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Le journal de Bridget Jones

Titre original : Bridget Jones's Diary
  • 2001
  • 14A
  • 1h 37m
ÉVALUATION IMDb
6,8/10
280 k
MA NOTE
POPULARITÉ
2 456
504
Colin Firth, Renée Zellweger, and Hugh Grant in Le journal de Bridget Jones (2001)
Trailer for Bridget Jones's Diary
Liretrailer1:44
4 vidéos
99+ photos
ComédieDrameRomanceComédie romantiqueRomance réconfortante

Une Britannique est déterminée à s'améliorer alors qu'elle cherche l'amour au cours d'une année où elle tient un journal intime.Une Britannique est déterminée à s'améliorer alors qu'elle cherche l'amour au cours d'une année où elle tient un journal intime.Une Britannique est déterminée à s'améliorer alors qu'elle cherche l'amour au cours d'une année où elle tient un journal intime.

  • Director
    • Sharon Maguire
  • Writers
    • Helen Fielding
    • Andrew Davies
    • Richard Curtis
  • Stars
    • Renée Zellweger
    • Colin Firth
    • Hugh Grant
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,8/10
    280 k
    MA NOTE
    POPULARITÉ
    2 456
    504
    • Director
      • Sharon Maguire
    • Writers
      • Helen Fielding
      • Andrew Davies
      • Richard Curtis
    • Stars
      • Renée Zellweger
      • Colin Firth
      • Hugh Grant
    • 673Commentaires d'utilisateurs
    • 88Commentaires de critiques
    • 66Métascore
  • Voir l’information sur la production à IMDbPro
    • Nommé pour 1 oscar
      • 8 victoires et 32 nominations au total

    Vidéos4

    Bridget Jones's Diary
    Trailer 1:44
    Bridget Jones's Diary
    Bridget Jones's Diary
    Trailer 1:39
    Bridget Jones's Diary
    Bridget Jones's Diary
    Trailer 1:39
    Bridget Jones's Diary
    Bridget Jones's Diary
    Trailer 1:44
    Bridget Jones's Diary
    'Isn't It Romantic' Cast Embraces the Clichés of a Romantic Comedy
    Clip 2:17
    'Isn't It Romantic' Cast Embraces the Clichés of a Romantic Comedy

    Photos178

    Voir l’affiche
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    + 171
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    Rôles principaux63

    Modifier
    Renée Zellweger
    Renée Zellweger
    • Bridget Jones
    Colin Firth
    Colin Firth
    • Mark Darcy
    Hugh Grant
    Hugh Grant
    • Daniel Cleaver
    Gemma Jones
    Gemma Jones
    • Bridget's Mum
    Celia Imrie
    Celia Imrie
    • Una Alconbury
    James Faulkner
    James Faulkner
    • Uncle Geoffrey
    Jim Broadbent
    Jim Broadbent
    • Bridget's Dad
    Charmian May
    Charmian May
    • Mrs. Darcy
    Paul Brooke
    Paul Brooke
    • Mr. Fitzherbert
    Felicity Montagu
    Felicity Montagu
    • Perpetua
    Shirley Henderson
    Shirley Henderson
    • Jude
    Sally Phillips
    Sally Phillips
    • Shazza
    James Callis
    James Callis
    • Tom
    Charlie Caine
    • Handsome Stranger
    Gareth Marks
    • Simon in Marketing
    John Clegg
    John Clegg
    • Elderly Man
    Salman Rushdie
    Salman Rushdie
    • Salman Rushdie
    Embeth Davidtz
    Embeth Davidtz
    • Natasha
    • Director
      • Sharon Maguire
    • Writers
      • Helen Fielding
      • Andrew Davies
      • Richard Curtis
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs673

    6,8280.1K
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    Avis en vedette

    9MetaLark

    Not a hardcore chick-flick

    Speaking as one familiar with "Pride and Prejudice"--the book and the 1995 miniseries upon which this work is loosely based--I like this spunky little movie exceedingly well, just as it is. Do not be put off by superficial comparisons to "Four Weddings and a Funeral" and "Notting Hill," both shallow and pretentious movies memorable only for one fine eulogy and some physically beautiful protagonists. "Bridget Jones's Diary" is more.

    Bridget Jones is, as its soundtrack suggests, "Everywoman." Every woman who has ever fumbled for words, fallen on her face, been embarrassed by her mother, chosen her underwear carefully, picked a cad for a boyfriend--whether she's a thirty-something singleton or a sixty-something grandma--can identify with Bridget on some level. You can't help pulling for her. Cheering her on is cheering yourself on.

    But this chick-flick is not hardcore; it has a broad sense of humor. Male viewers have been caught in the act--smirking. There is even a fistfight to warm insensitive martial hearts. A couple of famous people make appearances here, too--one with a million-dollar price on his head--Salman Rushdie, who plays himself in a wryly irreverent little sequence.

    It's easy to miss the movie's charm on the first screening--some very good lines are swallowed at the ends; the gratuitous profanity, casual sex, prodigious smoking and drinking are turn-offs; the heroine is an awkward, fleshy woman with reprehensible fashion taste, and one may easily posit that she ended up with an unsuitable and unlikely mate.

    But I contend, after a second viewing, that this movie is a little gem. There is a wonderful economy in the editing; every scene, every action tends toward only one possible conclusion, a PERFECT conclusion. And the childhood clips in the ending credits give credence to that conclusion and provide support for it--which is that the hero and heroine are made for each other.

    I rate it a solid 9 (with a 10 for the BBC/1995 "Pride and Prejudice").

    * * * * S P O I L E R S A H E A D * * * *

    At first glance, Miss Jones seems stupid and inept and the last woman in the world one would pick for the intelligent and successful Mr. Darcy. But consider this: Darcy already had "a clever wife" before--bliss must needs be sought elsewhere. Besides, Bridget, though somewhat gauche, is not unintelligent, as evidenced by her voiceovers and some of her sallies. But most of all this: Each has something the other needs--he is steady and reliable, she possesses liveliness and warmth. Notice the wistful look on Darcy's face as he watches Bridget and Cleaver cavorting on the river. He WANTS some nonsense and indecorum in his life--needs them; she would be his savior. Imagine Darcy's life if he had settled on the competent but priggish Natasha--both parties would have stagnated. Imagine if Bridget had surrendered to the charms of a Daniel Cleaver--fun for the nonce, but misery for the long haul.

    No, this ending is perfect in every way, down to the last delightful epithet uttered by an aroused Darcy. And oh yes, the kiss--very promising indeed; at once tender and ardent, it leaves one with the distinct impression that Darcy will be something more than "helpful in the kitchen."
    8colourblinded

    ridiculously hilarious

    Being a long time fan of the BJD books (three years and counting), I had nothing but high hopes for the movie version. I was lucky enough to get into a sneak preview last night, and I was not disappointed. The movie, like the book, has the most hilarious lines and moments, and each of the actors portrayed their characters so well you couldn't imagine anyone else in that part. Renee Zellweger IS Bridget, there is just no arguing it. No other actress could have pulled off what Renee did in this movie. Hugh Grant makes for an excellent Daniel, who is completely two faced and has a smarmy sort of charm that makes you want him just as badly as Bridget does. Colin Firth is a superb Mark Darcy, but that was a given because the character was practically written with him in mind - as all avid BJD readers know, Mark Darcy's character is a play on the Mr. Darcy Firth portrayed in Pride and Prejudice.

    Some of the more hardcore fans of the book may be disappointed with all the missing jokes and scenes, but to film the entire book would have left us with a 10 hour movie. The writers did an excellent job distilling the essence of the novel, and the finished product has all the charm and wit of the original. The audience, many of whom I'm sure have never read the book (and many of whom, surprisingly, were male), laughed nonstop throughout the film, and everyone seemed to enjoy it thoroughly. As for those of us who have read it, I do believe that this is one of those rare book-to-movie jobs that was really spot-on, and everything that was noticeably changed in the process only makes the movie better. So go see it, it's hands-down one of the best movies of 2001 so far.
    7Quinoa1984

    One of the most charming romantic comedies in a while

    Bridget Jones's Diary actually gave some laughs, and for that alone gives this film reccomendation, since so few romantic comedies now adays (outside of the classic Woody Allen flick) deliver laughs WITH corny plot twists.

    Renee Zellwegger is as charming as she was in Jerry Maguire and Nurse Betty (though Nurse Betty has her best work) as a British woman who has some low self esteem about herself- she drinks, smokes, and eats too much, and has trouble staying away from bad boyfriends. In the movie, it focuses on her relationships with Colin Firfth, a honest British lawyer, and Hugh Grant who is a coniving yet charming scoundrel.

    Some of the movie might be a tad too over-conventional for some tastes (at times it was for me), but the film delivers enough surprises and good feelings (lame for me to say that isn't it) that it should make for a good date movie that the guy might not hate with all his being. A-
    7jennifer_litchfield

    Star rating: 4 out of 5

    Bridget Jones's Diary is a surprisingly good movie. Detractors who deride it for its admittedly minimalist plot miss the point - this is a film that shows life without the layers of artificiality favoured by directors (resulting in movies somehow removed from the realm of the everyday in which us mere mortals dwell). Life is frequently aimless and trivial; and therein lies the movie's attraction. Notwithstanding of course that this is a very funny and highly original comedy.

    Bridget (played with considerable aplomb by Renee Zellweger) belongs to the ranks of that modern phenomenon - the over-30, unmarried career woman. Just when it seems Bridget may be destined for terminal spinster-hood, two opposing forces enter her life - charming cad Daniel, and uptight (but very sexy) lawyer Mark. Which of the two is her Mr. Right? And why does everyone insist on asking that question detested by all singletons - "How's your love life going?" The movie's conclusion is predictable, and although any other ending would leave the audience feeling cheated, it does seem somewhat tame and ultimately unsatisfying.

    The film encourages the viewer both to get involved with Bridget emotionally and to laugh at her at the same time. Perhaps the best joke is the milieu inhabited by her parents - where the mini-gherkin is the height of sophistication, and 60-year-olds throw garden parties with such alarming themes as 'tarts and vicars'. Bridget is certainly no social butterfly, and whilst we cringe at her public embarrassments (notably her TV report involving a fireman's pole and a bottom the size of Brazil), we triumph with her when she manages to turn a bad situation to her advantage. Maybe we can recognise a little bit of Bridget Jones in all of us.
    7Stevieboy666

    Horror fan watched this chick flick and enjoyed it

    I can remember when this came out and a girl that I was dating at the time suggested I watch it. Me?? A die-hard horror geek!! Nah!! Fast forward 18 years and last night me and my girlfriend sat down together and watched it. And it was really good. Granted, I wouldn't have chosen to watch this by myself, but if you're looking for a charming, date movie then look no further. Predictable and basic but it does have a nice plot none the less, and many times we were laughing out loud. Very well acted and produced. I would, however, like to point out that very few Brits speak posh like they do here, and that snow is quite rare in England at Xmas (unless you're on top of a mountain!) Looking forward to seeing the sequel

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      To prepare for the role, Renée Zellweger gained 25 pounds, then worked at a British publishing company for a month. Using an alias and a posh accent, she was apparently not recognized. She also kept a framed picture of her then-boyfriend Jim Carrey on her desk. Her co-workers found the photo odd, but never mentioned it for fear of embarrassing her.
    • Gaffes
      (at around 1h 29 mins) Bridget's flat is in Borough, but when Mark leaves it to buy her a new diary, he walks around the corner to the Royal Exchange, which is several miles away on the other side of the Thames.
    • Citations

      Bridget: Wait a minute... nice boys don't kiss like that.

      Mark Darcy: Oh, yes, they fucking do.

    • Générique farfelu
      During the end credits, we see footage of a home movie taken during a birthday party, which also happens to be the birthday party that both Bridget and Mark are at that is referred to several times during the movie.
    • Autres versions
      The songs that play over the second half of the end credits are different. In the UK the first Robbie Williams song is followed by Dina Carroll singing "Someone Like You", and then Williams again, singing "Not Of This Earth". The US version replaces Carroll with Shelby Lynne singing "Killin' Kind", then concludes with the same Williams track.
    • Connexions
      Featured in Siskel & Ebert & the Movies: Blow/All Access/Just Visiting/Along Came a Spider/Just Melvin: Just Evil (2001)
    • Bandes originales
      Magic Moments
      Written by Burt Bacharach and Hal David

      Performed by Perry Como

      Courtesy of RCA Records/BMG Entertainment

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    FAQ22

    • How long is Bridget Jones's Diary?Propulsé par Alexa
    • What do the numbers on Bridget's weight scale mean?
    • What are the differences between the BBFC-15 Version and the R-Rated Version?

    Détails

    Modifier
    • Date de sortie
      • 13 avril 2001 (Canada)
    • Pays d’origine
      • Ireland
      • United Kingdom
      • France
      • United States
    • Sites officiels
      • Miramax (United States)
      • Official Facebook
    • Langue
      • English
    • Aussi connu sous le nom de
      • Bridget Jones's Diary
    • Lieux de tournage
      • Bedale Street, Southwark, Londres, Angleterre, Royaume-Uni(Bridget's home)
    • sociétés de production
      • Miramax
      • Universal Pictures
      • StudioCanal
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 25 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 71 543 427 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 10 733 933 $ US
      • 15 avr. 2001
    • Brut – à l'échelle mondiale
      • 281 996 360 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 37m(97 min)
    • Couleur
      • Color
    • Mixage
      • SDDS
      • Dolby Digital
      • DTS
    • Rapport de forme
      • 2.39 : 1

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