Yasagure anego den: Sôkatsu rinchi

For me, not quite as delirious as 'Sex and Fury', there are less set pieces and this is a little confusing now and again. Even so with the fabulous Reiko Ike to the fore with her penchant for bare breasted swordfights, this remains a must. The opening credit sequence with the parasols is wonderful and I was surprised not to see it reprised during the body of the film. Super camera-work, splendidly colourful sets and costumes plus an incredible amount of female flesh. So many beautiful naked girls, prancing, dancing and bending over to have phials inserted! The final fight is way over the top with naked flesh and rivers of blood, it just seems a shame there were not a couple more such scenes between the glorious opening and the gratuitous finale. Very enjoyable, nevertheless!

Like the Italians around that same era, the Japanese exploitation cinema industry didn't waste any time, money or effort during the 1970's. "Female Yakuza Tale", the sequel to "Sex and Fury" was released in the very same year as the original. Reiko Ike, the ravishing and slightly exhibitionist lead actress, even appeared in six different films that same year and – according to her filmography - made a total of twenty films in a span of barely eight years (between 1971 and 1979). That's very impressive, to say the least, especially considering the fact these movie don't feel rushed or unfinished at all, like often the case with their European counterparts.

Fortunately enough for us fans, the sequel isn't just a quick and derivative rehash of the original. Like the different entries the righteously acclaimed "Female Prisoner: Scorpion" series, the sequel is a completely new adventure with other themes and – thanks to the change in director from Norifumi Suzuki to Teruo Ishii – there's also another type of stylishness and flamboyance. After extracting vengeance on her father's murderers, and killing a whole bunch of other bastards in the process, you would think our heroine Ochô Inoshika could now finally lead a happy and peaceful life. Think again, because this time around she plots to almost single-handedly bring down a whole network of drugs and prostitution. And these two crimes are really inseparable as the sleazy male gangsters use the prostitutes' gouged vaginae to smuggle the drugs. The modus operandi is integrally and quite graphically illustrated a couple of times and really has to be seen in order to be believed. I swear, only in Japan they can come up with deranged stuff like this and simultaneously find aspiring young actresses to comply. When Ochô is wrongfully mistaken for one of the prostitutes, she's abducted, abused and humiliated. She swears revenge and, with a little help from a mysteriously sexy and praying woman, Ochô gradually mobilizes a whole army (and you make take that literally) of girls to unleash a war.

Although I've yet to check out a lot of acclaimed titles, "Female Yakuza Tale: Inquisition and Torture" is bound to be one of the purest and sub- genre defining Pinky Violence movies out there! It's literally chock- full of gratuitous nudity (during the opening title sequence already), mildly stunning "crotch-gouge" absurdity and sword-wielding splatter. The climax in particular is perplexing, with dozens and dozens of girls stripping off their robes before battling against the other sex. And they're bound to lose, of course, because every single man depicted in this film is perverted, abusive and exaggeratedly chauvinist pig! There's only one "good" male character in the film, and he's a bit of a silly loser who makes jokes like "your pussy is going to catch a cold". I love feminism.

The ravishing Reiko Ike is back, sexy and deadly as ever in this awesomely sleazy sequel to Norifumi Suzuki's "Sex And Fury" (1973). Brought to you by cult-director Teruo Ishii ("Black Cat's Revenge", "The Executioner", "Orgies Of Edo", "Horrors of Malformed Men",...), "Yasagure anego den: sôkatsu rinchi" aka. "Female Yakuza Tale: Inquisition and Torture" of 1973 is yet another great entry to the Japanese 'Pinky Violence' Exploitation sub-genre. The film's great visual style, tons of sleaze and violence, and, above all, genre-goddess Reiko Ike make this a must-see for my fellow Pinky Violence enthusiasts and highly recommended to any fan of cult-cinema.

The sexy and lethal gambling-lady, thief and swords-woman Ochô Inoshika (Reiko Ike) is back, and immediately confronted with lots of new enemies. Among others, she has to struggle with a ring of drug smugglers who smuggle heroin in a very kinky manner... I don't won't give away any more of the story, as I don't wanna spoil any of the fun, but I can assure that my fellow Japanese Exploitation lovers should be more than satisfied. While "Female Yakuza Tale" may not be quite as good story-wise as the foregoing "Sex And Fury", it even surpasses its predecessor in sleaziness. The film is again beautifully shot, with immensely stylish fighting sequences. What makes these (often slow-motion) sword-fights even more memorable is the fact that the ravishing heroine Ochô tends to fight bare-breasted or even completely naked. Also, the ONLY thing that I did not love about "Sex And Fury" namely the romance (Christina Lindberg's voice made me understand why her character in "Thriller, En Grym Film" was mute) is omitted here for good, and even though I might stand alone with this opinion, I liked the fact that Lindberg was not part of this one. There's again a lot of bloodshed, and the sleaze-factor is enormous. I won't go into detail, but Pinky Violence fans will know what to expect, and I assure that their expectations are not going to be disappointed. A great sequel to the brilliant "Sex And Fury", "Female Yakuza Tale" is pure cult-cinema that satisfies in all regards and a must see for every fan of Japanese Exploitation cinema! Highly Recommended!

This "sequel" to "Sex and Fury" is more of a softcore sex romp than the bloody tale of revenge its parent was. Teruo Ishii's direction is a little flat and uneven and it's quite obvious his passion is female flesh, not kinetic action or creating a glorious action/erotic hybrid. Norifumi Suzuki, the director of "Sex and Fury", is a more original, energetic director and brought great artistry and aesthetic brilliance to his work. Ishii's accomplishment is a diverting time filler with too many characters, some intrigue, and mountains of softcore canoodling. The opening fight scene revisits the stylistics of the original film, but quickly dispenses with that style and involves itself in unnecessarily complex plotting. The finale is reasonably bloody, but it never reaches the towering heights of its predecessor because Ishii directs it like he's bored.

Reiko Ike returns as skilled gambler & swordswoman Ochô Inoshika in this unrelated sequel to Norifumi Suzuki's Sex and Fury directed by Ero-gro master Teruo Ishii (Joys of Torture series, Blind Woman's Curse).

When she is framed as the "Crotch-Gouge'' killer by three men, Ocho sets out to discover their identities and in turn becomes embroiled in a convoluted plot involving Yakuza-related drug smuggling between Japan and China. She soon learns the men have mistaken her for one of their dope-addicted prostitutes they've been using as drug mules to import the Heroin.

Meanwhile the Ogi Clan are having leadership troubles as their old boss has died and his young daughter is missing. Ocho subsequently finds out the bosses daughter is being held in a mental institution but arrives on the scene too late as the girl has already been electrocuted then strangled to death.

Female Yakuza Tale definitely lacks the surreal and psychedelic visuals of Suzuki's direction in Sex and Fury. Aside from the excellent opening sequence involving a naked Ocho slaughtering multiple opponents in slo-mo with her trusty sword and the films fantastic climax, the blood & action mainly takes a backseat here to be replaced with copious amounts of softcore sex, goofy comedy relief and an often hard to follow plot.

On the plus side though, there's plenty of sleazy sex & rape, a badass Nun / assassin who says a little prayer before she kills, a hilarious bullet-in-the-eye scene, some extremely bizarre mental patients and the spectacular finish in the form of a garishly lit kill-a-thon which reminded me of the Batman TV series from the 60's. Add to that a superb score, brilliant fight choreography and slick cinematography and you have one slightly flawed but still highly enjoyable Pinky Violence flick. 8/10