Ajouter une intrigue dans votre langueDean Campbell is a high-powered attorney who returns home from work to find his family being held hostage by terrorists.Dean Campbell is a high-powered attorney who returns home from work to find his family being held hostage by terrorists.Dean Campbell is a high-powered attorney who returns home from work to find his family being held hostage by terrorists.
- Director
- Writers
- Stars
Christopher Stapleton
- Brussard
- (as Christopher J. Stapleton)
Avis en vedette
Martial Artist Gary Daniels is a top drawer attorney who comes home one day to find his family taken hostage by a bunch of thugs. He helps to police on the scene but soon discovers a more sinister scenario at work. It seems that 'The Man' wants to see how a local neighborhood could take a little biological warfare. But as we know shadow government agencies and bio-weapons don't mix but they get more than they bargained for when it is revealed that this lowly attorney is an ex-military butt kicker.
'Black Friday' is a passable action flick with a couple good action sequences. Daniels has skills but still suffers from that most odious action film cliché of bad acting, true the writing and direction can be some of the culprit but since most of the actors in the piece suffer the same affliction we'll strike it up to 'group effort'. Daniels does have the charisma for the action hero though.
'Black Friday' is a passable action flick with a couple good action sequences. Daniels has skills but still suffers from that most odious action film cliché of bad acting, true the writing and direction can be some of the culprit but since most of the actors in the piece suffer the same affliction we'll strike it up to 'group effort'. Daniels does have the charisma for the action hero though.
Let me start by saying that I think Gary Daniels is a great martial artist and a good actor. Unfortunately, his martial arts skills and acting ability can't save this lame flick.
The box cover for Black Friday shows Gary Daniels holding a sword, but he never uses a sword in the entire film. In fact, a sword never appears in the film at all.
The beginning includes a long scene between Gary and an Oriental woman that has absolutely no significance to the plot at all.
The pacing is so slow at points that I started fast forwarding through it. This is compounded by the overuse of slow-motion sequences throughout the film. There's even a mind-numbing fifteen minute scene using a wide-angle camera shot of Gary and another actor sitting on a bench talking.
There are two overly long fight sequences that are poorly staged and poorly filmed.
There's also a laughably bad explosion scene that looks entirely fake.
Another bad aspect of this film is the blaring music that accompanies almost every scene. A good sound track can enhance a film, but here it's just plain distracting.
A bad script and poor direction make this flick one to skip.
The box cover for Black Friday shows Gary Daniels holding a sword, but he never uses a sword in the entire film. In fact, a sword never appears in the film at all.
The beginning includes a long scene between Gary and an Oriental woman that has absolutely no significance to the plot at all.
The pacing is so slow at points that I started fast forwarding through it. This is compounded by the overuse of slow-motion sequences throughout the film. There's even a mind-numbing fifteen minute scene using a wide-angle camera shot of Gary and another actor sitting on a bench talking.
There are two overly long fight sequences that are poorly staged and poorly filmed.
There's also a laughably bad explosion scene that looks entirely fake.
Another bad aspect of this film is the blaring music that accompanies almost every scene. A good sound track can enhance a film, but here it's just plain distracting.
A bad script and poor direction make this flick one to skip.
Not worth seeing. The acting couldn't have been any worse. While the plot wasn't too bad the screenplay and direction were horrible. The background music did not help the cause either. To top it all the film was too dragging. This is one film you would not miss anything not watching.
This film is probly the worst Gary Daniels film to date, although i have seen only the ones his fans seem to love most, u know the 5 pointers and so on. As this is the case i will advise anyone who sees this to instantly turn the box over so no-one else can see the attractive cover which is made up of pictures from his different films, and make the mistake of renting it. Firstly the plot was poor, action was bad, the dialogue was really,really slow and when i thought the movie had finished, after a black screen came up for something like 30 seconds or so,it came back on for another 5 mins which was really wierd. Ther is only two marshall arts fights in this film, the near beginning fight which is real good and the end fight which is real bad. so the odds are u'll despise this film and never watch another Gary Daniels Film again, but my advice is to keep hoping he'll get a new agent or somthing, star in a jet li blockbuster and make us brits proud.
The brief alliance between action star Gary Daniels and director Darren Doane resulted in two movies, only one of which got a DVD release. Surprisingly, it was not the conventional, star-studded ULTIMATE TARGET but this oddball experiment wherein the only recognizable name is Daniels himself. BLACK Friday is among the strangest of starring flicks the British Danger Man has in his filmography, and it's far from his best. I'm not sure if I'd declare it one of his worst, but it's definitely not for everyone.
The story: When the home of a black ops agent-turned-lawyer (Daniels) is taken over by entities in possession of a devastating weapon, he must break past the government security to rescue his family.
Director Doane has not made an action movie, here – he's made an artistic thriller. This rough-around-the-edges adventure carries just enough fighting and shooting to earn the label, but rather than pumping adrenaline, its objective is to see how long it can stretch your attention before getting to its eventual twist. While this twist is pretty decent, it's not worth the wait. The film regularly takes three times as long as conventional movies to depict almost any event – whether it's an investigation scene, an assassination, or a character walking down the hallway – and there are many times when the fast-forward button was my best friend. The feature mixes stark (read: cheap) scenery with a schizophrenic soundtrack to create an uneasy mood that I never got used to, ensuring that I never connected with the story.
The DVD cover features Gary holding a sword that's nowhere to be seen in the movie. Beyond this, the sparse action in the film is less disappointing than it is odd. Daniels' initial bout with action coordinator Tsuyoshi Abe is fairly conventional, if longer than the average brawl and paced differently. The showdown with villain Ryan Kos runs even longer – it's at least three minutes long – and is pretty weird for Kos' reliance on an obvious double and an odd sequence wherein the two fighters are suddenly scrapping against a black background. The art show never ends with this movie, even when it comes to something as basic as punching and kicking.
For reasons I can't explain, I went into this movie with fairly high hopes. Maybe someone who approaches it with more even expectations will have a better time, but I am pretty disappointed at having wasted mine. This is not a movie for Gary Daniels fans – it's not even for general action lovers. Should this one fall into your hands, treat it as the experiment it was meant to be.
The story: When the home of a black ops agent-turned-lawyer (Daniels) is taken over by entities in possession of a devastating weapon, he must break past the government security to rescue his family.
Director Doane has not made an action movie, here – he's made an artistic thriller. This rough-around-the-edges adventure carries just enough fighting and shooting to earn the label, but rather than pumping adrenaline, its objective is to see how long it can stretch your attention before getting to its eventual twist. While this twist is pretty decent, it's not worth the wait. The film regularly takes three times as long as conventional movies to depict almost any event – whether it's an investigation scene, an assassination, or a character walking down the hallway – and there are many times when the fast-forward button was my best friend. The feature mixes stark (read: cheap) scenery with a schizophrenic soundtrack to create an uneasy mood that I never got used to, ensuring that I never connected with the story.
The DVD cover features Gary holding a sword that's nowhere to be seen in the movie. Beyond this, the sparse action in the film is less disappointing than it is odd. Daniels' initial bout with action coordinator Tsuyoshi Abe is fairly conventional, if longer than the average brawl and paced differently. The showdown with villain Ryan Kos runs even longer – it's at least three minutes long – and is pretty weird for Kos' reliance on an obvious double and an odd sequence wherein the two fighters are suddenly scrapping against a black background. The art show never ends with this movie, even when it comes to something as basic as punching and kicking.
For reasons I can't explain, I went into this movie with fairly high hopes. Maybe someone who approaches it with more even expectations will have a better time, but I am pretty disappointed at having wasted mine. This is not a movie for Gary Daniels fans – it's not even for general action lovers. Should this one fall into your hands, treat it as the experiment it was meant to be.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Operación viernes negro
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 35 minutes
- Couleur
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