Après un accident, un cadre misogyne acquiert la capacité d'entendre ce que les femmes ont vraiment à l'esprit.Après un accident, un cadre misogyne acquiert la capacité d'entendre ce que les femmes ont vraiment à l'esprit.Après un accident, un cadre misogyne acquiert la capacité d'entendre ce que les femmes ont vraiment à l'esprit.
- Prix
- 5 victoires et 9 nominations au total
Andrea Baker
- Office Intern
- (as Andrea Taylor)
Jon Frazier
- Truck Driver
- (credit only)
Avis en vedette
A new creative director (Helen Hunt) is hired by an ad agency (run by Alan Alda) to bring it up to date by appealing to the women's market. Mel Gibson, an account executive and a real man's man, was slated for that position, and he wants to get rid of Hunt. At her first staff meeting, Hunt gives each person a package of various women's products, and each must come up with a campaign for at least one of the items.
At home, Gibson tries out the products in a tour de force of cross-dressing. Funny, if not roll on the floor hilarious, and he does it with an aplomb that makes it look so easy that you at the very least have to admire his skill. In the process, Gibson falls into a tub, followed by a live hair dryer, and receives a shock that alters his brain so that he can hear the thoughts of women. As a result, he bowls everyone over, especially Hunt, with his creative insight into the women's market. Now he's got her right where he wants her...or so he thinks. But creative insight turns out to be a two-edged sword.
I liked this one a lot more than I thought I would. It reminded me of one of those late 50's early 60's romantic comedies, at least in its earlier scenes. In fact, I liked it so much that it made me feel sorry for Woody Allen. His "Curse of the Jade Dragon" suffers by comparison. I mention it, because Allen's film also stars Helen Hunt and, interestingly, has a similar situationa woman is hired on to bring a company up to date, and she threatens to disrupt the man's career. Even mind-alteration is involved, although of a different kind.
I think the mind-reading premise is brilliant and is set in just the right context, and Hunt and Gibson played off each other very well. I've seen Mel Gibson on a couple of Jay Leno shows, and he seemed ill-at-ease and sometimes a little abrupt, as though he were either very shy, not too bright, or for some reason just didn't want to be there. But what a difference when he's on screen and playing a role that in bygone days would have been filled by Jack Lemmon or Tony Randall or Rock Hudson. Ok, maybe he's not the all-round actor that Lemmon was, but he fit that particular role perfectly. And he even does a bit of a Gene Kelly routine!
At home, Gibson tries out the products in a tour de force of cross-dressing. Funny, if not roll on the floor hilarious, and he does it with an aplomb that makes it look so easy that you at the very least have to admire his skill. In the process, Gibson falls into a tub, followed by a live hair dryer, and receives a shock that alters his brain so that he can hear the thoughts of women. As a result, he bowls everyone over, especially Hunt, with his creative insight into the women's market. Now he's got her right where he wants her...or so he thinks. But creative insight turns out to be a two-edged sword.
I liked this one a lot more than I thought I would. It reminded me of one of those late 50's early 60's romantic comedies, at least in its earlier scenes. In fact, I liked it so much that it made me feel sorry for Woody Allen. His "Curse of the Jade Dragon" suffers by comparison. I mention it, because Allen's film also stars Helen Hunt and, interestingly, has a similar situationa woman is hired on to bring a company up to date, and she threatens to disrupt the man's career. Even mind-alteration is involved, although of a different kind.
I think the mind-reading premise is brilliant and is set in just the right context, and Hunt and Gibson played off each other very well. I've seen Mel Gibson on a couple of Jay Leno shows, and he seemed ill-at-ease and sometimes a little abrupt, as though he were either very shy, not too bright, or for some reason just didn't want to be there. But what a difference when he's on screen and playing a role that in bygone days would have been filled by Jack Lemmon or Tony Randall or Rock Hudson. Ok, maybe he's not the all-round actor that Lemmon was, but he fit that particular role perfectly. And he even does a bit of a Gene Kelly routine!
A man suddenly finds himself able to read women's minds and actually know what women want from men.Now,what guy doesn't want to be in that position? This was a terrific idea for a film and it was executed to perfection.Who better than Mel Gibson to represent us in this situation? He's the one man women probably wish understood them.At any rate,Gibson really turns on the Gibson charm here and there's not a better film in which to do that.Helen Hunt makes a great leading lady and is her usual charming self.Also,from the supporting cast,it's always great to see Alan Alda,one of the most underrated actors of our time.This film starts with a very unique,funny idea,and it does not disappoint in terms of how good it can be executed.Well casted,well directed and very funny film.
I think most of the other comments I've seen are over-analyzing this light movie. It's a cute fantasy about a male chauvinist transformed into a nice guy by developing (inadvertently) some sensitivity. Women want nice looking guys to be nice GUYS, too. I'm not sure why anyone would need much more in the movie.
The humor is good and Gibson does some amusingly self-effacing stuff and some slick dancing. I thought Helen Hunt was quite believable as the climbing ad exec. I agree with some of the other comments about Tomei deserving a better part but she does what she can with her role.
I thought the relationship development between Gibson and his daughter was interesting, too (albeit accelerated).
Other comments mention the length of the movie, but I was fine with it. It seemed fine to me.
If you're like me and you appreciate the "personal transition" type of movie (my favorite: Groundhog Day), then this is a good fit. This is a movie to help you unwind.
If you are looking for psychological insight into the unfulfilled desires of women and the blatantly unsatisfactory male response, this will disappoint. But watch it anyway -- you probably need to unwind.
The humor is good and Gibson does some amusingly self-effacing stuff and some slick dancing. I thought Helen Hunt was quite believable as the climbing ad exec. I agree with some of the other comments about Tomei deserving a better part but she does what she can with her role.
I thought the relationship development between Gibson and his daughter was interesting, too (albeit accelerated).
Other comments mention the length of the movie, but I was fine with it. It seemed fine to me.
If you're like me and you appreciate the "personal transition" type of movie (my favorite: Groundhog Day), then this is a good fit. This is a movie to help you unwind.
If you are looking for psychological insight into the unfulfilled desires of women and the blatantly unsatisfactory male response, this will disappoint. But watch it anyway -- you probably need to unwind.
This is pretty much the typical romantic comedy, but with an interesting twist; the main character has the ability to hear womens thoughts. The important thing was that for it to work, the character would be placed in a lot of interesting comical situations, where you could laugh at it, without it being too mocking of womens thoughts, or too far-out to enjoy. It succeeds pretty well, however the way the character gains and loses the ability were handled somewhat poorly. The humor is good, and there is plenty of it, throughout the entire runtime. The characters were believable, and the main character eventually grew to be likable. The plot was good, and the acting likewise. The only thing that brings the movie down, is the poor execution of the gain/loss of the ability to hear womens thoughts, and the sugar-sweet ending, that was too predictable and plain boring, as anyone who's seen one of the hundreds(possibly thousands) of romantic comedies out there. No actual new stuff brought to the table, apart from the interesting and original concept of a man being able to hear what women are thinking. OK for a romantic comedy. 7/10
You know, I've watched this movie probably 5-6 times. As a kid.
I didn't get the the whole idea. I knew this simple fact, but I loved it.
Now, many years later I thoroughly enjoyed this movie. Man, it's been a long time since I have felt like this, while watching a film.
So, let me say what I have to say.
The storyline is something old, but expressed in a new way. There is romance, but a mature, not a cheesy one. The main idea (that there is no need for men to read our minds, but to listen what we say, like in 80%, not in 3%) is smoothly expressed throughout the movie.
My favourite thing was that, at one point, the main character started helping (you guessed right - women). And that's what makes this film up-lifting.
Le saviez-vous
- AnecdotesThe Nike representatives are real Nike ad representatives, not actresses.
- GaffesWhen Nick thinks he's in line for a promotion to creative director, he and his staff make numerous references to moving up to the 44th floor. Immediately prior, there is an exterior shot of their building that is no more than 15 stories.
- Citations
[looking distractedly in refrigerator]
Nick Marshall: What am I doing? She's not in the refrigerator.
- Bandes originalesSomething's Gotta Give
Written by Johnny Mercer
Performed by Sammy Davis Jr.
Courtesy of MCA Records
Under license from Universal Music Enterprises
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- What Women Want
- Lieux de tournage
- Dresden Room Restaurant - 1760 N. Vermont Avenue, Los Feliz, Los Angeles, Californie, États-Unis(Back Door Piano Lounge)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 70 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 182 811 707 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 33 614 543 $ US
- 17 déc. 2000
- Brut – à l'échelle mondiale
- 374 111 707 $ US
- Durée
- 2h 7m(127 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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