ÉVALUATION IMDb
7,8/10
9,3 k
MA NOTE
Ajouter une intrigue dans votre langueIn a building site in present-day Tehran, Lateef, a 17-year-old Turkish worker is irresistibly drawn to Rahmat, a young Afghan worker. The revelation of Rahmat's secret changes both their li... Tout lireIn a building site in present-day Tehran, Lateef, a 17-year-old Turkish worker is irresistibly drawn to Rahmat, a young Afghan worker. The revelation of Rahmat's secret changes both their lives.In a building site in present-day Tehran, Lateef, a 17-year-old Turkish worker is irresistibly drawn to Rahmat, a young Afghan worker. The revelation of Rahmat's secret changes both their lives.
- Prix
- 13 victoires et 6 nominations au total
Avis en vedette
Majidi's 'Baran' is cinema at its purest. There is no background music. No prominent special effect. The female lead does not speak a word. It's filmed in the simplest way. It's not a colourful film and yet it is so stunning to look at because the raw Iranian landscape is beautifully captured. Majidi's films have always been subtle. He depicts the hardship of Afghan refugees in Iran very well especially the struggle between both the Iranians and the Afghans and the consequences. The story revolves around Lateef and the title character Baran. Initially Lateef loathes her but as his attraction towards Baran grows stronger, he is drawn towards her. Their love story is beautifully displayed as pure and innocent. Not a word is exchanged between Lateef and Baran and this simply shows that love need not be explained with words or even touch but with action and Lateef's sacrifice proves the depth of his love. Majidi also adds a touch of humour that adds to the genuine charm of the film. He makes some astonishingly clever use of symbolism such as the last scene when Lateef looks back at Baran's footprint (after she has departed), it represents the print she left on his heart. Hossein Abedini is fantastic as Lateef. His sublime transformation from the brattish, selfish and vindictive boy to the passionate, kind and selfless lover is phenomenal. Moreover the fact that a newcomer played the part makes it more incredible. The young and stunning Zahra Bahrami is equally amazing. The actress does not get one line to say yet her non-verbal acting is stupendous. The supporting cast, though most of them include non-professionals, look authentic. To me 'Baran' was truly a unique and enlightening experience. Films like this are a rare 'breed'. They are not easy to find.
10wanabr
One of the most beautifully done and wonderfully acted movies I have seen in a very long time, years even. A movie of the such moving unselfish love. It goes to show you that you do not to have sex or even touching or kissing to feel or show the love that these two people have for each other. Due to cultural differences they can not even touch each other. The scene in which he helps her pick up the fruit that has fallen on the ground is so touching. How their hands criss cross each other without touching. See how just the closeness of their arms and hands to each other evoke such passionate feelings and the way they dig deep into each others eyes is wonderful. What an incredible movie.
It is not bulky classic novels but little short stories of literature which remains in your memory long-lasting once you finished it. Majidi's films are like simple beautiful piece of art, it's same as reading Oscar Wilde or O Henry's classic short stories. He knows very well where to mark underline & where to put ellipsis in a film. Set in Iran, it tells the story of an afghani refugee working father whose leg injury threatens his family's future. A child of his starts working on behalf of his father at construction site. A young co-worker named Lateef's burning hate towards child transformed by a surprising discovery that a child is a young woman in disguise. For the first time in his life, he's in love. He keeps the secret to his heart & helps her with utter unconditional devotion that will change the whole dynamics of his life.
Well it's more difficult to make a simple artistic film than making a complex piece of art & its Simplicity & portrayal of natural emotions in his films which is striking the right chords. Silence of the girl is the most felt part of the film. And what a poetic end- the last foot print impression of the girl in his life, that even rain can't wash it away.
A beautiful piece of art.
Do I have to say Must Watch? Ratings-9.5/10
Well it's more difficult to make a simple artistic film than making a complex piece of art & its Simplicity & portrayal of natural emotions in his films which is striking the right chords. Silence of the girl is the most felt part of the film. And what a poetic end- the last foot print impression of the girl in his life, that even rain can't wash it away.
A beautiful piece of art.
Do I have to say Must Watch? Ratings-9.5/10
10wanabr
When I first turned the movie on, I really did not think I was going to enjoy it as much as I did. What I initially perceived to be a movie about a group of men working at a building site, was indeed a powerful story of unselfish love. The actors seemed raw and unpolished which gave it the feeling of reality in such a harsh corner of the world. The cinematography was incredible. A building site is an usual location for a love story. The actors and director did such a wonderful job, that I did not focus that much on their dismal surroundings. With the way love and sex is treated in many movies, it was wonderful to see how one could feel the love and devotion of one person of another without as much as a touch or kiss. I was also so touched by the lengths that the young man went through to help the girl he loved and her family. It did not even matter to him that she was unaware that he had given up everything he had for them. One of the best movies I have seen in a long time.
10Lee-107
Something must be there in the air of Iran! How can they repeatedly make such good films? What is it about this country's landscape/culture/socio-economic circumstances that is so unique, that seems like it cannot be replicated anywhere else... I've watched many Iranian films over the years and each one of them has been a cinematic treat. Iranian filmmakers have truly raised the bar of cinema. If films are about capturing a slice of human life, presenting it as justly as possible and thereby helping us understand ourselves better, than I think Iranian filmmakers have done just that...over and over again!
'Baran' is again a gem of a film - basically a love story which beautifully talks about the prevailing socio-cultural dynamics in Iran at the time. Hossein Abedini as Lateef is excellent - your typical lovable rogue who has an insatiable propensity for mischief but is basically good at heart! Mohammad Amir Naji as Memar is absolutely endearing! You cannot help but be touched by this man's kindness and his subtle paternal attitude towards Lateef. Mohammad Amir Naji was also there in 'Children of Heaven' and even in that he was so amazing! He must be major actor in Iran or at least I hope he is! And Zahra Bahrami as Baran - a very controlled beautiful performance.
The "still sad music of humanity" reverberates in Iranian cinema all the time except that it is also complimented with refreshing doses of humour and joy revolving everyday situations and actions. Watch 'Baran' for another example of good cinema from Iran! Thankfully there's plenty of it there and plenty for us to see, enjoy and may be even learn...
'Baran' is again a gem of a film - basically a love story which beautifully talks about the prevailing socio-cultural dynamics in Iran at the time. Hossein Abedini as Lateef is excellent - your typical lovable rogue who has an insatiable propensity for mischief but is basically good at heart! Mohammad Amir Naji as Memar is absolutely endearing! You cannot help but be touched by this man's kindness and his subtle paternal attitude towards Lateef. Mohammad Amir Naji was also there in 'Children of Heaven' and even in that he was so amazing! He must be major actor in Iran or at least I hope he is! And Zahra Bahrami as Baran - a very controlled beautiful performance.
The "still sad music of humanity" reverberates in Iranian cinema all the time except that it is also complimented with refreshing doses of humour and joy revolving everyday situations and actions. Watch 'Baran' for another example of good cinema from Iran! Thankfully there's plenty of it there and plenty for us to see, enjoy and may be even learn...
Le saviez-vous
- AnecdotesBaran, the female protagonist, does not say a single word throughout the film.
- GaffesWhen Lateef travels to meet Soltan, director 'Majid Majidi' is reflected in the glass in the bus.
- Citations
Afghan cobbler: A man alone is a neighbor of God.
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Détails
Box-office
- Brut – États-Unis et Canada
- 125 900 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 21 702 $ US
- 9 déc. 2001
- Brut – à l'échelle mondiale
- 166 988 $ US
- Durée
- 1h 34m(94 min)
- Mixage
- Rapport de forme
- 1.85 : 1
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