ÉVALUATION IMDb
6,2/10
49 k
MA NOTE
Dans une école privée britannique, quatre adolescents découvrent et explorent secrètement les profondeurs d'un trou souterrain créé il y a plusieurs décennies comme abri anti-bombes.Dans une école privée britannique, quatre adolescents découvrent et explorent secrètement les profondeurs d'un trou souterrain créé il y a plusieurs décennies comme abri anti-bombes.Dans une école privée britannique, quatre adolescents découvrent et explorent secrètement les profondeurs d'un trou souterrain créé il y a plusieurs décennies comme abri anti-bombes.
- Director
- Writers
- Stars
- Prix
- 1 victoire et 3 nominations au total
Jemma Powell
- Minnie
- (as Gemma Powell)
Avis en vedette
Truly, fresh and new ideas, rarely make it to film. The Hole, based on the novel (after the Hole) by Guy Burt is a good exception to this. It is seldom that we see a top quality thriller, but this movie is well cast, well directed, and works wonderfully. The story is quite simple really, it relies on strong characterisation and good dialogue. All the cast give good performances and Thora Birch is outstanding. This thriller really does keep you on the edge of your seat throughout; it is very dark, very creepy and has a terrifying atmosphere. I would recommend this film to anyone who likes a good thriller. It isn't in the same league as Se7en and Silence of the Lambs, but it is better than most thrillers that are released.
8/10 A great film.
8/10 A great film.
I'D RATHER YOU DIDN'T READ THIS IF YOU HAVEN'T ALREADY SEEN IT, JUST IN CASE I SPOIL IT FOR YOU!
When Liz staggers, tattered, shocked and disturbed in a blood stained coat through the halls of residence in an exclusive British boarding school in the opening scene of the film, which has thus far been intense and atmospheric, I begin thinking - "This is promising." But then, and I don't wish to be known as a pedant or anything, she stumbles up to a British telephone in her British boarding school and calls the British emergency services, saying, in a British falsetto...
"Nine... one... one."
WHAT?????????????
911? The most basic and fundamental of research errors, the number for the police, has been overlooked.
I know I am watching an American film. Ever since I first saw her in American Beauty (in which she managed to hold her own against Spacey and Boening beautifully. I have found a brilliant allure about her. I so wanted to like this film. And I did. I would have liked it more if it had been a little more culturally sensitive.
All American-Britons in the film had flawless British accents - but that's just it - a regional dialect here and a glottal stop there would have been far more believable.
The concept itself is brilliant - a tale of adolescent obsession and peer pressure leading to insanity and homicide. And there are moments in the film that are genuinely disturbing, for example when we see Liz beside her vomiting best friend, ignoring her totally, preferring to obsess about Mike - her teenage fantasy incarnate.
Technically, the film is superb, and fragmented fast shots of the bodies and effective lighting and mise-en-scene in the Hole itself are brilliant, but everything set in the present is fairly terrible, mostly due to dubious acting and underdeveloped script work. The contrived atmosphere of the first fifty minutes is representative of Liz's tale itself - false, and when we do see the account as it happened, it is shocking and tense (although the cheesy funeral scene is fairly diabolical).
The biggest problem around the film is the fact that the characters, even Liz, are underdeveloped and the script and issues (eg that of identity, ie belonging - "The be popular at (name of high school), you have to be either..." said by both Martin and Liz) are too. Her obession is a fantastic premise for a film and its context in the hole is excellent but then it is damaged by a throw away attitude to making decent psychological thrillers - in this case, the teen horror genre was too much of an influence (although the grissly death scenes were very effective).
An excellent idea, but seriously underdeveloped, especially when placed in a market with peers such as Cube, with a lower budget and totally unknown actors (I'm sorry, Thora, I'm sorry!!)which manages to be shocking, timeless and tense.
Watch it, it's good. But note that its potential was done poorly by using American actors to create a pseudo-Britain, and "American-England," and the sometimes unbelievable dialogue.
When Liz staggers, tattered, shocked and disturbed in a blood stained coat through the halls of residence in an exclusive British boarding school in the opening scene of the film, which has thus far been intense and atmospheric, I begin thinking - "This is promising." But then, and I don't wish to be known as a pedant or anything, she stumbles up to a British telephone in her British boarding school and calls the British emergency services, saying, in a British falsetto...
"Nine... one... one."
WHAT?????????????
911? The most basic and fundamental of research errors, the number for the police, has been overlooked.
I know I am watching an American film. Ever since I first saw her in American Beauty (in which she managed to hold her own against Spacey and Boening beautifully. I have found a brilliant allure about her. I so wanted to like this film. And I did. I would have liked it more if it had been a little more culturally sensitive.
All American-Britons in the film had flawless British accents - but that's just it - a regional dialect here and a glottal stop there would have been far more believable.
The concept itself is brilliant - a tale of adolescent obsession and peer pressure leading to insanity and homicide. And there are moments in the film that are genuinely disturbing, for example when we see Liz beside her vomiting best friend, ignoring her totally, preferring to obsess about Mike - her teenage fantasy incarnate.
Technically, the film is superb, and fragmented fast shots of the bodies and effective lighting and mise-en-scene in the Hole itself are brilliant, but everything set in the present is fairly terrible, mostly due to dubious acting and underdeveloped script work. The contrived atmosphere of the first fifty minutes is representative of Liz's tale itself - false, and when we do see the account as it happened, it is shocking and tense (although the cheesy funeral scene is fairly diabolical).
The biggest problem around the film is the fact that the characters, even Liz, are underdeveloped and the script and issues (eg that of identity, ie belonging - "The be popular at (name of high school), you have to be either..." said by both Martin and Liz) are too. Her obession is a fantastic premise for a film and its context in the hole is excellent but then it is damaged by a throw away attitude to making decent psychological thrillers - in this case, the teen horror genre was too much of an influence (although the grissly death scenes were very effective).
An excellent idea, but seriously underdeveloped, especially when placed in a market with peers such as Cube, with a lower budget and totally unknown actors (I'm sorry, Thora, I'm sorry!!)which manages to be shocking, timeless and tense.
Watch it, it's good. But note that its potential was done poorly by using American actors to create a pseudo-Britain, and "American-England," and the sometimes unbelievable dialogue.
The Hole begins slowly and very standardly, but unlike most genre films, it picks up pace after 40 minutes then accelerates towards a smashing ending. Well okay, the ending itself wasn't a great surprise, but I found it satisfying in a B-grade kind of way.
The premise of Hole is pretty mundane. The idea of a group of teenagers going into an old abandoned building or structure for a lark is a stock standard story opener for hundreds of B-grade horror flicks. But then Hole becomes interesting by the re-telling of events from different characters' individual points of view in a manner reminiscent of the 1950 British gem The Woman in Question'. Just who is telling the truth?
The final third of Hole rockets along and the film becomes genuinely frightening. I was especially impressed with the way repercussion of actions and in-actions are graphically shown and not glossed over as so many genre films have a habit of doing.
Hole is not a great film. The acting from the five teenagers is a cut above average, but the direction is pretty heavy handed and not very imaginative. Overall I found Hole a nicely satisfying and genuinely frightening B-grade experience which proves the old adage that says the worst monsters are human beings. It also shows that modern thriller/horror genre films doesn't always have to rely on lashings of special effects and supernaturalism to tell a story effectively.
6/10
The premise of Hole is pretty mundane. The idea of a group of teenagers going into an old abandoned building or structure for a lark is a stock standard story opener for hundreds of B-grade horror flicks. But then Hole becomes interesting by the re-telling of events from different characters' individual points of view in a manner reminiscent of the 1950 British gem The Woman in Question'. Just who is telling the truth?
The final third of Hole rockets along and the film becomes genuinely frightening. I was especially impressed with the way repercussion of actions and in-actions are graphically shown and not glossed over as so many genre films have a habit of doing.
Hole is not a great film. The acting from the five teenagers is a cut above average, but the direction is pretty heavy handed and not very imaginative. Overall I found Hole a nicely satisfying and genuinely frightening B-grade experience which proves the old adage that says the worst monsters are human beings. It also shows that modern thriller/horror genre films doesn't always have to rely on lashings of special effects and supernaturalism to tell a story effectively.
6/10
I had high hopes for 'The Hole' being a fan of this kind of "head trip" mystery (when done well!), and also because Thora Birch shows lots of potential. Unfortunately Birch is nothing special here and she is the ONLY good thing about this disappointing missfire. The plot features so many holes and ludicrous moments that you quickly lose interest, especially after the main plot twist will take you all of ten minutes to guess. You vainly hope that the obvious way the movie is heading is a red herring and will be cleverly subverted, but it isn't. Anyone who has seen a decent amount of mystery thrillers over the years will find this one to be the same old, same old. On top of that the four main characters are all unsympathetic and so cliched that you frankly won't give a damn what happens to any of them, and that is a fatal flaw in this kind of movie. Don't bother with this one.
I've been anticipating this film for a while since it is Thora Birch's first role since American Beauty. So, The Hole. The Hole has been hyped up as a horror/psychological film in which 4 students are locked down an old wartime bunker (-the- Hole) to avoid a boring Geography field trip. How does it fare?
The casting is probably the jewel of this film. It's superb. The absolutely stunning Keira Knightley (Sabé from Star Wars Episode I) appears as Liz's (Birch) friend, Frankie. All the rest of the characters are complete unknowns, except the psychologist played by Embeth Davidtz (Matilda, Bridget Jones, Schindler's List), but they all act their parts excellently.
This film really has the British 'feel' mastered. The sets are excellent, the locations are splendid, and the whole 'feel' of the movie is very realistic. The school really does feel like a British public school (A British 'public school' is like a 'private school' in the US.. one where you need rich parents to flash $$$ to get you in). The unnamed pupils seem extremely realistic.
There are only three small flaws with this film. The first is that it doesn't exactly live up to the hype in the British press. I did not find this scary at all, but it was an extremely well done mystery/whodunnit. Horror? Nah, not unless you classify psychological thrillers as 'horror'.
The second flaw is that the transitions between different parts of the film can be rather confusing. Often, the film bounds around past and present shots and be extremely disorienting in places. Unlike Memento, this disorientation is not an advantage. However, at the end of the film, you'll be able to tie all of the parts together and leave feeling quite satisfied with the story (a bit like the film 'Wild Things').
Another minor let down is the music. Totally forgettable, has no place in the film, and it often appears at the most inappropriate times.
I really do hope this is released in the USA soon, as Thora Birch is definitely not to be missed here.. and I think the stunning Keira Knightley is going to be getting some bigger roles from now on, she's definitely earned her stripes here. So, my big question, why has this not been scheduled for US release!?
This is certainly not a Blair Witch Project clone, although this impression has been given by the press. Instead, this is a cleverly constructed and extremely well casted psychological thriller/mystery.
The casting is probably the jewel of this film. It's superb. The absolutely stunning Keira Knightley (Sabé from Star Wars Episode I) appears as Liz's (Birch) friend, Frankie. All the rest of the characters are complete unknowns, except the psychologist played by Embeth Davidtz (Matilda, Bridget Jones, Schindler's List), but they all act their parts excellently.
This film really has the British 'feel' mastered. The sets are excellent, the locations are splendid, and the whole 'feel' of the movie is very realistic. The school really does feel like a British public school (A British 'public school' is like a 'private school' in the US.. one where you need rich parents to flash $$$ to get you in). The unnamed pupils seem extremely realistic.
There are only three small flaws with this film. The first is that it doesn't exactly live up to the hype in the British press. I did not find this scary at all, but it was an extremely well done mystery/whodunnit. Horror? Nah, not unless you classify psychological thrillers as 'horror'.
The second flaw is that the transitions between different parts of the film can be rather confusing. Often, the film bounds around past and present shots and be extremely disorienting in places. Unlike Memento, this disorientation is not an advantage. However, at the end of the film, you'll be able to tie all of the parts together and leave feeling quite satisfied with the story (a bit like the film 'Wild Things').
Another minor let down is the music. Totally forgettable, has no place in the film, and it often appears at the most inappropriate times.
I really do hope this is released in the USA soon, as Thora Birch is definitely not to be missed here.. and I think the stunning Keira Knightley is going to be getting some bigger roles from now on, she's definitely earned her stripes here. So, my big question, why has this not been scheduled for US release!?
This is certainly not a Blair Witch Project clone, although this impression has been given by the press. Instead, this is a cleverly constructed and extremely well casted psychological thriller/mystery.
Le saviez-vous
- AnecdotesIn the book, Liz, Alex, Frankie and Jeff were trapped in an abandoned cellar. In the film, Liz, Mike, Geoff and Frankie are trapped in an abandoned underground nuclear fallout shelter.
- GaffesIn the downward shot as the four enter the shelter, two legs of the camera's tripod can be seen.
- Autres versionsThe film was cut by the distributor to qualify for a "15" rating in the UK. The cuts include the re-dubbing of the word 'cunt'. Ironically, the 'deleted scenes' section on the UK DVD release is rated '18', therefore earning the DVD an '18' overall, even though the film is only a '15'. The same version of the film was released worldwide, so an uncut version/director's cut DVD sadly isn't available anywhere.
- ConnexionsFeatured in Empire: The World's Best Movie Quiz (2006)
- Bandes originalesShow Me The Money (Jerry Maguire Mix)
Written by Paul Akabah and Ashley Akabah
Published by EMI Music Publishing Ltd.
Performed by Architechs
Courtesy of Go!Beat/Polydor UK Ltd.
Licensed by kind permission of The Film & TV Licensing Division, part of the Universal Music Group
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- How long is The Hole?Propulsé par Alexa
Détails
Box-office
- Budget
- 4 158 370 £ (estimation)
- Brut – à l'échelle mondiale
- 7 819 851 $ US
- Durée1 heure 42 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
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