Tue-Moi Après

It starts off as a comedy, then it becomes a crime comedy, before turning into a romantic crime comedy. If you liked Bandits or Birthday girl, Kill me later is another film I'd recommend, even though it is probably harder to find. Actually, I could recommend the film to any one who is in the mood for some light entertainment without too much sex or violence, but one that is not too sissy or sappy either. It's not great, but it is definitely likable.

Life isn't going so good for loan officer Shawn Holloway. On the day she decides to jump off the roof of her bank building, there is a robbery that goes south, thirty floors below her. One of thee robbers escapes, and takes Shawn hostage. She agrees to cooperate if he kills her once they are in the clear. that idea doesn't go so well either, because he is (for lack of a better cliché) chicken. Thus the two continue their run from the law, and on the way, Shawn starts to fall for this quirky robber.

Although the story isn't super extensive and its dimensions are of middling depth and detail, it gets you going, and you sort of end up caring. Selma Blair is not much of an actress at all, and much of her work is torpid, but this is a fairly good role for her as an average American emo, who starts to get something out of life when a few cute story contrivances come her way and take her on a crazy journey.

Like all films (even great ones) there is room for improvement, in Kill me Later, but the film is strait forward, to the point, and cute/quirky enough to be worth a watch, if by chance this relatively unknown feature finds its way into your life.

This was clearly a work that was low budget and yes perhaps a little rushed - but I get a bit annoyed at reviewers here who whinge on about script development for a film that clearly had a hard time getting any kind of funding at all. Script development is hard to get in even the biggest budgeted films just look at Lord of the Rings if you want to see underdeveloped characters but strangely not to many people shooting that down.

That said this is a nice, gentle film about a bank robbery that is not trying to be Reservoir Dogs or Lock Stock, and I don't think it is so much underdeveloped as less violent. The writer and director have stuck to their own vision and have produced something that they should be proud of for a first feature.

The performances are good and the script and directorial choices are clever and interesting without trying to scream at the audience "Look at me I'm an Auteur"

Certainly worth a look and a good video movie for females who are tired of seeing the male dominated violent heist films.

I stumbled upon this movie by mistake and was actually presently suprised by it. I have always thought Selma Blair was a quite good actress and she was very convincing in this. Even though at some points in the movie it gets a bit dull and repetative, generally your attention is kept.

The guy who described this as having an undeveloped script was right on the money. The sometimes comic yarn about an embezzlement gone awry with a suicidal mistress accidentally drawn into the plot has got a lot of potential and some very watchable performers but the screen writer apparently was in too much of a hurry and the director didn't have any idea where the story was supposed to go in the first place. It is not a bad watch just to see some young performers who evidently took their work more seriously than the producers and directors and hopefully we may see them again.

For me, Selma Blair is the reason to watch this one. She's got the creepy, vulnerable quality Jennifer Jason Leigh does so well, but she couples it with a smart-ass attitude. Movie is strongest in the first 40 minutes or so, as the constant running from the authorities gets a bit tedious after that.