Uzumaki

UZUMAKI (aka: SPIRAL) is a bizarre film, in a good way. It's about a high school girl named Kirie (Erico Hatsune), who lives in a small town in Japan. Right from the outset, things begin changing around her, leading to a sort of madness and death among those in her life. There's an odd obsession with spirals that appears to enter and take total control of the mind. This is presented in a truly disturbing way.

Is it a curse? Mass insanity? Something in the atmosphere?

There are several spiral shapes, like a snail shell, a beauty salon sign, a piece of pottery, etcetera. However, as you watch, you will notice spirals where there really shouldn't be any. This messes with the viewer's head, and really ups the creep factor. While there are some gruesome parts, it's the unsettling nature of the film that makes it scary.

Having watched this, it's hard to believe that Director Higuchinsky only made one other horror movie...

I think it was an interesting movie that you give a lot of thought to afterwards, but it was a little overwhelming and confusing. I loved the eeriness of the film though, the whole time it felt like I was watching somebody's nightmare. It's so all over the place. That's the only way I can describe the movie. It perfectly captures a feeling of disturbance in a dream and not understanding what it is because you're dreaming, and as you're dreaming that feeling grows more until it manifests into or as something in your dream. I hope someone understands what I'm talking about. The story is unsettling and intriguing at the same time and I wish this movie would be more popular despite it being a little terrible. There will definitely be better adaptations though lol.

A town in Japan is being taken over by a horribly brutal abstract shape: the spiral. It's becoming a theme in everything from animals to clouds to people and twisting them, mentally and literally. This film shows it happening to several groups of people. Some demonic possession is implied, but nothing is entirely sure except that the best bet is to get the heck out of dodge. The film progresses really well from normal life to abnormal phenomena (giant snails and crazy people) to the truly supernatural (walking dead).

As a jaded American horror movie fan, this was just what I needed. Maybe it was just the novelty of a different culture's film, but it seemed to have a very original progression, set of characters, and the premise was definitely new. The Japanese may think "horror shapes" (uzumaki means "spiral," I'm told) are old by now, but it was nice for me because I'm used to monster/alien/virus/disaster/undead films. In an American movie, you know who's going to die (the annoying/nasty/lascivious/racist characters) and who will live (the children/heroine/dogs/cats/nice guy). That's not true in Japanese horror. It was not predictable how they would fight the evil or how it would end up. Also, it had this really new (but probably typically Japanese) color leached Pacific Northwest style cloudy day thing going, which was a fresh visual effect for me. The horrific moments were seriously creepy, relying on a little gore but mainly just impossibly overdone facial expressions (think The Ring) and body manipulations. This should be one of the greats, up there with once-original ideas like the first Nightmare on Elm Street or Night of the Living Dead.

Hypnotists can use a rotating spiral to send their subjects into a trance; director Higuchinsky risks achieving the same result with his dreamlike horror movie Uzumaki, which makes very little sense and crawls along at a snail's pace.

Fortunately, just like the many spirals that proliferate the film, Uzumaki is extremely twisted stuff and, with its impressive visuals and creepy atmosphere, should prove intriguing enough for fans of bizarre Japanese cinema to resist falling asleep.

Eriko Hatsune plays pretty schoolgirl Kirie Goshima, who comes to realise that her home town has fallen under the influence of spirals (that's right, you read correctly.... spirals). Members of her community are becoming obsessed with the shape, which results in some downright strange behaviour and even physical transformation: there is a spate of suicides, a man loses control of his eyeballs, a girl grows medusa-like gravity defying hair, and people even turn into snails!

The film is split into four chapters—Premonition, Erosion, Visitation, and Transmigration (although these titles do nothing to help explain what the hell is going on)—and each is weirder than its predecessor; by the end of the final chapter, almost nothing has been resolved, but viewers will at least have been treated to some very memorable scenes of Asian weirdness, a couple of unexpected, gory deaths, and some subtle subliminal whorls hidden amongst the action to keep sharper-eyed viewers happy.

5.5 out of 10, rounded up to 6 for IMDb.

As is frequently the case when Manga is translated into live action, there is quite a bit lost in the translation. However, this remains a highly entertaining film. The premise is unusual and it is presented in the quiet, understated style so prevalent in Japanese films (ha!). The special effects are a little 70s camp but, it adds to the comic book feel of the film. I wouldn't recommend this film to everyone but, if you are familiar with (and enjoyed) other Japanese horror films like "Evil Dead's Trap", this film will appeal to you.