ÉVALUATION IMDb
5,4/10
25 k
MA NOTE
Ajouter une intrigue dans votre langueAfter dying before his time, an aspiring black comic gets a second shot at life - by being placed in the body of a wealthy white businessman.After dying before his time, an aspiring black comic gets a second shot at life - by being placed in the body of a wealthy white businessman.After dying before his time, an aspiring black comic gets a second shot at life - by being placed in the body of a wealthy white businessman.
- Prix
- 3 nominations au total
Kedar Brown
- Heckler
- (as Kedar)
Adam Dannheisser
- Doorman
- (as Adam Dannheiser)
Avis en vedette
Down to Earth is a sporadically funny movie starring Chris Rock. I thought the idea was creative (even though it is basically a remake of Heaven Can Wait). Rock is hilarious at times and so are some of the others. However, something is missing and I'm not sure what it is. Don't get me wrong, I enjoyed the film and happen to be a big Chris Rock fan. It just needed a little more. You can probably wait until video to see it.
Lots of negative comments from people who don't like Chris Rock. Well gee, if you don't like someone the chances are you won't like what they're in! Now I happen to like Chris Rock a lot; his "Bigger and Blacker" comedy performance is damn near perfect. Also enjoyed him in "Dogma," and of course his HBO series. But this film is pretty lame, the saddest part being the under-utilization of some really talented people like Eugene Levy and Jennifer Coolidge, completely wasted here but SO funny in "Best of Show," which also starred Levy and is incredibly funny! But "Heaven Can Wait" was a lame remake of "Here Comes Mr. Jordan," the best version of the story, starring Claude Rains and Robert Montgomery. It runs on TCM from time to time and is worth seeing.
From the other reviews you may already learned that this film is the second remake of 1941's HERE COMES MR. JORDAN which was remade in 1978 as HEAVEN CAN WAIT which is one of the few remakes that's better than the original. But the story takes a big nose dive with this recent remake which is more of a starring vehicle for Chris Rock than any attempt to do a decent remake of a good story. The supportting cast (Regina King (JERRY MAGUIRE), Chaz Palmenteri (A BRONX TALE) and Eugene Levy (AMERICAN PIE)) do their best to rise above this lameness but they're just reminders of their wasted talents. Another thing that p***es me off about this movie is that the filmmakers had some idea that the average moviegoer is so stupid that they had to keep being reminded that Rock's soul is inhabited in the body of a middle aged white man by switching back and forth between the two. The makers of JORDAN and HEAVEN had enough confidence in the intelligence of the audience to not to have to explain that angle to them. Another point is with Rock, who along with Pryor, Carlin, Foxx, Cosby and Kennison, is probably the best stand-up comic ever and has had a few good film moments (NURSE BETTY, NEW JACK CITY and I'M GONNA GIT YOU SUCKA) but this film doesn't help his case (I know this movie made a lot of money. So what.) I just hope his movie career doesn't go the same path as Adam Sandler, another once funny person who now makes sucky movies. Do yourself a favor and rent HEAVEN or maybe even JORDAN and skip this turd.
Chris Rock stars in this remake of Warren Beatty's Heaven Can Wait (itself a remake of the 1941 film Here Comes Mr. Jordan), a comedy about a man who dies before his time, before he can realize his dreams, and his adventures in his new (albeit temporary) body. In the Beatty version, the protagonist was a backup quarterback for the then-Los Angeles Rams. In Rock's hipper version, our lead character is a struggling young - and decidedly low-talent - standup comedian.
It's very funny to see the razor-sharp Rock playing a bad comedian. It's kind of like seeing Tom Hanks play a bad actor. Lance Barton's dream is to play the legendary Apollo Theater on a non-amateur night. But every time he tries out his material, he's booed off the stage lustily - so much so that his nickname becomes "Booie." His jokes are lame, his delivery painful. In short, Lance is everything that the real Chris Rock isn't.
Lance is also a bike messenger, and he's riding the streets on his way to try out even more material when BAM! He's hit by a truck. Ok, so maybe he was taken from his body a tenth of a second early by a slightly incompetent angel (Eugene Levy), but hey, he was going to get hit anyway. No dice, it appears Lance isn't due in Heaven until 2044. So what to do? Mr. King (Chazz Palminteri), the "manager" of Heaven, reluctantly agrees to find a new body for the not-quite-dead Mr. Barton. Trouble is, the body they find is of a greedy, old white man. Turns out this fella (a Mr. Wellington) owns all kinds of things - he's the 15th richest man in the country! What luck! You can imagine how Lance will turn things around.
But of course, while in the body of the affluent Mr. Wellington, Lance falls for a gorgeous hospital worker (Regina King). We males know how tough it is to find a female given our own body, but try winning one over while you're an dumpy, old white guy! And it's even worse when she's not impressed by your money.
This is Rock's first shot at a lead role, and in my opinion he performs admirably. There's still a lot of the standup comedian in him - and, of course, if he ever wants to get diverse roles, he might have to stop incorporating standup routines into the script - but this isn't really a bad thing. Rock's personality - his drive, his delivery, his demeanor, and his passion - are what fuel this film. He's clearly having a lot of fun in the role, and he seems bent on making sure you have fun watching him.
It's very funny to see the razor-sharp Rock playing a bad comedian. It's kind of like seeing Tom Hanks play a bad actor. Lance Barton's dream is to play the legendary Apollo Theater on a non-amateur night. But every time he tries out his material, he's booed off the stage lustily - so much so that his nickname becomes "Booie." His jokes are lame, his delivery painful. In short, Lance is everything that the real Chris Rock isn't.
Lance is also a bike messenger, and he's riding the streets on his way to try out even more material when BAM! He's hit by a truck. Ok, so maybe he was taken from his body a tenth of a second early by a slightly incompetent angel (Eugene Levy), but hey, he was going to get hit anyway. No dice, it appears Lance isn't due in Heaven until 2044. So what to do? Mr. King (Chazz Palminteri), the "manager" of Heaven, reluctantly agrees to find a new body for the not-quite-dead Mr. Barton. Trouble is, the body they find is of a greedy, old white man. Turns out this fella (a Mr. Wellington) owns all kinds of things - he's the 15th richest man in the country! What luck! You can imagine how Lance will turn things around.
But of course, while in the body of the affluent Mr. Wellington, Lance falls for a gorgeous hospital worker (Regina King). We males know how tough it is to find a female given our own body, but try winning one over while you're an dumpy, old white guy! And it's even worse when she's not impressed by your money.
This is Rock's first shot at a lead role, and in my opinion he performs admirably. There's still a lot of the standup comedian in him - and, of course, if he ever wants to get diverse roles, he might have to stop incorporating standup routines into the script - but this isn't really a bad thing. Rock's personality - his drive, his delivery, his demeanor, and his passion - are what fuel this film. He's clearly having a lot of fun in the role, and he seems bent on making sure you have fun watching him.
To enjoy any fantasy comedy, the viewer must be able to suspend disbelief. It is impossible to suspend disbelief for Down to Earth.
Why do we see Chris Rock as Chris Rock, when everyone around him sees him as Charles Wellington, rich, fat white man? Why? Because the producers thought they could make more money showcasing Rock, than having us see Rock as Wellington. It ruins much of the movie's attempted humor. For example, when Rock (as Wellington) uses the "N" word, black folks who hear him become furious, and we have to remember that he is supposedly this rich, fat white man.
The film does have some funny moments, and Regina King is attractive as the love interest. It could have been really good, though.
Why do we see Chris Rock as Chris Rock, when everyone around him sees him as Charles Wellington, rich, fat white man? Why? Because the producers thought they could make more money showcasing Rock, than having us see Rock as Wellington. It ruins much of the movie's attempted humor. For example, when Rock (as Wellington) uses the "N" word, black folks who hear him become furious, and we have to remember that he is supposedly this rich, fat white man.
The film does have some funny moments, and Regina King is attractive as the love interest. It could have been really good, though.
Le saviez-vous
- AnecdotesChris Rock was inspired to remake Le ciel peut attendre (1978) after he heard that Muhammad Ali originally pursued to star in that movie. Rock then thought that Richard Pryor would have been great in the role and changed the main character into an African-American comedian.
- GaffesIn the scene where Lance and Sontee are eating hot dogs, Sontee puts the hot dog in her mouth, then when the camera angle changes, she's bringing a whole hot dog to her mouth.
- Citations
Lance Barton: I had a hard enough time trying to get this girl as a rich white man. Do you know how hard it's gonna be to try to get her as a broke black man?
- Bandes originalesEverything Is Everything
Written & Arranged by Lauryn Hill
With additional lyrical contribution by Johari Newton
Performed by Lauryn Hill
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is Down to Earth?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Down to Earth
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 49 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 64 186 502 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 17 268 883 $ US
- 18 févr. 2001
- Brut – à l'échelle mondiale
- 71 186 502 $ US
- Durée1 heure 27 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant