Arrête-moi si tu peux

On Leonardo DiCaprio's 31st birthday, I have the pleasure of praising one of the finest actors working today. I didn't realize what I was seeing when that homeless boy showed up on 'Growing Pains'--a show not exactly known for the quality of its actors. And I didn't see much to like about "Titanic" except the excitement of watching the people evacuating and the ship sinking. Also, 'Romeo and Juliet' was just corny, with 400-year-old dialogue in a modern setting.

But if he could be nominated for his 'Aviator' performance, DiCaprio must be doing something right. And here he shows us what he is capable of. Especially when Frank Jr. is conning people, and most of all when he tries to outwit Hanatty. I am reminded of Harrison Ford and Tommy Lee Jones in "The Fugitive", or perhaps Burt Reynolds and Jackie Gleason in "Smokey and the Bandit". The strange but enjoyable chemistry between these two characters goes a long way toward making this movie work.

Frank Jr. showed a lot of intelligence, and DiCaprio effectively showed us what this man could do. Imagine what he could have accomplished if he had stayed on the right side of the law. But his life on the run was more fun to watch.

Tom Hanks, as popular as he is, can be commended for his willingness to play second banana for a change. And he did a fine job. Martin Sheen and Christopher Walken also made an impact here.

I loved the old cars and the even older songs. The clip from 'To Tell the Truth' was a nice touch. The theme song still gives me a craving for vanilla ice cream after nearly 30 years (I didn't feel I had time to watch the new version).

This was Oscar-caliber. Too bad the Academy Awards people didn't seem to agree.

At first I thought I was going to see a lightweight film from a great director but instead I watched another impressive achievement by Steven Spielberg. A few things stand out and of course the performances are terrific. Leonardo Dicaprio is believable as a guy that can convince people that he's someone else. Dicaprio is a charmer and is very smooth as we watch his character do some fancy talk to the young ladies. Tom Hanks as the FBI agent reminds me of his cynical character that he played in "A League of Their Own" and his mere presence adds more to this film. The sign of a great film star. And Christopher Walken gives one of his best performances in his already interesting career. The last scene of him as he talks to his son in the restaurant is so moving that it reflects on the great talent of Walken. You can understand why Dicaprio admires and loves his father. Walken conveys these emotions and makes the audience react just accurately. I'll be rooting for him at Oscar time. Another impressive thing about this film is the beautiful cinematography by Janusz Kaminski who's a real artist with a camera and has worked on several Spielberg films. One shot in particular stands out. The ray of sunshine coming in through the kitchen window on Walken. Very thought provoking. And of course since its a Spielberg film its very personal. Spielberg was interested in the Frank Abagnale character because as a youngster he also came from a broken family and wanted to be someone else. Spielberg would sneak onto the studios and tell people that he worked there. Also, the real Frank Abagnale jr. appears as a French police officer. Well made, extremely well acted and sharply written. Viewers seem to forget that this is really a film about the breaking up of a family and the aftermath. This really is a personal film from Spielberg, and a very good one.

What a terrific piece of film-making! From the charming animated title sequence (featuring John Williams's delightfully sneaky score) to the end, this is an enormously entertaining film from the gifted craftsman, Steven Spielberg, who is so damn good people take him for granted or resent his "manipulation," i.e. his seemingly effortless ability to create effective drama.

Leonardo DiCaprio (in his best performance that I've seen) stars as Frank Abagnale, Jr., a real-life teen-aged con man so spectacularly gifted that he was able to steal millions from various companies with forged checks, while successfully impersonating an airline pilot, a doctor and a lawyer, among other guises. He is chased by a rigidly rule-bound F.B.I. agent, Carl Hanratty (Tom Hanks), who is at first comically out-classed by the young improvising criminal genius; but the agent is steadfast and relentless and has the law on his side. The movie is filled with delightful supporting performances, starting with Hanks and continuing on with Nathalie Baye as the boy's selfish mother, Amy Adams as his immature fiancée and on down to the tiniest role. I'm especially grateful for the sympathetic part given to Christopher Walken, as the mischievous and spirited Abagnale Sr., whose life darkens as his fortunes fall. Walken is one of my favorite actors, but while I enjoy the occasional one-dimensional freak or villain he plays, I wish most of his parts were like this.

Spielberg's movie is rich with fascinating details and memorable incidents, while the script by Jeff Nathanson moves backward and forward in time to tell the story in the most engrossing way possible. This is top-notch entertainment.

While watching 'Catch Me If You Can' I had so much fun I smiled constantly. Well, that smile was interrupted by laughs. The movie tells the story of Frank W. Abignale, Jr. who is just a kid as he pretends to be a schoolteacher. After his father and mother get a divorce he runs away and starts pretending to be a co-pilot, a doctor, a lawyer. The way he does this is funny and brilliant.

I am not a big fan of Leonardo DiCaprio who plays Frank but in this movie he is perfect. He gives a very fine performance. Tom Hanks is the FBI-agent Carl who is after him, and as always Hanks is good.

The story is inspired by a real story. I don't know in how many ways it is true but watching this guy all I wanted to see was him pulling more of his nice little tricks. The scene where he pretends to be a schoolteacher is just great. If you want a nice funny movie, not too heavy, this one will definitely please you.

'Catch Me if You Can' has such a talented cast, the true story is a fascinating one and while Steven Spielberg is an inconsistent director he was a big childhood influence and he has proved several times that he is capable of masterpieces of iconic status.

While 'Catch Me if You Can' is not quite one of Spielberg's best films (in a list that sees the likes of 'Schindler's List', 'Jaws', 'Raiders of the Lost Ark' and 'ET'), it is one of his better later films, for me that's since 'Schindler's List'. There are occasional lapses into overly-sentimental schmaltz with the depiction of Abagnale's family life, not the first or last time with Spielberg and a long way from the worst case, but that is the one fault that was had for me.

Spielberg directs impeccably, both in visual style and dramatic momentum, a directorial job that just screams of pure class. 'Catch Me if You Can' further benefits from as always beautiful cinematography from Janusz Kaminski and 60s period detail that not only looks sumptuously handsome but also evocative to make one think that it is more than just a film with a 60s setting.

John Williams' score is not one of his best or most memorable, but still fits really well and has the right amount of slick jazziness, whimsy and understated pathos without over-emphasising (over-emphasis was the reason why his score for 'Amistad' was a rare misfire from him). The story takes a fascinating story and makes a ceaselessly engrossing film out of it, from the ingenious opening credits sequence to the heartfelt ending, the film is long but never feels it.

This is further helped by a script that has a deft mix of genuinely funny comedy, poignant emotional moments and nail-biting suspense. The characters are intriguing. Can't praise the performances enough. Leonardo DiCaprio is movie star charisma personified, and brings wit, larceny and charm to a character that is a true crook in every sense but it is easy to see why one would fall for his actions.

It is easy to overlook Tom Hanks, due to the role being not as colourful or as showy, but he brings charismatic command, generosity and doggedness in a role that could have been really bland and annoying in lesser hands. Of a sterling supporting cast, Christopher Walken is especially superb, particularly in the latter parts of the film as his life is ruined. Martin Sheen and Amy Adams are memorable, and Nathalie Bye solid.

Overall, even if 'Catch Me if You Can' is not one of Spielberg's masterpieces it is one of his better later films and one of his most purely enjoyable ones. Well worth catching. 9/10 Bethany Cox