Harry Potter à l'école des sorciers

During my childhood, the earlier Harry Potter books got me into the franchise and especially Fantasy Literature in general. They had thought provoking writing, likeable characters, and compelling world building. Then I saw this movie adaptation of The Sorcerer's Stone (The Philosopher's Stone in the UK) back in theaters and loved it. It's not a perfect film I'll admit, but it's a very good start to a successful fantasy movie franchise.

Sure, it's a bit overlong and the child performances from Daniel Radcliffe, Rupert Grint and Emma Watson, while not terrible by any means, could have used some fixing though they did get better as the later movies progressed.

Everything else still holds up. The visual effects/cinematography are beautiful to look at, the directing from Chris Columbus is great, the make up designs are well built, and the music score from John Williams is enchanting and haunting especially Hedwig's Theme. Not to mention the supporting actors are great with Robbie Coltrane as Harris and the late actors Alan Rickman and Richard Harris as Severus Snape and Professor Dumbledore.

Overall, Harry Potter and the Sorcerer's Stone isn't perfect but it's a very good start to the successful fantasy movie franchise after 20 years. Recommended! :)

To millions of children of all ages, November 16 has been more eagerly anticipated than Christmas, as the long-awaited film version of J. K. Rowling's beloved novel "Harry Potter and the Sorceror's Stone" hits the screen.

Each of Rowling's four Harry Potter books have been critically acclaimed worldwide best-sellers, turning a generation of video-game playing children into avid readers.

In translating Rowling's world of wizards and magic to the screen, the film makers claimed to be intensely aware of the fans' high expectations and had sworn to be faithful to the book.

"Harry Potter and the Sorceror's Stone" is indeed the most loyal film adaptation of a book that this fan has ever seen.

It's the story of an orphaned boy who discovers on his eleventh birthday that his parents were wizards and that he is in fact a famous and powerful wizard himself.

Released from the clutches of his desperately ordinary (and non-magical) Uncle Vernon and Aunt Petunia - and their deliciously obnoxious son Dudley - Harry takes his place in the wizarding world as a first year student at the venerated Hogwarts School of Witchcraft and Wizardry.

A great deal of "Harry Potter and the Sorceror's Stone" is an introduction to this fantastic and dangerous world and its richly drawn characters. There's not only a lot of plot to cover in this film, but an entire world to create.

At two and a half hours long (hit the restroom before it starts), the film includes the book's most memorable scenes, bringing many of them to life with pure cinematic wizardry.

The Quidditch match (a soccer/hockey/rugby thing played on broomsticks) is much more exciting on the screen than on the page, as is the bathroom battle with an enormous mountain troll and the larger-than-life game of wizard's chess.

The frightening aspects of the book are in full force in the film, and its PG rating (for some scary moments) should be taken seriously.

Screenwriter Steven Kloves ("Wonder Boys") has done a fine job of streamlining Rowling's tale while maintaining its spirit. Director Chris Columbus ("Home Alone") makes good on his promise to be faithful to the book. But at times the film is a bit too reverent; you want the actors to cut loose and have a bit more fun.

Columbus clearly understands that fantasy works best when it's played most real. Across the board, his fine ensemble of actors are so perfectly cast that they appear to have literally stepped out of Rowling's book.

In the title role, Daniel Radcliffe pulls off the very difficult task of playing an introverted hero who spends most of the movie reacting to the amazing sights and events around him. He beautifully captures the deep soul and untapped potential of Harry Potter. And when this kid smiles the screen lights up.

Rupert Grint is delightful as Harry's sardonic buddy Ron Weasley and Emma Watson nearly steals the film as their overachieving friend Hermione Granger. Three cheers to the film makers for giving three unknown child actors the top billing they deserve.

The strong cast of veteran actors includes Richard Harris as the wise Headmaster Dumbledore and Robbie Coltrane as the lovable giant Hagrid. Alan Rickman is wonderfully villainous as Professor Snape and Zoe Wanamaker has just the right touch of girls gym teacher as flying instructor Madame Hooch.

As the strict but just Professor McGonagall, Oscar winner Maggie Smith seems born to play the role - and is ready for another Oscar.

John Cleese (as Nearly Headless Nick) and Julie Walters (as Mrs. Weasley) have all-too-brief cameo roles, but if the next film "Harry Potter and the Chamber of Secrets" remains true to the book, we'll be seeing more of them.

In addition to being highly engaging, the film is a marvelous thing to look at. From the bustling wizard street Diagon Alley to the magnificently gothic Hogwarts School to the dark and misty Forbidden Forest, the film breaks new ground in imaginative production design.

To paraphrase the film's tagline, let the magic (and box office records) begin.

Like a lot of others, I refused to watch this film when it was originally released, thinking it was going to be another movie for kids, loosely taken from the source. Was I ever wrong?

J.K. Rowling's novel was brilliantly taken from book to screen. The acting, directing and especially the special effects were tremendously awesome. Director Chris Columbus did a superb job with the direction, I was surprised he didn't get an Academy Award nomination. The acting was too, excellent, especially from the experienced actors like Alan Rickman playing Severus Snape. Truly one of his best performances.

A great adaptation of a very popular book, a fine example of cinema.

To be faced with the challenge of adapting Harry Potter for the Silver screen must have been any director's nightmare- the chance of directing possibly the biggest film of this decade, but also the hardest audience-the millions of fans of the book who know every line and will pick up on every mistake. Being one of the above, I can only say that Christopher Columbus and all of the team working on HP did marvelously. The cast was brilliant (particularly notable are Alan Rickman as Snape, Maggie Smith as McGonagall, and the eerily creepy David Bradley as Argus Filch), the directing wonderful, and the scenery perfect. The only qualm is that it does not track perfectly with the book, but squeezed into 2.5 hours, this can only be expected. Well done all involved!

We live in a world where economics is hard. This forces practical limitations when making a movie. Time and money are sadly finite, cinema owners need to be pleased as well as fans and computer animation ain't perfect. Given these limitations, this film is about as close to human perfection as it is possible to achieve. However, it's extremely clear what an immense challenge it is to turn Philosopher's Stone from book to film.

Two and a half hours is not long to explore a wonderful, magical world. Furthermore, the directors have bowed to the inevitable temptation to show us things that cannot be communicated so effectively in a book. The consequence is the feeling of a slightly breathless sprint in places.

It also means that the movie has to stay true to the spirit of the book rather than to the letter of it. There are omissions and there are changes. The changes that were made capture and maintain the spirit of the story really well; indeed, there are places where the story is more clearly and straightforwardly told in the movie than in the book. Some aspects of the story are fleshed out on screen and the additions are delightful, completely in keeping with the flavour of the world.

The humour of the movie is inevitably more visual than that of the book; no belly laughs, but a lot of smiles. Some punchlines have changed, but the reasons why the jokes are funny remain the same. Not knowing exactly what's coming next is a good thing! It's all kept tasteful, classy and above the belt; there's nothing to cringe about.

The voice acting is almost uniformly brilliant. However, there are occasions where some of the actors are required to convey high emotions and are only given a second or two of face shot, or head-and-shoulders shot, to do so. This isn't as much freedom as they need and they fall a little short. The blame here must fall on the decision to give the actors too much to do too quickly, not on the actors themselves.

Other than these rare jarring instances, the physical acting is frequently excellent and seldom less than completely adequate, judged against the highest of targets set by the book's clear emotion descriptions.

Dan Radcliffe has the look, the mannerisms and the charm of Harry down pat. His strongest expressions are the bemusement that must be inherent at entering a world where science does not rule alone and the bravery that Harry shows in his achievements. Emma Watson possibly slightly overplays Hermione, but does so in a fully endearing fashion. There's one scene which gives her too little chance to truly express panic; otherwise her performance needs no changes.

Rupert Grint has comic timing way beyond his years, hitting Ron's lines perfectly. Tom Felton makes a stylish Draco; Matt Lewis' Neville character suffers from the acceleration, so the finale does come as a slight characterisation shock.

The Phelps brothers' Fred and George are distinctively cheeky rather than proactive pranksters; Chris Rankin imbues Percy with genuine authority. Sean Biggerstaff shines; his Oliver Wood is likeable and an ideal Quidditch team captain.

Robbie Coltrane's Hagrid is the single dominant adult character, with maximum laughs extracted at every step. The movie changes strongly exaggerate one side of Hagrid's nature, though; probably inevitable considering how much plot exposition his character has.

David Bradley has a vicious Argus Filch; John Hurt's Ollivander is an eccentric treat, giving a wonderful introduction to the Wizarding World. The professors are uniformly excellent, though Richard Harris' Dumbledore comes off as disappointingly flat until the end.

The most ambitious point of the movie is the computer generated imagery. The stills are wonderful, but the fastest animation is restricted by the limitations of real-world technology. The book makes extremely stringent demands of the CGI; sometimes their overall effect in the movie is merely good rather than insanely great. Some of the magic spells and effects look awesome; others don't capture the imagination nearly so much.

The world cannot yet completely convincingly animate human beings doing inhuman things, which serves as a clear reminder that you need fictional magic to make the impossible possible. The Quidditch scene is the most demanding of them all; while the sequence is action-packed and good-looking, disappointingly, it's not a total success. Perhaps some of the scenes would have been better with more conventional special effects? (For instance, the lower-tech-looking Sorting Hat scene is one of the most delightful of them all.)

The set looks gorgeous. However, it may not stand up to detailed analysis. It's fairly obvious that things are shot in many disparate locations, rather than one big Hogwarts School near Hogsmeade.

The score is absolutely wonderful. The soundtrack may rely too heavily on The Famous Bit, but it's clear that the balance and mixture of things in the finished movie are exactly right.

The feel of the whole movie is everything fans could have hoped for. The dialogue is intensely measured, the colouring is suitably epic, the selection of what to leave in is really tightly considered. You get chills in your spine at the right places; you feel the triumphs as all-encompassing endorphin highs. It's clear that the production have thought long, hard and lovingly. They are true fans of the story, they are the right people for the job, it all bodes very well for the second film.

So it could never have been the film that the hyper-literalists were hoping for, then, but it is as good as the practicalities of the real world could possibly permit. Don't expect miracles and you'll love it. I look forward to watching it again and again.

8/10 at the very least. A really satisfactory film!