Chevalier

Brian Helgeland's A Knight's Tale is a hugely entertaining medieval romp set to modern rock classics such as Queen's 'We Will Rock You' and Thin Lizzy's 'The Boys are Back in Town'. The movie urges you to join in the fun with recognisable songs that is a jarring juxtaposition to the 14th century goings on at first but you soon get used to the idea.

Heath Ledger is excellent as the peasant who wants to be a knight and, upon meeting a homeless writer, who turns out to be Chaucer, offers to forge papers so that Ledger can bluff his way into the annual jousting competition to prove his worth as a knight and finds romance along the way.

This film has everything - action, adventure, comedy, romance and rock songs. It's feel good entertainment and Helgeland's unique approach still feels fresh, sassy and on point. Ledger is surrounded by a good supporting cast of Paul Bettany, Rufus Sewell, Mark Addy, Shannyn Sossamon and James Purefoy.

It's the perfect mix of a smart witty script, solid acting and an off kilter approach that really works. Baz Luhrmann pulled a similar trick with both Romeo & Juliet (1996) and Moulin Rouge (2001) by mixing up period pieces with modern songs to serve the narrative in an unconventional way.

Totally unbelievable.

Chronologically, historically and geographically incorrect.

Full of innumerable inaccuracies and made up of a cast who talk as though they are not from the same continent, let alone the same country! What more can I say?

I tell you what I can say, I thoroughly enjoyed it!!! I laughed from beginning to end and was enraptured by the sense of friendship that these people displayed.

I only wish we could all be like them!

I loved it.

This film shows without any quibbling just how bright the star of Heath Ledger was. He is luminous in this; beautiful, funny, physical and engaging. He plays excellently against the stunning Shannyn Sossamon, who fits perfectly into the modern medieval setting of this film. Set in the C14th a man of poor birth but sharp intellect rises through the ranks of page-dom with the desire to become a nobleman for food, fame, glory and love.

An impressive ensemble cast including the superior Paul Bettany (Chaucer - you can see he had fun with this rather exposing (!) role), Rufus Sewell, Mark Addy, Christopher Cazenove, James Purefoy and Alan Tudyk provides a film that is nigh-on flawless for cinematography that is exciting and gripping, the screenplay - the script - is amazing, laugh out loud funny all the way through. It's one of those films which require certain intelligence to get all the asides and witticisms, or numerous viewings to pick up on all of them, otherwise its still a funny and enjoyable film. With something for everyone this film is a joy to watch again and again, it's also attractive visually - many points to the costumers who mixed historical fashion with a modern edgy almost punk twist. Ditto the soundtrack - mixing in modern music was a clever touch, similar to Romeo and Juliet (Baz Luhrmann), and also an interesting look at fame and the cult of celebrity.

A great viewing experience which sometimes even brings a tear to my eye. If you don't enjoy this film, there's something wrong with you. Ignore the haters, it's not supposed to be historically accurate or high-brow! Sometimes a feel-good, comfortable, Disney-esque story arc is just what you want.

This wonderfully uplifting little film has a great big heart, good humor, and a classic message about love and honor, and the rarity and preciousness of those who practice both with style. I went to see this with my spouse and a good friend of ours because THEY (the spouse and the friend) wanted to see it. I am a non-fan of comedies, and had been annoyed by the stream of trashy Connecticut Yankee in King Arthur's Court films that had been coming out since the 1980s. My spouse had also informed me that I would be seeing Jousting performed to Bachman Turner Overdrive. My reaction was to reach for the nearest bottle of hard liquor. I didn't need it.

I've now seen this film about six times, and though I can't say that I see something new in it every time (it's just not that complicated), I can say that I have enjoyed it each and every time. The characters, though relatively uncomplicated, are very lovable and the casting is quite excellent all around. Before Brokeback Mountain, William Thatcher was Heath Ledger's most memorable role. He's a poor boy from London's Cheapside who wants to change his stars and to become an honored knight. Travelling from tournament to tournament with his fellow indentured servants, his liege passes on, and William seizes the moment - taking his armor and his horse to become Sir Ulrich Von Liechtenstein of the Gelderland.

He is joined by the other now-free indentures, and eventually, by Chaucer and a female Farrier played by the wonderful Laura Fraser. Eventually, William falls in love with a princess and is challenged by a rival for her affections with a lot more experience, money and political clout. The love story, which could have easily become a distracting annoyance, in fact, comes to dominate and drive the story very nicely.

Special kudos to Ledger, Alan Tudyk, Rufus Sewell, Paul Bettany and James Purefoy for their awesome performances. And extra special kudos to Director Brian Helgeland for pulling off an impossible task - taking a fairy tale, making us want to believe it, and yet retaining some wonderful elements of silliness often missing in the fairy tale genre. This would make a wonderful romantic living-room double feature with The Princess Bride.

Recommendation: Definitely worth seeing.

The first time I saw A Knight's Tale (on cable, missed it in theater), I had the same reaction as many of you - Queen? David Bowie? In a movie set in the middle ages?

But I stayed with it, and I'm glad I did. Once you get past the glaring anachronisms (put in the film on purpose, of course), you find the movie is actually quite true to its period.

The presence of Chaucer in the film, combined with some of its details, leads me to suspect that Brian Helgeland has read "Chaucer's Knight" by fellow filmmaker Terry Jones (of Monty Python fame). The book deconstructs the knight in Chaucer's "The Knight's Tale" in a totally unique way -- he is seen NOT as the flower of medieval chivalry (as most scholars have interpreted him), but as a mercenary out for nothing but money and blood. The character in the film Chaucer would have written about, then, is not Sir William Thatcher (Heath Ledger), but Count Adhemar of Anjou (Rufus Sewell).

The part of the film in which this connection "clicked" for me was the scene where Count Adhemar is called away to his command in a "Free Company" -- a particular stain on the reputation of knighthood which Jones talks extensively about in his book.

Jones' book made use of extensive research into medieval history, and Helgeland's film obviously does, too.

Chaucer was a master of satire in his day. Helgeland's use of modern conventions in a period film is a conceit of which - I believe - Chaucer would definitely have approved.

I gave "A Knight's Tale" 9 out of 10 - it's not perfect, but I like it so much, I try to watch it every time it comes on (it's been on HBO and Cinemax pretty regularly for the past several months). Check it out!