Donnie Darko

I don't know what to type. Honestly. This is just one of those movies you have to see for yourself.

Its also one of those movies that to fully get it, you have to see it more than once. Its a brilliant film, but a bit confusing.

Well, the plot may sound stupid, and if it hadn't been as brilliantly executed, it probably would have been. But its brilliant. I am going to attempt to explain it. Here goes...

A giant rabbit (no kidding) comes to proclaim the end of the world (no kidding) to troubled teenager Donnie Darko. Then, an aeroplane engine crashes into his bedroom while the rabbit is proclaiming the end of the world. (no kidding. Donnie then is able to see peoples 'paths', (represented as a long tube in front of the person, showing where they are going to go next) and is able to deny his own path. Confusing eh? This is a movie I can't explain any more. The rest has to be seen for yourself. Don't go in expecting a fully blown horror movie or any type of film with a straightforward, easy to understand plot. Because this film is really deep. Thought provoking, captivating, mesmerising and moving, this is a work of genius. This isn't the sort of film you can just watch casually though. You have been warned....

"Harvey" meets "The Mothman Prophecies," as a troubled teen starts hallucinating a horrific 6-foot-tall bunny rabbit that brings him dark forebodings about death and disaster in the very near future. A streak of "Heathers" is mixed in as well, with trenchant satirical observations of high-school life in the late '80s (story set in Oct. 1988), involving a priggish teacher, a self-help guru (Patrick Swayze!), and a put-upon fat girl at the fringes of the herd. Finally, a whiff of "Back to the Future," in the form of a local eccentric who just may have discovered the secret of time travel, but a secret that has more to do with spirituality than technology.

A lot goes on here. There's a meditation on the possible overlap between madness and the ability to perceive the divine. There's a demonstration of why, in the Bible, angelic messengers (if that's what "Frank" can be taken to be) are often so terrifying that they have to start by saying "Fear not." There's an enlistment of what martial artists refer to as the "ki" (or personal energy, emanating from a person's midsection) in the type of time travel depicted here (the term "ki" is never used in the flick, but the term "path," another word for Tao or "Way," is). Quantum physics theory about wormholes is tied to the Fortean phenomenon of things falling unexplained from the sky, in a way that's more pivotal, and therefore more interesting, than the gratuitous rain of frogs in "Magnolia."

Time travel paradoxes and ironies enter the picture as well. One character (no spoiler!), whose life is saved by Donnie's ultimate trip back in time, wouldn't have died in the first place if he hadn't dragged her along to the opening of the wormhole. Another character (again, no spoiler!), whose truly terrible secret comes to light in the wake of an arson investigation, must go unexposed as a result of that same time reversal, since the arson now won't happen. Surely that's no oversight on the part of the screenwriter; it must be an acknowledgment of the choices and trade-offs in life, as well as of a confidence that no such terrible secret can remain hidden forever.

Somehow this pastiche works, largely on the strength of good performances. Jake Gyllenhaal is appropriately moody and, also appropriately, not always likeable in the title role. Drew Barrymore, who executive produced, appears as a frustrated first-year teacher. The movie's often dreamlike atmosphere is enhanced by the cinematography, the subdued but effective special effects, and the choice of the music on the soundtrack, which includes '80's pop tunes, of course, and a haunting original song (over the end credits) titled "Mad World."

Not for all tastes, but better, stranger, and more complex than I expected.

At first, Donnie Darko is a difficult film to understand and can seem absurd. What helps a lot to understand it and has made it a very beloved film is taking into account the concepts of parallel realities. It mentions time travel and although that is not exactly witnessed, the complexity of the film is based more on the fourth dimension. Donnie is the protagonist of a science fiction story in a parallel world, which is forced to play a role to prevent the destruction of existence itself. The mysterious Frank and many around Donnie become pawns for him to achieve his goal. The film mixes a whole series of elements, allegories, metaphors and messages that make it a quite enigmatic film. Using a book given to Donnie, he gives clues that the world Donnie stars in is not what the viewer initially thinks. The film uses Donnie and the events of the story quite a bit to raise the point that everything that happens in the world is connected and therefore the events of the world are part of a grand scheme. That would imply that all the actions and decisions that human beings take are already planned and that destiny is what really controls our lives. What would be raised would be something compared to the Loki series that raises the idea that there is no free will and that we must all fulfill a destiny that has been implanted in us to maintain a universal order. Even according to the philosophy of The Matrix, the decision is an illusion and the paradox arises as to whether we can really control our destiny or are we only tools of a great scheme forged by destiny. Donnie questions what he has to do a lot and that makes you think about what consequences there could be in the universe if someone goes off their path, breaking the scheme that maintains universal order. The Butterfly Effect theory and even other time travel films raise the question of what things would be like if such important events had not occurred. The film also gives Donnie a savior role, turning him into an allegory for Jesus Christ and other martyrs whose sacrifices were essential to a cause. The mention of the movie "The Last Temptation of Christ" is also a key because of the plot it had. Like that film, Donnie Darko is a story about sacrifice and death as a necessary destiny for future events and for the universal scheme. In that aspect, the film has a biblical metaphor behind it. Another element that makes up this film is its allegory about adolescence and it is something that is reflected in Donnie when upon entering that stage, he asks himself many questions, reflects a lot, knows love and suffers this internal struggle about whether to fulfill his destination. Frank even becomes his guide of sorts and symbolizes the aggressive rebellion that many young people go through. It can be said that the film knows how to use Donnie to represent the psychology of young people and think about the kind of role that destiny has in store for them. It is not strange that it has some moments of cringe humor that are characteristic of teenagers. It can be concluded that Donnie Dark is another independent film with an unconventional plot that gives it a lot of resistance, although it leaves a couple of doubts to decipher. It is not a film that can be understood by those who do not take into account the aforementioned elements, but all the elements that characterize it are what make it an authentic cult film. It is not a film recommended for everyone, only for educated people and movie buffs. My final rating for this movie is an 8/10.

Donnie Darko is no movie. It's an experience that transcends anything you have ever felt in front of a screen. Once it's over, you won't stop thinking about it. The music will stay in your head, the ideas will keep you awake, and the characters will stay alive. This is everything a movie should movie. No one should miss this. Though there are flaws, the incredible crafting of the film will distract you from them. Go see it.

Jake Gylenhall and Patrick Swayze are brilliant. Richard Kelly may have screwed himself with this. Why? Because this is probably the greatest movie he will ever make. If not, Kelly, you are my new favorite filmmaker. Love,

Gerald (wink)

Above all, this film has a kind of flow to it like nothing I've ever experienced in any other film before. The magic sets in from the very first moment, when we see Donnie waking up (and the song 'The Demon Moon' starts), and you just go with that flow and let yourself be drawn into that world. The story unfolds like a dream and the ambiguity (at least in the theatrical cut) as well as the fantastic songs help create an absolutely unique and strangely compelling atmosphere.

Fantastic script and fantastic performances: this film has a richness in its characters that amazes me every time I watch it. Forget the director's cut - here for once the theatrical version is the masterpiece. Probably the best social commentary on American society I've ever seen but beautifully woven into an ambiguous, slightly surreal fantasy tale with a haunting soundtrack.

My vote: 10 out of 10

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