Dalziel and Pascoe

I love detective shows and have done for as long as I can remember. Dalziel and Pascoe is no exception. I agree to some extent it is not quite as good as it was, with the introduction with the somewhat bland Kim Spicer, but on the whole it is well acted and well written, and while it has lost its edge a bit it is quite intense still. The photography and locations are excellent and the music is haunting(courtesy of genius Barrington Pheloung), while the writing is both humorous and intelligent and the stories and episode ideas gritty, edgy, complex and incredibly engrossing. The characters in general are likable and interesting, with Dalziel unorthodox but clever and quite funny sometimes and Pascoe loyal but sticks to the book. The acting is great, with Warren Clarke easily stealing the show, then again I don't know about you but Dalziel is for me the better character of the two but they're both great. Overall, great show. 9/10 Bethany Cox

Something happened to those fabulous British crime and cop shows. Most of them finished and other than repeats, nothing much has taken their place.

I'm talking about the movie length series where we had coppers that no matter how tough the exterior, underneath was a genuine understanding of the human condition. There was usually just one murder to investigate, but they were always realistic investigations.

I don't count the Miss Marple's or things like "Midsomer Murders" with their endless novelty murders, and not "Death in Paradise", which depends a lot on the exotic location, an eccentric British detective and Josephine Jobert in shorts.

The ones I am talking about started out based on novels. "Morse" morphed into "Lewis" and now "Endeavour", but we also had "Wallander", then a throwback to another era with "Inspector George Gently". However we still have "Vera".

"Dalziel and Pascoe" belongs with this group. In a way it was one of the most complex. The best series are buddy movies. More effective than the lone hero, I am surprised more shows don't use the format. In a way Andy Dalziel (Warren Clarke) and Peter Pascoe (Colin Buchanan) are almost like brothers. Peter is more refined than Andy who can be rude and crude, and they often fall out usually with disapproval written across both their faces, but these guys are there for each other when it counts. Their relationship, almost co-dependence, even outlasts Peter's marriage.

Some of the stories are better than others, but the writers have nailed what makes these characters so appealing. It's their empathy, and their exposure of hypocrisy in high places. Humour was definitely a strong point.

Nearly all those series ended for various reasons and it wasn't necessarily low ratings. Sometimes the stars had had enough, and sometimes it was through whim. Occasionally a series "jumped the shark". You can usually tell when that happens; one story gets stretched across a whole season. "Hinterland" did this and is now gone. "Shetland" is doing it; a series that was slow, is now slower. "Dalziel and Pascoe" didn't do that; it actually left us hanging. But of course Warren Clarke is now gone.

There are few heirs to those shows. "Manhunt" with Martin Clunes, but episodes are few and far between. "Endeavour" and Vera plough on, but I can't help feeling an era has ended.

Finally got around to watching the first 7 seasons on Britbox here in the US. Love the cast and hope that the channel will have all the seasons at some point as I hated to let go of the characters. My only complaint was to do with the editing, which seemed to stick scenes together in an unrelated manner that was very confusing at times. The endings of a few of the episodes were also not very defined as there did not seem to be a proper explanation given throughout each episode as how it all fitted together! Left me wondering what the point of the story was. Even with its not so positive points, it's a great series to watch, especially if you know the Yorkshire area well.

This is easily one of my favourite UK Police series. Although it is called Dalziel & Pascoe, Superintendent Andy Dalziel, played effortlessly by the experienced Warren Clarke is easily the star of the show. He may not be real, but he is how senior Detectives should be. Hard drinking, perhaps a bit uncouth/crude, but also clever and someone who really does care. He is also a bit of a comedian, who has an habit of calling his staff by well known Nicknames. DC Harris is Bomber, DS Milligan is Spike, DC Novello is Ivor and WPC Jackson is Janet. The programme is set is Yorshire but because it is produced by the Birmingham studios a lot a scenes are shot in the West Midlands. There are now over 30 episodes and the early episodes also chronicle the progress of DS Pascoe's ( Later Detectective Inspector) family. An other regular, who has been absent for the past few episodes is DS Edgar Wield. The rugged Sergeant Wield is gay, but this is only occasionally referred to.

'Dalziel and Pascoe' is one of the greatest television programmes of all time. Based on the books by Reginald Hill, the show follows the work of Superintendent Andy Dalziel (Warren Clarke) and DI Peter Pascoe(Colin Buchanan), as they investigate and solve murders. Despite their obvious differences in personality and outlook, Dalziel and Pascoe soon become an effective partnership, and good friends. The show has certainly evolved over the many years it's been on our screens, with most of the early episodes being close adaptations of the books, whereas recently the writers have thought up original, and often superior story lines for the show. What really sets this series apart from other modern detective dramas is its gritty realism and complex plotting. With every episode of 'Dalziel and Pascoe' you are guaranteed an unpredictable and intelligent mystery, played out by excellent actors in atmospheric and realistic locations.