Ajouter une intrigue dans votre langueA married composer finds that his affair with his wife's half-sister has resulted in her death.A married composer finds that his affair with his wife's half-sister has resulted in her death.A married composer finds that his affair with his wife's half-sister has resulted in her death.
Sylvia Davis
- Cinema Sales Girl
- (uncredited)
Max Faulkner
- Det. Sgt. Fred Smith
- (uncredited)
Garard Green
- Patrol Car Policeman
- (uncredited)
Arthur Howell
- P.C. Williams
- (uncredited)
Aileen Lewis
- Sheila (Party Guest)
- (uncredited)
Dudley Moore
- Piano Accompanist
- (uncredited)
Richard Neller
- Sleeping Man in Theater
- (uncredited)
Avis en vedette
One of the best plotted films I've ever seen although not much actually happens the plot twists are outstanding
What a clever little mystery this is, it is incredible how many of these forgotten gems are out there. I would have imagined this was made as a low budget b movie, but it is fully deserving of praise. Very good performances all round, Laurence Payne and Jane Griffiths are both very good, but it's the performance of Patricia Dainton that stole the show in her final on screen performance, a truly natural beauty, she plays a very soft, frail and dutiful wife, who possesses more then is shown on the surface. I love how complex the plot is, it is full of knots, twists and turns, it's a film you watch and have no idea which way it's going to go, you are guessing until the very (shock) end. It features a small cameo for Cleo Laine.
The plot is so good it could quite easily be remade into some cosy modern day mystery. It starts fairly slowly, and you could be forgiven for losing interest, but it's one of those that if you stick with you will totally get caught up in, the ending is so good too. I love a good mystery and this ticks all the boxes.
I'm glad I found it, 8/10
The plot is so good it could quite easily be remade into some cosy modern day mystery. It starts fairly slowly, and you could be forgiven for losing interest, but it's one of those that if you stick with you will totally get caught up in, the ending is so good too. I love a good mystery and this ticks all the boxes.
I'm glad I found it, 8/10
Laurence Payne is unhappily married to Patricia Danton. He's also carrying on an affair with her half-sister, Jane Griffiths. Jane coyly tells him she's enceinte. So he asks Miss Danton for a divorce. She refuses.
Well, this is a problem. He works out an elaborate murder scheme with Miss Griffiths, involving a tape recorder and exact timetables. It's a perfect scheme, except that Miss Danton is listening behind a door. As a result, when Miss Griffiths is murdered, all the rest of the evidence points to him.... except for one crucial piece.
It's a sick and twisted and very amusing murder mystery, with John Arnatt as one of those stolid, slow-talking and hardworking police inspectors. More like an expanded episode of THE ALFRED HITCHCOCK SHOW than anything else, it's a beautifully constructed, cheap little thriller.
Well, this is a problem. He works out an elaborate murder scheme with Miss Griffiths, involving a tape recorder and exact timetables. It's a perfect scheme, except that Miss Danton is listening behind a door. As a result, when Miss Griffiths is murdered, all the rest of the evidence points to him.... except for one crucial piece.
It's a sick and twisted and very amusing murder mystery, with John Arnatt as one of those stolid, slow-talking and hardworking police inspectors. More like an expanded episode of THE ALFRED HITCHCOCK SHOW than anything else, it's a beautifully constructed, cheap little thriller.
Its outline may remind you of "sudden fear" starring Joan Crawford,Jack Palance and Gloria Grahame : the victim knows her husband and his mistress are going to kill her for she eavesdropped on their conversation which revealed their ominous plans.Besides ,a tape recorder plays a prominent part in the plot.But it's a good murder mystery on its own :the screenplay (based on a play) is well constructed ,and even the manslaughter on the road has its raison d'être(the final picture packs a real wallop) .Even the title is well chosen .
The sisters ' feud is a little derivative: it's once again the "my kid sister was spoilt , they had only eyes for her " well-known tale ;but the film is short , tense ,and there's never a dull moment .Directing is not very inventive ,but the suspenseful script will keep you glued to your seat till the very end.
The sisters ' feud is a little derivative: it's once again the "my kid sister was spoilt , they had only eyes for her " well-known tale ;but the film is short , tense ,and there's never a dull moment .Directing is not very inventive ,but the suspenseful script will keep you glued to your seat till the very end.
8rbrb
This is a super thriller!
First rate story, with an excellent cast and a well devised plot, from beginning to end.
A writer of musicals is in a troubled marriage, so he plots a way to get rid of his wife so he can continue his relationship with her sister.
Some outstanding performances especially from the errand husband, his wife and the policeman in charge of the investigation.
Modern film makers should study the way this movie is presented: no unnecessary sub-plots yet a spider's web of intrigue with a climax that is brilliant.
Many of these so-called British B movies are far better than most modern-day new releases: 8/10.
First rate story, with an excellent cast and a well devised plot, from beginning to end.
A writer of musicals is in a troubled marriage, so he plots a way to get rid of his wife so he can continue his relationship with her sister.
Some outstanding performances especially from the errand husband, his wife and the policeman in charge of the investigation.
Modern film makers should study the way this movie is presented: no unnecessary sub-plots yet a spider's web of intrigue with a climax that is brilliant.
Many of these so-called British B movies are far better than most modern-day new releases: 8/10.
Le saviez-vous
- AnecdotesFilm debut of Dudley Moore.
- GaffesAt 3 min Norman is driving Peggy home. Within the car they are pictured close together in a tight embrace. However, the view of the couple as seen from the outside looking through the front windshield has them sitting apart.
- Citations
Norman Martell: I want you to give me a divorce.
Helen Martell: What!
Norman Martell: Sorry. It's not all your fault. In a way I'm just as much to blame as you are.
- ConnexionsEdited into Kraft Mystery Theater: The Third Alibi (1961)
- Bandes originalesNOW AND THEN
Written by Don Banks and David Dearlove
Sung by Cleo Laine with Dudley Moore (piano) (uncredited)
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is The Third Alibi?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Lieux de tournage
- Walton Studios, Walton-on-Thames, Surrey, Angleterre, Royaume-Uni(studio: produced at Walton Studios Walton-On-Thames, England)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 8 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was The Third Alibi (1961) officially released in India in English?
Répondre