2001 maniaques

Let this be a warning to you right off the bat, dear reader and horror fan: if you have the kind of 'political correctness' meter that sounds the alarm at fart jokes, you will want to stay VERY FAR AWAY from the likes of 2001 MANIACS. If you're a hardier horror buff who likes your flicks to follow the "Triple-B" Rule, (Babes, Boobs and Blood), then YEEEE-HAAAW, Bubba! Y'all jest struck GOLD! There's more swingin' jugs and spurtin' jugulars here than you'd find everywhere else, plus the 'bestest 'finger-lickin' good' barbecue this side of a Texas Chainsaw Family Reunion!

If you know your horror history, you know that 2001 MANIACS is the lovingly-rendered redo of the gore-tastic Herschell Gordon Lewis' signature grue-fest 2000 MANIACS, here given the full-tilt millennium 'makeover.'

The good-humored ghouls of Pleasant Valley, GA. (population: well - look at the title, genius!) are 'DIED-in-the-wool' Southerners who don't take too kindly to stray Yankees who trespass on their turf. It probably doesn't help that over 200 years ago, every inhabitant was slaughtered by Sherman's army as he and his men raped, razed and rip- snorted their way through to HOTLanta. So their vengeful, zombiefied ghosts return each year for a little payback. A fake detour sign misdirects unwitting travelers to Pleasant Valley, where every day is the celebration of the "Guts And Glory Jubilee", and the lost tourists are always the 'guests of honor' at the Jubilee barbecue...where they also do double-duty as THE MAIN COURSE!!! But in-between those two plot points, seduction and slaughter of every imaginable kind abounds.

This time, eight friends who are classmates from the same college are on their way to Daytona Beach for Spring Break...and all the babes, booze and beer they can handle! Thanks to a wayward short cut that gets them lost, and that rigged "detour" sign that points them right into the heart of Pleasant Valley, there's one element they can add to that list - BLOOD - as in their own!!!

Once the kids hit town, it would take a moron not to figure out that there is something unpleasantly weird about these grinning, welcoming, backwoods "hell-billys" (led by a gleefully demented Robert "Freddy Krueger" Englund.) But then for college students, none of these guys (or girls) are particularly the brightest light-bulbs in the pack.

What they are, are the soon-to-be 'entrées'...er, I mean 'guests of honor' welcomed to the Valley by the overly friendly Mayor Buckman (Englund), who are at first as charmed as they are freaked at this little backwater burg, where they seem to take dedication to the whole "Civil-War era reenactment" thing a little too seriously. Of course, they learn all too late...it's NOT an act.

Director Tim Sullivan, scripting here with co-writer Chris Kobin, knows that 'Ghouls Just Wanna Have Fun' - and that includes the audience. Those movie watchers who would be profoundly outraged and insulted by 2001 MANIACS probably wouldn't (and shouldn't) be renting or going out to see this anyway. For the rest of us...well, we know what we want and what we like to see in our horror films, and thankfully, Tim provides it in abundance! Not content to merely rehash the Lewis original, he surprises with hysterical references to other movies, while keeping the action going and the blood flowing! (Think of a couple of scenes here as DELIVERANCE by way of AIRPLANE!, and you get the tone of it!)

The death scenes, if not completely original in some ways, are still delivered with gruesome effectiveness, and there is a nice "Tales From The Crypt"-style ending to wrap it neatly with a pretty, dripping-red bow.

Oh, and BTW, did I mention that this is unofficially a 'musical'? That's right, gore-hounds! A couple of ZZ Top-types, (just with banjos and 'sharp-dressed men' for the 1700's) deliver some spicy song commentary on the action! But thankfully, the ditties are inserted in a way that is terrific and not tiresome.

All in all, for an evening of blood and boobs, you might think you can do better than 2001 MANIACS, but that's debatable. I know you can do worse! And I have - trust me.

I saw "2001 Manacs" last night at a midnight screening at the Fantasia Festival and I really enjoyed it ... so did the 300-400 other people in the theater with me. Tim Sullivan and Christa Campbell introduced the movie and held a Q&A session after (I had to leave, it was 2am) but I'm sure they were pleased with the audience response. It was great to see Robert Englund again, he always does a great psycho. The movie was funny and gory ... sure the plot wasn't Oscar caliber, but anyone looking for that is going to the wrong movie. If you want to see a good horror movie, the real 'guts & glory' kind, this is the movie for you. I feel confident in recommending this movie and plan on picking up the DVD (especially since the version that was screened hasn't gone to the ratings board yet, so the DVD will probably be the only place to see this exact version).

Those already familiar with the original will know what they've gotten themselves into as our main characters follow a bogus Detour sign—just after narrowly avoiding Justin and Professor Mambo, character favorites from CABIN FEVER who are trying to hitch a ride—and arrive in the town of Pleasant Valley, whose residents are hard at work preparing for their weekend "Guts and Glory Jubilee." Soon the Confederate knife fodder arrive with Yankee good looks and are declared "guests of honor" by the one-eyed Mayor Buckman, played pitch-perfect by everybody's favorite sadist, Robert (Freddy Krueger) Englund. But what else can you expect when there's a population of, you guessed it, 2001…maniacs, that is! What follows, surprisingly given our times and political climate, is refreshingly vulgar, completely un-PC and, much like the original, an expected excuse for extremely sadistic humor and gore. Where the first film now seems boring and slow, the new version is upbeat and well-paced. Happily and sadly, the first and only fully clothed female victim to get tied up and quartered by horses is the film's only waste of T in a movie overflowing with T&A. Many viewers may be offended by the black humor and straight-up racist jokes that pepper the film's dialogue, but those of you can rest assured that everyone gets their due by the end. It'll be interesting to see how the red states will react to such a searing and scabrous document of the South. Englund seems to imbue Mayor Buckman with a well-judged imitation of President Bush, and even the lives of his two sons in the film appear to closely ape those of the Bush daughters.

Longtime Lewis fans will be ecstatic that much, if not all, of his score from the original has been transferred to the new film by way of musical narrators Johnny Legend and his strumming sidekick Scott Spiegel. Somewhat in the vein of THERE'S SOMETHING ABOUT MARY, these musical country bumpkins pop up from time to time, like Sullivan's version of a Greek Chorus, hinting at the dangers to soon befall our ethnically and morally diverse blue state victims. "The South will rise again!" The supporting cast is stocked with many fine new actors and veterans of the genre. Fans will enjoy the cool seething evil of Giuseppe Andrews (Fever's Deputy Winston) as he kills Yankee belles with kindness, and Lin Shaye (fast on her way to becoming a middle-aged scream queen after her role in the haunting DEAD END), who stars as Granny Boone, the murderous matriarch of Pleasant Valley. One day, this fine actress will hopefully be cast in a role that capitalizes on her real-life beauty and sassy charm; in the meantime, she here has a ball pushing the envelope, as when she sucks the red gore off a spear protruding from the gullet of a hapless victim! Newcomer Jay Gillespie evokes a REAL GENIUS or TOP GUN-era Val Kilmer with stern good looks and a thrill for the action around him. The rest of the MANIACS cast seem to be having fun with the bloody lowbrow horror and are in on the joke, all ready to "take one for the team" and die in a less-than-flattering manner. As each member is dispatched, you can tell they were having a great time taking it to the next level. This is a movie where "over the top" is just scratching the surface. Just ask Peaches, the Southern belle who wears a "retainer" that would make the shark in JAWS envious when she "services" a good ol' boy! (He doesn't last long.) By the third reel, characters are walking around town all alone for no good reason, so we know they aren't going to end up much better than their missing brethren. Then Sullivan and crew punch up the action a bit with a scene that doesn't necessarily match the vibe of everything we've seen thus far, but has a maggot-worthy moment that makes up for the switch in tone. If you're looking to get scared, this is not exactly the right film, but if you're familiar with Lewis and his brand of goremongering, you'll squirm, screech and then writhe with laughter. 2001 MANIACS has all the elements of a good time yet still raises a dialogue among viewers that not many have had the balls to address in horror, or film-making in general, since the '70s.

People who do not know the first movie ("Two thousand maniacs" Hershell Gordon Lewis 1964) may have a look.The others should not bother.The first movie was not only Old Dixie's revenge:it was also a spoof on Vincente MInnelli's "Brigadoon",a bloody one.It filled its quota of horror -for the time it was daring ,since we have seen worse- and ,more interesting,black humor.

What does the remake offer? A boring lecture -so boring the students are snoring- on the Civil War in case the audience would not be aware of how horrible that war was (was/is there a war which isn't ?I'd like to know);a party where the students are on the menu,nothing new under the sun;and lots and lots of sex,much more sex than in the Lewis version;one should note that the "heroes" are younger: in 1964,the victims ,if my memory serves me well,were already working,one of them was a schoolteacher.

2001 maniacs is essentially a grind house movie if you look at it. The story is the third most important part of the film, after gore and sex. That being said, i do not really mind that since i am a fan of gore myself.

The plot in the movie is not anything new, a bunch of teenagers gets into trouble with the supernatural. You have seen that several times if your a fan of horror. What makes this movie better than average is the fact that it's self avare of it. It doesn't try to be the shining or something like that, instead we get pure grind house fun. The camera is even outdated for the time, a pretty classic grind house team (since they were made on a shoestring budget).

Robert Englund is great as the main villain (As always), the main cast of teens are bad and the acting overall from them is stale and uninspiring. What makes this movie fun to watch is the interaction of the teens (Bad acting) with the townspeople (mostly good acting). The plot moves along with a decent speed so you are never bored with it, and the climax is pretty good.

Another thing that really make it feel like a grind house aside from the gore and the sex are the fact that it is not scared of taking the low road. It's rare to have such strong language in horror movies that are mainstream produced as this one has. "Boy, Negro, Chinaman (Sorry, Chinawoman) and such. Its a movie that doesn't care at all and is just out to entertain you.

Is it better than 2000 maniacs? No, it is. not Is it a bad movie? Yes it is, but it's also a pretty decent one. Once again, that is if you see this movie as a grind house movie, which it really isn't, but there are strong influence by the grind house cinema in it. The best part of this movie is the kills, that isn't anything strange since that's true 90% of the time when there is a body count. But there is also a pretty fun dark humor in this film that doesn't go unnoticed.