ÉVALUATION IMDb
6,9/10
68 k
MA NOTE
Un détective meurtrier suit les traces d'un tueur brutal dans les arcanes d'une université.Un détective meurtrier suit les traces d'un tueur brutal dans les arcanes d'une université.Un détective meurtrier suit les traces d'un tueur brutal dans les arcanes d'une université.
- Prix
- 1 victoire et 6 nominations au total
Nadia Farès
- Fanny Ferreira
- (as Nadia Fares)
- …
Nicky Naudé
- Skinhead #2
- (as Nicky Naude)
Avis en vedette
Mathieu Kassovitz's film featuring the incomparable Jean Reno (The Professional) and Vincent Cassel (Ocean's Twelve, Ocean's Thirteen) is a thrill ride that never stops.
The French countryside with the spooky houses is a feast for the eyes. Thierry Arbogast's (The Messenger: The Story of Joan of Arc) camera made this entire film a joy to watch. The scenery was complimented by the music of Bruno Coulais (The Chorus).
But, it was Jean Reno that brought me to this film. His Commissioner Niemans was just what I expected from him. He has a way that makes the perfect cop. That is not to dismiss Callel's Lieutenant Kerkerian, who was a perfect partner.
The story was definitely creepy with some graphic scenes of tortured bodies, but it was not off putting. It was essential to the story, which really had some extremely interesting twists and turns.
Niemans and Kerkerian prevail, of course, but it was the journey that was so satisfying.
The French countryside with the spooky houses is a feast for the eyes. Thierry Arbogast's (The Messenger: The Story of Joan of Arc) camera made this entire film a joy to watch. The scenery was complimented by the music of Bruno Coulais (The Chorus).
But, it was Jean Reno that brought me to this film. His Commissioner Niemans was just what I expected from him. He has a way that makes the perfect cop. That is not to dismiss Callel's Lieutenant Kerkerian, who was a perfect partner.
The story was definitely creepy with some graphic scenes of tortured bodies, but it was not off putting. It was essential to the story, which really had some extremely interesting twists and turns.
Niemans and Kerkerian prevail, of course, but it was the journey that was so satisfying.
The isolated University of Guernon specializes in the study of eugenics through which the researchers hope to produce academics of the highest calibre. Chief Inspector Niemans (Jean Reno) is called from Paris to investigate an horrific murder involving torture of the University's research librarian(close your eyes if mutilated bodies offend you)...At the same time a local police officer is looking into the desecration of a grave in the local cemetery. Some intriguing clues ( a bit far-fetched though)bring the two investigations together.
The two policeman have a strange relationship. The Chief from Paris is rather a loner who has his own ideas while the energetic local officer is kept at arm's length until he producers a clue of his own. The dialogue between these two keeps the film alive. The rest of the characters behave in suspicious ways of course but on the whole play minor roles.
Dissection of bodies and opening of grave sites are always gruesome and not every one's idea of entertainment. In this film they are important parts of the plot and certainly add to the atmosphere. It's strange when you come to think of it that police have to do so much of their work by torch light. But then the shadows are greatly enhanced and who knows what may jump out at them!
The police get very little help from the suspicious-looking University staff, a fact which surprises me considering their lives are possibly in danger.
For me the final scene when all is revealed is quite a let-down after a reasonably interesting investigation. The solving of the crime in this way seems just a little too convenient. The final avalanche was more exciting than the solving of the crime.
The two policeman have a strange relationship. The Chief from Paris is rather a loner who has his own ideas while the energetic local officer is kept at arm's length until he producers a clue of his own. The dialogue between these two keeps the film alive. The rest of the characters behave in suspicious ways of course but on the whole play minor roles.
Dissection of bodies and opening of grave sites are always gruesome and not every one's idea of entertainment. In this film they are important parts of the plot and certainly add to the atmosphere. It's strange when you come to think of it that police have to do so much of their work by torch light. But then the shadows are greatly enhanced and who knows what may jump out at them!
The police get very little help from the suspicious-looking University staff, a fact which surprises me considering their lives are possibly in danger.
For me the final scene when all is revealed is quite a let-down after a reasonably interesting investigation. The solving of the crime in this way seems just a little too convenient. The final avalanche was more exciting than the solving of the crime.
In Guernon, an isolated mountain area where the local University rules the town, the Chief Inspector Pierre Niemans (Jean Reno) arrives from Paris to investigate a hideous crime, when the victim was tortured and mutilated before dying. Meanwhile, Detective Max Kerkerian (Vincent Cassel) comes to the same place, following the investigation of a profaned tomb of a young girl. They join forces and find a plot of eugenics in the University, with abductions, murders and revenge.
Yesterday I saw this great movie again, trying to find some answers to questions I raised the first time I saw it four years ago. Unfortunately, they have no explanations along the story. "Les Rivières Pourpres" has magnificent locations, maybe the most beautiful landscapes I have seen in a crime movie. The cast is outstanding, highlighting the charismatic Jean Reno and Vincent Cassel. However, the screenplay has flaws and presents a deceptive conclusion. My questions are: (1) If Judith was kidnapped in the nursery of the hospital, exchanged by the daughter of another person, what happened to the other child? (2) Who raised Judith, if her mother got crazy and went to a dark cell in a convent? (3) If her mother knew where her other daughter was, why didn't she go to the French justice and fight to retrieve the child? (4) How Judith found and approached Fanny? Anyway, usually worths watching serial killer stories and this one is very above the average. My vote is eight.
Title (Brazil): "Rio Vermelhos" ("Red Rivers")
Yesterday I saw this great movie again, trying to find some answers to questions I raised the first time I saw it four years ago. Unfortunately, they have no explanations along the story. "Les Rivières Pourpres" has magnificent locations, maybe the most beautiful landscapes I have seen in a crime movie. The cast is outstanding, highlighting the charismatic Jean Reno and Vincent Cassel. However, the screenplay has flaws and presents a deceptive conclusion. My questions are: (1) If Judith was kidnapped in the nursery of the hospital, exchanged by the daughter of another person, what happened to the other child? (2) Who raised Judith, if her mother got crazy and went to a dark cell in a convent? (3) If her mother knew where her other daughter was, why didn't she go to the French justice and fight to retrieve the child? (4) How Judith found and approached Fanny? Anyway, usually worths watching serial killer stories and this one is very above the average. My vote is eight.
Title (Brazil): "Rio Vermelhos" ("Red Rivers")
The novel by Jean-Cristophe Grangè on which this film is based is simply one of the best thrillers ever written,in the same league as The Silence of the Lambs and Misery,and with the help of writer/director Mathieu Kassovitz(who was also supposed to be one of the actors)the author has successfully brought his masterpiece to the screen.
From the very beginning,thanks to the location and Bruno Coulais'unsettling score,we realize French people can make good horror thrillers: Pierre Niemans(Jean Reno) is in Grenoble to solve a couple of weird and brutal murders,while Max Kerkerian(Vincent Cassel)investigates a damaged tomb somewhere else. Soon they discover the two cases are connected,and the two men have to run against the clock in order to uncover the awful truth about what's been going on in the local university for years.
The book has been simplified(the first chapter is entirely missing,as well as some of the details about Cassel's case),but the movie manages to be very interesting,and the chemistry between Reno and Cassel is great.
Special praise for Dominique Sanda,her creepy cameo being the film's best sequence(Sissy Spacek appears in a similar scene in The Ring 2).
Only defect:why did they make the sequel?
From the very beginning,thanks to the location and Bruno Coulais'unsettling score,we realize French people can make good horror thrillers: Pierre Niemans(Jean Reno) is in Grenoble to solve a couple of weird and brutal murders,while Max Kerkerian(Vincent Cassel)investigates a damaged tomb somewhere else. Soon they discover the two cases are connected,and the two men have to run against the clock in order to uncover the awful truth about what's been going on in the local university for years.
The book has been simplified(the first chapter is entirely missing,as well as some of the details about Cassel's case),but the movie manages to be very interesting,and the chemistry between Reno and Cassel is great.
Special praise for Dominique Sanda,her creepy cameo being the film's best sequence(Sissy Spacek appears in a similar scene in The Ring 2).
Only defect:why did they make the sequel?
Although french, this movie is better than most hollywood churned wannabes. A gripping thriller with a slightly outlandish plot revolving around genetics and nazism. But dont let that turn u off. The film is absolute edge-of-the-seat fare. Jean reno is good as usual but vincent cassel dishes out excellent acting nuances which add to his character. Great acting! The scenes set in winter among the French Rhone Alpes are breath taking to say the least. The thrills keep on coming without having to take resort to loud background music, which make these moments even more rivetting. The english dubbing is good without too many quirks. RECOMMENDED! [Writing "Highly Recommended" would make you biased! ;-)]
Le saviez-vous
- AnecdotesVincent Cassel broke his nose while filming the fight scene with the skinheads.
- GaffesAlmost at the end of the movie, an EMT is putting an oxygen mask on one of the survivors. Blood is visible on the mask before it comes in contact with the blood on the survivor's face.
- Citations
Fanny Ferreira: [descending into the crevasse] Welcome to the time machine, Commissaire.
- Générique farfeluThe Gaumont Films logo used is the 90s version (a trail of Gaumont logos opening up to a space with the current logo). A crimson river runs through the trail, leading to the space background at the end being shaded red.
- Bandes originalesVirtual Skinfighters
Composed and Performed by David Salsedo, Stéphane Daurs (as Stephane Daurs)
Performed by Silmarils
© 2000 Editions Musicales Editions La Marguerite - Legende Enterprises
(p) 2000 Production Legende Enterprises - Gaumont
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- How long is The Crimson Rivers?Propulsé par Alexa
- What about a new sequel?
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Crimson Rivers
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 14 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 594 966 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 111 026 $ US
- 28 janv. 2001
- Brut – à l'échelle mondiale
- 60 103 680 $ US
- Durée1 heure 46 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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What is the Japanese language plot outline for Les rivières pourpres (2000)?
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