La dernière danse

This 2000 TV movie has many things going for it. First off the legendary Maureen O'Hara, in her 80s, and looking as spectacular as she did in her 20s and 30s and 40s. Who can forget HOW GREEN WAS MY VALLEY, FOXES OF HARROW, LONG GRAY LINE, THE QUIET MAN, THE BLACK SWAN and those endearing John Ford films with her and her co-star John Wayne?

She sometimes was so incredibly beautiful you forgot that she could also act. Not to be outdone by The Duke, she held her own. In this sweet story she shows another side of her beauty; the simplicity of just being a woman. With elegance and without effort she radiates even the small TV screen. Those eyes! Her perfect diction and faded beauty enhance the performance. You can't stop watching her.

Not to be pushed away, there is also the quiet and thoughtful performance of Eric Stolz, who I have grown to respect over the years his body of work. I won't belabor the story as other critics have mentioned that, but I did want to pay respect to the actors and to the writers, namely, Todd F. Cope, Beth Polson and Dalene Young, who wrote the perfect vehicle for their star. And thanks Kevin Dowling for all those O'Hara closeups. Wow!

It's an ode for good teachers! It's a film that asks you to slow down and inhale the best scents of life's memories quoting Cicero's line about actors leaving the stage quietly after achieving their best! It's a film that brings to mind Mazursky's "Harry and Tonto" and Bruce Beresford's "Tender Mercies".

The story is great and performances real. Maureen O'Hara in her eighties is really wonderful to look at (compare her withered hands to her great face) and to hear. Her enunciation of spoken English is a treat for the ears.

The film is more of a play on film but the editing is so smooth that you feel one scene weaves in to the next. The film does not stun you but endears you psychologically. The film involved the work of three writers at three stages. Probably Beth Polson had much to do with making the story good for cinema, may be it was Dalene Young. The film is great because of the contribution of three good writers, a charming Maureen O'Hara and fine editing. The direction of Kevin Dowling and the cinematography of Larry Reibman, though not outstanding, was above average.

Maureen O'Hara was one of the most spectacular beauties in Hollywood history. When she made "The Last Dance," she was 82--and still a stunning woman. Because many of her films were action films and westerns, it's easy to forget that O'Hara was also an excellent actress. Here she plays a retired Latin teacher--yes, Latin was once taught in public schools, folks--who reconnects with a former student who is now a male nurse. The plot is reminiscent of "Good Morning, Miss Dove," with Jennifer Jones, another beauty who has aged well.

The former student keeps an eye on the teacher when she leaves the hospital, and soon his family (wife and two children) becomes involved as well. The plot is interesting, and the movie is well-written and very well-acted by the cast. What could easily slide into bathos is genuinely moving as the film gradually reveals via well-integrated flashbacks the teacher's life, past as well as present. A bus trip and a day at the beach are extremely well-done.

"The Last Dance" is one of those films that really has to be seen to be appreciated; it's very quietly done but beautifully realized. When you watch O'Hara, think about what most of the current crop of "actresses" will look like and what their performances will be like when they are in their eighties--if any of them manage to maintain a career past the age of thirty.

This is an awesome movie. What a way for Maureen O'Hara to end her film career with this glowing, enchanting and beautifully haunting story.... Albeit this 'made for TV' effort is worthy of high praise, Australian Kevin Dowling's direction is outstanding as are all portrayals. (Check out another of his gems: 'The Sum Of Us'). The story, as reviewed by other contributors, is believable, has a moral tone that makes it perfect for younger folk. The theme demands special mention as many viewers will be in or close to the senior age level: How to accept that there is a proper time to dispose of one's lifelong possessions and pass them on to others who would not only value them, but extend their lifespan, does offer excellent advice.. City dumps are already overloaded!. I was fortunate enough to have recorded this movie on VHS tape at the time CBS aired it in 2000. On the evening prior to it's telecast, O'Hara was the special guest on Larry King Live. Again, just by chance, I was able to preserve this remarkable interview on VHS tape. O'Hara at 80 is full of life, humor and has definite perspectives on her life, film career and the male actors she starred with. Both presentations are part of my extensive collection of 'treasures' now virtually impossible to find and buy. Anyone interested? Contact me at gilturk@shaw.ca ( In Canada) .Thanks for reading.

The style of Maureen O'Hara is unmatched,even today among the best in the business. and there are so many very talented people in the industry. Her classic beauty & comedic humor always has set her apart from others. The Irish temperament,at times,thick accent,especially when angered, her natural beauty, are what set her apart from other women of her generation. She is of a timeless beauty that is so rare these days. I'll never forget her in "MaClintock". I loved that movie so much in my childhood, I couldn't wait for it to come out so I could purchase it,myself.Then, it came out on DVD. That did it. I bought it as a collector's edition. We watch it often. This world has been a much better, enjoyable world with her in it. I am of Irish descent myself,& my family is from Dublin,Ireland, where Ms. O'Hara is from. Though, I've never been, I will always call Ireland the Home of My family. Thank You Maureen O'Hara for all the lovely memories.