Des promoteurs de boxe sans scrupules, des bookmakers violents, un gangster russe, des voleurs amateurs incompétents et des bijoutiers soi-disant juifs se battent pour traquer un diamant vol... Tout lireDes promoteurs de boxe sans scrupules, des bookmakers violents, un gangster russe, des voleurs amateurs incompétents et des bijoutiers soi-disant juifs se battent pour traquer un diamant volé à la valeur inestimable.Des promoteurs de boxe sans scrupules, des bookmakers violents, un gangster russe, des voleurs amateurs incompétents et des bijoutiers soi-disant juifs se battent pour traquer un diamant volé à la valeur inestimable.
- Réalisation
- Scénariste
- Vedettes
- Prix
- 4 victoires et 7 nominations au total
Nicola Collins
- Alex
- (as Nikki Collins)
Sommaire
Reviewers say 'Snatch' highlights Guy Ritchie's unique directorial style, celebrated for its innovative approach, memorable characters, and sharp dialogue. Ritchie's non-linear narrative and rapid editing are noted as strengths. However, some critics feel the style overshadows the plot, which can be confusing and repetitive. Concerns about style over substance are raised, yet many appreciate the film's vibrant, stylish, and entertaining qualities.
Avis en vedette
I am a 33 year old woman in a flowered dress who doesn't drink, rarely swears, sleeps with a teddy bear, and has never raised a hand to anyone in my life. But I liked this movie a lot, and according to someone who wrote a review earlier, that makes me personally responsible for the violence in America. I'm sorry - I never intended to hurt anyone.
As for the movie - I usually get confused in fast-paced movies with so many characters, but when I watched Snatch I was able to keep all the characters straight pretty easily because each one had something unique and quirky about him. I liked that, and I liked the accents, and I liked the silly plot-twist humor, and I liked the dogs. The evil men were EVIL ("so evil you would call it the froo-its of the dev-eel" to quote Mike Meyers). The bumbling men were endearing. The music was great.
It was very violent (more so than Pulp Fiction, I think). Yet somehow it did not offend me and looking back at it I still laugh out loud.
Oh, and I never saw "Lock, Stock, and Two Smoking Barrels", for whatever that's worth.
As for the movie - I usually get confused in fast-paced movies with so many characters, but when I watched Snatch I was able to keep all the characters straight pretty easily because each one had something unique and quirky about him. I liked that, and I liked the accents, and I liked the silly plot-twist humor, and I liked the dogs. The evil men were EVIL ("so evil you would call it the froo-its of the dev-eel" to quote Mike Meyers). The bumbling men were endearing. The music was great.
It was very violent (more so than Pulp Fiction, I think). Yet somehow it did not offend me and looking back at it I still laugh out loud.
Oh, and I never saw "Lock, Stock, and Two Smoking Barrels", for whatever that's worth.
Read this review carefully, please.
First off, Snatch is an amazing movie in every sense of the word. There are very few movies made where the director obviously did not let one FRAME onto the screen without a reason, and Snatch is one of them. Nothing happens onscreen without it having an effect on the plot.
By now you know the plot, or plots. We follow a diamond-heist and the various characters trying to get theirs, at the same time following participants in an illegal boxing ring. The incredible part of the movie is how every scene ties in with the rest somehow, every character connects with the rest at least once.
There are complaints that the movie is confusing, or muddled. There are a lot of things that they don't tell you (such as what the dog has to do with anything, but he's a VERY important character), and that's a good thing. Too many movies force feed the audience its plot points (Think The Ring vs. Ringu, did we need the "How long could you survive down there all alone?" line?). Rather, we just watch occurrences, and have to piece together what ties everything together, the plot weaves together beautifully.
The cinematography and performances are fantastic as well. Even the soundtrack is perfect. The camera style during the fight scenes (slowdown/stop/go) makes it difficult to stop watching, the sound effects fit in quietly in the background without being overwhelming. And it will be IMPOSSIBLE to watch this movie without repeating many of the lines around your friends. I found myself saying "Zee Germans" and things like "It's not like he's a set of car keys, now is it?" quite a bit. Naturally, Brad Pitt's pikey is one of the most outlandish I've ever seen.
Summary: watch the movie, and don't expect to be TOLD everything, expect to have to pay attention.
First off, Snatch is an amazing movie in every sense of the word. There are very few movies made where the director obviously did not let one FRAME onto the screen without a reason, and Snatch is one of them. Nothing happens onscreen without it having an effect on the plot.
By now you know the plot, or plots. We follow a diamond-heist and the various characters trying to get theirs, at the same time following participants in an illegal boxing ring. The incredible part of the movie is how every scene ties in with the rest somehow, every character connects with the rest at least once.
There are complaints that the movie is confusing, or muddled. There are a lot of things that they don't tell you (such as what the dog has to do with anything, but he's a VERY important character), and that's a good thing. Too many movies force feed the audience its plot points (Think The Ring vs. Ringu, did we need the "How long could you survive down there all alone?" line?). Rather, we just watch occurrences, and have to piece together what ties everything together, the plot weaves together beautifully.
The cinematography and performances are fantastic as well. Even the soundtrack is perfect. The camera style during the fight scenes (slowdown/stop/go) makes it difficult to stop watching, the sound effects fit in quietly in the background without being overwhelming. And it will be IMPOSSIBLE to watch this movie without repeating many of the lines around your friends. I found myself saying "Zee Germans" and things like "It's not like he's a set of car keys, now is it?" quite a bit. Naturally, Brad Pitt's pikey is one of the most outlandish I've ever seen.
Summary: watch the movie, and don't expect to be TOLD everything, expect to have to pay attention.
10SpudMons
"Snatch" is fantastic; and not least because it demonstrates emphatically that the British movie industry is capable of rivaling even the best of what Hollywood can offer.
"Lock, Stock and Two Smoking Barrels" was one of the funniest movies released in recent years, and "Snatch" takes everything that "Lock, Stock..." did so well and does it even better.
Back are the cleverly intertwined plotlines, the hilarious one-liners, and the simultaneously intimidating and comedic London villains. So is the skillful editing, and often original cinematographic style. This time however, it all looks somewhat slicker and better funded, and alongside the British regulars are the odd American celebrity (Brad Pitt, Benicio Del Toro).
Everyone in the film puts in an excellent performance, but Pitt stands out as a charismatic and near-incomprehensible Gypsy boxer.
Like Ritchie's earlier film, this one takes a little while to find its feet, but once it does the pace doesn't slacken until the finale. One scene featuring three guys and a squeaking dog in a stolen car stands out particularly, and left the audience at my local cinema almost weeping as punchline after punchline was uttered.
When it comes to comedies, I cannot recommend this one highly enough. If you're after a good laugh, you won't find much to better "Snatch".
"Lock, Stock and Two Smoking Barrels" was one of the funniest movies released in recent years, and "Snatch" takes everything that "Lock, Stock..." did so well and does it even better.
Back are the cleverly intertwined plotlines, the hilarious one-liners, and the simultaneously intimidating and comedic London villains. So is the skillful editing, and often original cinematographic style. This time however, it all looks somewhat slicker and better funded, and alongside the British regulars are the odd American celebrity (Brad Pitt, Benicio Del Toro).
Everyone in the film puts in an excellent performance, but Pitt stands out as a charismatic and near-incomprehensible Gypsy boxer.
Like Ritchie's earlier film, this one takes a little while to find its feet, but once it does the pace doesn't slacken until the finale. One scene featuring three guys and a squeaking dog in a stolen car stands out particularly, and left the audience at my local cinema almost weeping as punchline after punchline was uttered.
When it comes to comedies, I cannot recommend this one highly enough. If you're after a good laugh, you won't find much to better "Snatch".
Guy Richie's follow up to Lock Stock and Two Smoking barrels is every bit as astonishing as its predecessor. The humour is better and I have never seen people in a cinema laugh as loud and as frequently as they did here. Vinnie Jones plays a similar role as Big Chris, here as Bullet Tooth Tony. His appearance is limited but boy does he make an impact. Even when he is not on screen there is much to savour from Dennis Farina as Avi and a trio of pawnbrokers who are sent to rob a bookies. Brad Pitt sheds his movie start personna and preforms impressively as an Irish gypsie. Unlike Lock Stock.. the humour will appeal to all nationalities. However they mind some slang expressions such as Pikey and blag hard to understand. Good preformances, fantastic characters, razor sharp diologue, expert direction and camera work and brilliant humour, Snatch will make you laugh more than any other movie this year. See it now.
This movie is perfect in all its categories: credits, sound track, production, casting, writing, photography, editing, acting, and direction. 10/10.
I was amazed with the freedom of the use of the camera. This movie will change the way movies are made. Slow-mo, stills, black and white, and color were all used to brilliant effect.
I must pick out specific actors who were just over the top - meaning 10+!
Jason Statham as "Turkish" is simply superb - a star of very high caliber. (You should see him in anything he made, and read my comment about John Carpenter's movie: "Ghosts of Mars.")
Alan Ford as "Brick Top" is terrifying - his forced speaking style made me think that he was chewing on the flesh of his previous victim.
Vinnie Jones as "Bullet Tooth Tony" is total tough head to foot tough - a walking brick wall - a marine for all seasons - none tougher.
Brad Pitt as "Mickey O'Neil" is utterly 110% convincing. I never liked Mr. Pitt's work before this - but this one totally sold me - he is as solid an actor as ever came out of Hollywood... and better!
Finally, Guy Ritchie should be recognized as a Michelangelo of film.
-LD
I was amazed with the freedom of the use of the camera. This movie will change the way movies are made. Slow-mo, stills, black and white, and color were all used to brilliant effect.
I must pick out specific actors who were just over the top - meaning 10+!
Jason Statham as "Turkish" is simply superb - a star of very high caliber. (You should see him in anything he made, and read my comment about John Carpenter's movie: "Ghosts of Mars.")
Alan Ford as "Brick Top" is terrifying - his forced speaking style made me think that he was chewing on the flesh of his previous victim.
Vinnie Jones as "Bullet Tooth Tony" is total tough head to foot tough - a walking brick wall - a marine for all seasons - none tougher.
Brad Pitt as "Mickey O'Neil" is utterly 110% convincing. I never liked Mr. Pitt's work before this - but this one totally sold me - he is as solid an actor as ever came out of Hollywood... and better!
Finally, Guy Ritchie should be recognized as a Michelangelo of film.
-LD
Le saviez-vous
- AnecdotesBrad Pitt, who was a big fan of Arnaques, combines et botanique (1998), approached director Guy Ritchie and asked for a role in this film, as he wanted to move away from commercial movies and work with new directors. Reportedly, Ritchie originally wanted Pitt to play Turkish, but when he found out that Pitt couldn't master a London accent, he created the role of Mickey the Pikey for him, and the role of Turkish went to Jason Statham.
- GaffesMickey's tattoos seriously fade during the final fight scene. This is most notable when Turkish is talking to him in the corner after the third round and when Mickey imagines he has been knocked into water.
- Générique farfeluIn the opening credits, the names are shown on the surveillance screens.
- Autres versionsIn the American version, Turkish appears to enunciate far more clearly in several of his voice-overs, especially near the beginning. In the British version, his speech is closer to that of his character in dialogue.
- ConnexionsFeatured in Behind the Heist (2000)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Snatch
- Lieux de tournage
- Hatton Garden, Clerkenwell, London, Greater London, Angleterre, Royaume-Uni(as Ye Olde Mitre Tavern/Doug's diamond store)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 000 000 £ (estimation)
- Brut – États-Unis et Canada
- 30 328 156 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 27 932 $ US
- 10 déc. 2000
- Brut – à l'échelle mondiale
- 83 558 617 $ US
- Durée
- 1h 44m(104 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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