with the body of Banco as it's being taken away. The acting is excellent--Tierney, Le Gros, Walkin...what else do I have to say? It's a fun film that I think you should see.

I really didn't get the "Duncan Donuts" gag until I sat down to write this brief review. It's that kind of movie, I guess: it is smarter than you think, but in ways that aren't necessarily very illuminating to the core of the drama.

This take on Shakespeare's MacBeth is both lightweight and light on its feet. It doesn't take itself very seriously but it takes what it wants from the material and spins it into an unexpected and hard to categorize movie. Think "Dazed and Confused" meets the Bard and you're getting pretty close to the mark, but it's campier than that, not as heartfelt, more smart-alecky. There's a little Twin Peaks bound up in the recipe, as well.

Though the material is not as well-crafted as, say, "Shakespeare in Love", the sloppy, homemade quality almost becomes its central aesthetic. It feels like something you'd dream up on a Friday night sitting around a hookah with your best friends, and by Saturday morning nobody could remember quite what you were talking about.

Even though the film utterly lacks the air of serious drama that one normally expects in a rendition of a Shakespearian tragedy, one can't help but wonder if the slapdash charms of this production might not actually lie closer to what versions Shakespeare himself might have seen produced at the Globe...rowdy, loose, untamed entertainment that races from one side of the stage to the other without pausing to ask what its all about.

This is some of the most fun I've had watching a movie. I took it as a blind recommendation and it has become one of my favorite comedies in years.

Using Shakespeare's Macbeth as his source, former actor Billy Morrissette makes (I believe) his feature film debut as an actor with this brilliantly dark (I know, I'm oxymoronic) comedy.

Set in the depressed town of Scotland, Pennsylvania circa 1973, Morrissette turns Shakespeare's original story about a power hungry wife pushing her too contemplative husband into a bloody post-regicide reign into a tale of an over ambitious wife pushing her dullard husband into murder to take over a fast food joint. Morrissette had obvious fun playing with the characters names and using them to even propel the story. There is of course our anti-hero/heroine Joe "Mac" and his wife Pat - the McBeth's, both of whom work for Duncan, the owner of (what else) a donut shop. Through shrewd manipulation Pat pushes. There's also Lt. McDuff (Christopher Walken seemingly having more fun than he has in anything I can recall him in); Banquo - becomes Banco, and Shakespeare's witches/weird sisters become an unholy trio of drugged out hippies (deliciously played by Andy Dick, Amy Smart and Tim Levitch.

Acting honors go all the way around but James LeGros and Maura Tierney get special mention as the unholy couple. LeGros captures the perfect 70's dullard, small time dreams, clueless and nearly almost ruining everything. He's a delight to watch. Ms. Tierney - an actress who singlehandedly kept me from ever watching E.R. nearly shocked the life out of me by actually proving to be an amazing actress. If for no other reason (but thank God there are plenty of 'em) the movie would be worth watching for Tierney's most delicious, crazed performance of the film. Her transparent subtlety is almost menacing and her greedy ambition is mouthwateringly contagious - you want her to get away with everything.

I can't recommend this movie enough! Hilarious and disturbing Scotland, Pa. is a joy!

Absolutely bizarre but effective adaption of the Shakespeare tale "MacBeth" by frist-time writer and director Billy Morrissette. In "Scotland, PA.", a '70s-like working class-like couple, Joe and Pat McBeth (James LeGros and Maura Tierney), who both work at Duncan's, a small-town fast food joint, dream of running their own restaurant and go to great lengths to earn it. However, they get their opportunity by sending their boss, Norm Duncan (James Rebhorn) to an unpleasant demise and quickly give the place a complete make-over. Before the duo think that they're never be caught and tried for their crime, a police lieutenant named McDuff (Christopher Walken), strolls into town to look into the case and find out who is responsible for Duncan's death. There's isn't a lot of funny moments in the movie, nevertheless, it makes you want to giggle with delight. The standouts here are Tierney and LeGros, who are fine in holding their ground throughout the time. As for Walken, who handles his character like Peter Falk did as Columbo or Frances McDormand in "Fargo" very well, gives the viewer another reason to enjoy the movie. This movie may not be well-made as "Shakespeare in Love", but this film also has the emotional edge and that counts as well.

Scotland, PA (2001)

What a terrific farce. And homage to the Shake. And campy fun movie.

Advice? Read a synopsis of MacBeth first—the play, the original Shakespeare drama that this movie is based on. There is no Elizabethan language in this thorough update of Lady MacBeth and crew, but the plot is kind of sort of the same. Only different in all the right ways.

And the acting is great. Playing Lady MacBeth (one of Shakespeare's greatest characters) as Pat McBeth, is Maura Tierney, and she's terrific—the disdain, sass, savvy, and brooding are all perfect pitch. And matching her as the detective now called Lieutenant McDuff is Christopher Walken in his usual dry, subtle mode. The rest of the cast is nearly as good (the one sorry exception is the James Le Gros as Mr. McBeth), and the compact scenes click along with peculiar twists and little odd background pranks all through. You have to watch closely.

The setting—the kingdom—is a drive-up restaurant, a burger joint, called Duncan's. Duncan (Tome Guiry) is the "king" and if you know MacBeth you know he is doomed. The fight for relevance in this little place is comic in itself, even if you don't know Shakespeare. In fact, you need to feel comfortable diving into this funny gem of a movie even if you don't know a thing about the original story. It stands on its own.

A terrific surprise.