De si jolis chevaux

Cormac McCarthy's novel, All The Pretty Horses, the first part of his breath-taking Border Trilogy, is one of the most perfect source materials ever written. Add to this the impressive line-up of talent (Ted Tally adapting, Thornton directing, Matt Damon, back when he was a hot property the first time around, starring) assembled for the film version and it's fair to say my expectations were raised sky high. When the film came out it was buried by the distributor. I managed to catch it in the one week it played at a single cinema in Edinburgh and I would be lying if I didn't admit that the whole experience was a crushing disappointment. It wasn't that the film makers had ballsed the whole thing up, no it was much more frustrating than that. You could tell that somewhere in that film there was a masterpiece straining to get out. Individual sequences impressed but the whole thing moved at such a frenzied pace that the main characters' journey, a true rite of passage in the novel, had become damagingly truncated. The result was underwhelming but at the same time as been annoyed at the film I could tell it wasn't the film makers' fault. It was all too apparent that this was a great film that had had it's guts, it's heart, it's very essence, chopped out of it by a greedy distributor trying to market the film as some kind of Titanic / Young Guns cross over. Guess what, this movie was never going to appeal to the teeny boppers. If only the studio could have realized that and been true to the property they acquired in the first place. My suspicions were confirmed recently when I read an article wherein Matt Damon, a fine actor despite the criticism, claimed that Billy Bob Thornton's integral cut of the movie is the best he's ever been involved in. I don't know about you but that makes me want to see it. Apparently the studio are willing to release this extended cut on DVD (all revenue streams reach the ocean eventually) but Thornton won't settle for anything less than a full cinematic re-release. I can't say I blame him, I get the impression his film deserves at least that much. So for now I can't recommend this film, check out the novel instead and then the rest of Cormac McCarthy's back catalogue. But let's hope that in the not too distant future this film finally gets the treatment I suspect it deserves.

I don't think I will ever understand the disappointing backlash against this film. What I witnessed was not your typical "western" film full of passionate love and implausible events. Instead, what I saw was beautifully captured images, powerful acting by Damon and Thomas, a story that twisted further down a darkened rabbit hole than I was expecting, and this challenging character study that gave us a brief insight to a world that will never be seen by our eyes again. This was not the romantic film that it was marketed as, this was not the adventure that it was marketed as, but instead it was the story of one character and the tribulations that effect him on his journey into the real world. It is the story of a very compassionate man that sees the honest darkness of those around him and must face the consequences of his actions. It showcases amazing acting that may be a bit disturbing for the unfamiliar eye, but to me was nothing short of brilliant. Billy Bob successfully adapted the story from the page, but it was not the film that he wanted. Miramax butchered this film in the marketing aspect, which ultimately hurt it overall. I will never understand why this did not receive the praise it should have, but will never be ashamed to bring it out for friends and family to enjoy. This film was like finding a dollar in the couch, an unexpected surprise that keeps a smile on your face the rest of the day.

I have read several reviews that just completely dismantle Damon's acting in this film. While his accent does fade in and out randomly, it is the way that he carries himself and reacts to the situations that unfold before him that really showcase the true acting ability of this star. While I do not think that Bennifer has made the best choices to challenge his career, Damon continually proves that he has the ability to be a force in Hollywood. This film alone proves it. He built this beautiful chemistry between him and Cruz that teetered on fear and sorrow. He showed his compassion towards Blevins and Lacey continually throughout the film showing that his idea of friendship was stronger than anyone expected. His strength and will shined brightly when he was ultimately faced with death. These are all moments where other actors would have cheapened it up and tried to fake the audience instead of showing the truth. I thought Damon showed us honesty, he showed us a part of him that I was not expecting. If you couldn't tell already, he really impressed me. But yet so did everyone else in this film. I honestly thought that the kid from Sling Blade, Lucas Black, would never work again, and I was skeptical of him in this film, but he was exceptional. He took us away from his character in Sling Blade and built a whole new name for himself. He took the challenges of this character and pushed them out of the television. The same can be said for Henry Thomas that continues to impress me with his ability to capture his moments and make them so real. Finally, Billy Bob did a great job of casting the rest of this film to bring the images and feelings of the time period to light. I could feel the dusty world of Texas and Mexico through the smaller characters that he cast.

Speaking of Billy Bob, could we not agree that these actors wouldn't have been half as good if it were not for the amazing direction behind the camera. I wish that I could have seen his version of the film instead of the choppy Miramax version. He has a very gifted eye, and while sometimes he takes roles that I think blur that eye, he always seems to rebound with a very riveting performance. He is constantly experimenting with genres and styles, and this film shows that he can break traditional boundaries. The images that he captured on film help create this darkness that surrounded our main characters. The scene with the thunderstorm I thought was beautiful, as was the rolling Mexican landscape. He places us into the film as more than just observers, and that is a sign of a great director.

Finally, I would like to pose the question of why Grady was so infatuated with Blevins? There were several moments during the film where he could have simply walked away from the boy, and Lacey even suggested it continually, but they always stayed with him. I realize that a main reason may be to develop the plot, but I think there was a more symbolic meaning. I feel that Damon connected with the boy because they had a kindred spirit. Damon was this passive, controlled character that never really understood himself until later on in the film, while Blevins was this wild-hair that never controlled himself or thought about his decisions. It was as if they were polar opposites, but yet they were perfectly matched. I think Damon liked him because it was what he aspired to be. I sometimes felt that the secondary characters were not real, and sometimes they were just imaginary images of what Damon wanted himself to be more like. This thought created a much darker picture for me that forced this film to go deeper into my mind and be more enjoyable than I thought.

Overall, I really liked this film. While others will definitely disagree, I thought that the acting, story, and especially the direction deserved more attention that what was handed to it.

Grade: ***** out of *****

Director Billy Bob Thornton fills the screen with awesome scenery and a hard hitting drama about two young cowboys from San Angelo, Texas meeting up with another young horseman and coming face to face with life altering situations in and out of a Mexican prison. Friendship stays strong to the bitter end. And love proves to be stronger than life itself. Matt Damon, Henry Thomas and Lucas Black are the hard luck cowpokes. Damon falls in love with Penelope Cruz and provides some steamy love scenes. There is more drama than action in this western, but you should find it very entertaining. Damon and Black are the most impressive characters in this well-made movie.

ALL THE PRETTY HORSES is quite effective, though there are some serious gaping holes in the story. The story and characters insist that John Cole and Alejandra have fallen in love; we only get to see a swift montage of sex-making, which is not the same thing at all. Damon made me believe that John was in love through the sheer force of his acting, but the audience needed to be courted along in this romance. Also, Lacey Rawlins at one point crucially (suicidally?) antagonizes a fellow in prison, and we have no idea what bad blood has been brewing between these two.

There are stories about how Thornton's film was first cut at four hours, then the director agreed to deliver a three hour version. The financing studio balked at the length and sold it off to Miramax, who contractually required a cut no longer than two and a quarter hours. What is left runs 117 minutes. What happened? Twenty minutes would have certainly helped smooth out the few rough spots, and a two-and-a-half hour or three hour movie might have been some sort of masterpiece. As it is, some of the epic sweep is contained and the film remains remarkably moving, but may wind up ultimately not finding its commercial or artistic audience because of the compromises. A shame.

After seeing Matt Damon carrying "The Rainmaker" I sat up and became a real fan of the actor. In that movie he impressed me greatly. I decided to see what was he doing next. I read where he was slated to star in All the Pretty Hourses so I got a copy of the book to see what it was all about. I liked what I read and was looking forward to see Matt Damon in the effort. When I read where Billy Bob Thornton was to direct I became ecstatic, I remembered his acting and directing in Sling Blade. Later, I read where there was trouble with the length of All The Pretty Horses at the producer threatened to cut the movie. Mr Thornton's version ran almost 4 hours, the released version to theaters was 117 minutes. Of course I went to see the movie and could see that it should have been longer. Any movie buff could see that. What perplexes me is how studios and produces can contract certain directors and then butcher their completed work. Sergio Leone's Once Upon A Time in America suffered a humiliation when the studio decided to cut his film drastically; it lost it's meaning, and money. Later, the DVD restored version, 225 minutes, came out and was instantly received by customers. Thank God David O. Selznick stuck to his guns with Gone With The Wind. And look at how much money that! made. Like some others I hope that some one one day will be able to assemble the 4 hour version of All The Pretty Horses so that those of us who love movies can at least see what we've missed. I think we deserve to judge the movie for ourselves. Who knows, we might be missing a masterpiece.