Une hirondelle a fait le printemps

Sandrine, a parisien girl, fed up with her unfulfilling existence as a computer trainer and the everyday problems of city life decides to leave the Paris to become a peasant farmer.

Sandrine buys a farm high on the Vercors plateau in South-East France from Adrien, an old peasant suspicious of Sandrine's college ideas. It's spring and Sandrine makes a good start, developing other aspects of the farm, a rural Gite welcomes travellers and school parties and a Web sites advertises goat's cheese.

Although the locals are suspicious they are perhaps more accepting of a young, dynamic outsider free of the petty local rivalries that set family against family in these close knit rural communities. This is no Jean de Florette and is illustrated when Adrien defends the changes Sandrine has made to his mates in the village bar.

However the rural idyll is not all that it might seem to city folk. The audience is confronted with graphic scenes of a pig having its throat cut to make Boudin (black pudding) and later of mad cows being killed with a bolt gun. Winter comes and the sense of despair and isolation felt by many small farmers is complete when we see Sandrine in long shot, alone in the barn after one of her goats has stillborn kids.

The film explores the conflicts between conformable but ultimately pointless city life - going nowhere in the Paris traffic and the savage beauty of life on the isolated Vercors plateau. Even the peasants shop at the local hypermarket in Grenoble.

Adrien's initial scepticism gives way to a hope that Sandrine will carry on his farm but he has difficulty with the rapprochement, perhaps caused by events in his own life. The Nazis burned his farm in '44 looking for maquisards and later Government men arrive to kill and burn his cattle infected with mad cow disease. Are the government men worse than the Germans? For Adrien maybe, as these events lead to the death of his wife.

Like the Vercors, Sandrine seems both beautiful but uncompromising but we see constant flashes of the temperament that, like the weather vane in front of her house, cause her to make sudden changes affecting those around her. She is really quite vulnerable needing the occasional love of her city boyfriend and the friendship of Adrien. Maybe it is this qualities that will lead to her eventual success?

A final comment, like many movies these days there is quite a bit of product placement - Volvo cars, Lowe mountain gear, Carrefour but the countryside is wonderfully shot.

'Une hirondelle a fait le printemps' ('The Girl from Paris') weaves its French spell in the manner of the great French filmmakers, and yet this 2001 film was the debut of the man - Christian Carion - who later gave us the tremendously well-done 'Joyeux Noël' in 2005. This story (written by both Carion and Eric Assous) is unique, a study of human desires, needs, and compromises that is more human in feeling than most any other film this reviewer has seen.

Sandrine Dumez (Mathilde Seigner) lives in Paris where she slaves away at teaching computer science to students in tune with the age. She is attractive, successful, popular...and unhappy. She longs to fulfill the dreams of her childhood and become a farmer. Much against her doting mother's advice she enrolls in a school for agriculture and eventually graduates as one of the top students, winning the ability to buy a farm in the Rhone Alps. The snag: the elderly crusty owner Adrien (Michel Serrault), who wants to sell his farm yet maintain his idyllic country existence without the wear and tear of farming, refuses to move off his own property once the contract is signed for Sandrine to take over the land. Sandrine allows Adrien to stay, makes the farm not only succeed despite her novice status, but also adds a hotel ('The Balcony of the Sky') to enhance her income from her goat farm whose chief product is cheese. Encouraging the transition is the jovial neighbor Jean (Jean-Paul Roussillon) whose recent selling of his own farm allows him to travel around in his new Volvo with his trusty (and hilarious) dog Pharaoh. Jean warns Sandrine that when winter come Adrien will become a recluse (remembering the loss of his wife, the Nazi decimation of the French farms, his losses from mad cow disease in the past, etc), yet Sandrine persists - until the winter comes and all but defeats her optimism. Events bond Adrien and Sandrine more closely, so much so that when Sandrine returns to Paris for a much-needed breather - and liaison with her ex-boyfriend Gérard (Frédéric Pierrot) - Adrien discovers how important to him Sandrine has become. The ending is tied into a surprise that touchingly resolves many doubts and questions and allows the viewer to finish the story on his own! The cast is superb, with special kudos to Michel Serrault, a consummate actor. The cinematography of the glorious farm location is by Antoine Héberlé and the very French musical score is by Philippe Rombi. The film is a delight in every aspect and one that deserves repeated viewings. Grady Harp

Greetings again from the darkness. Wonderful, subtle French film that displays the nuances of quiet desperation of the young and fear of loneliness and death of the elderly. Make no mistake, the venerable Michel Serrault MAKES this movie! He is downright remarkable as Adrien, the long time farmer, who sells is farm to the young city girl played well by Mathilde Seigner. Many excellent scenes including awkward moments for all. The ridiculous comments about cruelty to animals during the filming is not worthy of mention. This is a fact of life on a farm and obviously the cow scenes were real life - not created for the film. The pig scene, may be painful to watch, but effectively makes the point of life and death on a farm - just like the goat birth scene. As far as the rabbit, give me a break, we see a live bunny and then one being prepared for dinner. This can happen in any restaurant on a daily basis. Yes the hang glider was a bit too much, too often, but I loved the Volvo, the Weimeramer and the "dumb" goat. Very personal film with much insight into human nature at all ages.

A stressed Parisienne decides to take up sheep-rearing in the Massif du Vercors, situated not far from Grenoble, France. She buys up a farmstead and the owner of the latter remains on site while waiting for transfer to a town. The film is basically about the tense relationship between the young lady played by Mathilde Seigner and the retired farmer played by Michel Serrault who generally tries to make life hard for her but eventually is taken with affection by the same young lady. I am no fan of Michel Serrault, but his performance in this film is excellent as is that of Mathilde Seigner. Although the script is limited in scope, the dialogues and development of the characters may be followed with pleasure by the spectator. The décors are magnificent as the film was made in natural surroundings so we see the mountains change in form and colour according to the passing seasons. I would strongly recommend the film to people of all countries as it has a very universal message. It may be noted that the film was made by someone who has a very rural background. It is now available on DVD in France and the editor has taken the unusual (but welcome) step of including English Subtitles on the DVD. The title is a play on words because the expression `Une hirondelle ne fait pas le printemps' = `One Swallow doesn't make a Summer'. So it's as if you were saying ` One Swallow has Made the Summer' ! This film deserves to be successful outside France, unlike many of the other mediocre productions of that country today !

A brave decision for an Internet-teacher in Paris: she leaves everything behind and buys a goat-farm in the south of France, away from all the things she is used to. In a remarkable way she manages to set up a guest-house and an Internet site, on which she sells her goat-cheese. The former owner, who still lives at the farm, starts so like the young woman very much. When they both suffer a fierce winter, it is the beginning of a friendship.