À la fin du siècle, Satan se rend à New York à la recherche d'une épouse. C'est à un ex-flic qui dirige maintenant une équipe de sécurité d'élite de l'arrêter.À la fin du siècle, Satan se rend à New York à la recherche d'une épouse. C'est à un ex-flic qui dirige maintenant une équipe de sécurité d'élite de l'arrêter.À la fin du siècle, Satan se rend à New York à la recherche d'une épouse. C'est à un ex-flic qui dirige maintenant une équipe de sécurité d'élite de l'arrêter.
- Prix
- 1 victoire et 7 nominations au total
Avis en vedette
Hyped to the heavens when it first came out as Schwarzenegger's comeback movie, this 1999 film steers the Governor away from his attempts at comedy and collaborations with Danny Devito and back into the sort of action packed carnage that made his name in the first place. However, where the likes of Commando had him portraying invincible supermen with a neat array of guns and one liners to hand, End of Days is considerably darker.
Set in New York on the eve of Millennium, the film shows a version of the Austrian Oak previously never witnessed. He plays Jericho Cane, an alcoholic ex-Cop in charge of a security squad who finds himself embroiled in a battle to save a young girl (Robin Tunney) from being raped by the devil (a sadly, rather ineffective Gabriel Byrne) and bringing about Armageddon. As you do.
Cane himself is not the best sort of man for saving all creation either. He is mired in deep depression, has abandoned any faith in God he may have once had and when we first see him, is contemplating suicide. However, saving the girl gives him a drive and determination even when faced with some conflicting views from the Catholic Church about how best to go about this. All of this takes place in a very grim and gritty vision of New York where the rain never stops falling, urban decay is rife and pillars of steam rise from manhole covers. It is a fitting location for the end of all creation to begin and cast a dark veil over the flick.
Of course, that isn't to say the film is all doom and gloom as there are a few glimpses of just how seriously the makers weren't taking their project (the argument between Arnold and Kevin Pollack in the former's apartment is hilarious). Plus, while the story and characters are all developed to match the atmosphere of impending dread during the first hour and a half, the last twenty minutes are made up of the kind of explosive action that strangely doesn't jar against the grimmer nature of the rest of the film, though the CGI devil at the climax is pushing it a little.
All in all, an enjoyable romp for fans of the Governator before his attention was diverted by a political career. It compares well to his classic eighties work by trying to do something different and while it may not gel properly in places, for a good 80% of the running time it does a very entertaining job.
Set in New York on the eve of Millennium, the film shows a version of the Austrian Oak previously never witnessed. He plays Jericho Cane, an alcoholic ex-Cop in charge of a security squad who finds himself embroiled in a battle to save a young girl (Robin Tunney) from being raped by the devil (a sadly, rather ineffective Gabriel Byrne) and bringing about Armageddon. As you do.
Cane himself is not the best sort of man for saving all creation either. He is mired in deep depression, has abandoned any faith in God he may have once had and when we first see him, is contemplating suicide. However, saving the girl gives him a drive and determination even when faced with some conflicting views from the Catholic Church about how best to go about this. All of this takes place in a very grim and gritty vision of New York where the rain never stops falling, urban decay is rife and pillars of steam rise from manhole covers. It is a fitting location for the end of all creation to begin and cast a dark veil over the flick.
Of course, that isn't to say the film is all doom and gloom as there are a few glimpses of just how seriously the makers weren't taking their project (the argument between Arnold and Kevin Pollack in the former's apartment is hilarious). Plus, while the story and characters are all developed to match the atmosphere of impending dread during the first hour and a half, the last twenty minutes are made up of the kind of explosive action that strangely doesn't jar against the grimmer nature of the rest of the film, though the CGI devil at the climax is pushing it a little.
All in all, an enjoyable romp for fans of the Governator before his attention was diverted by a political career. It compares well to his classic eighties work by trying to do something different and while it may not gel properly in places, for a good 80% of the running time it does a very entertaining job.
END OF DAYS / (1999) **1/2 (out of four)
By Blake French:
"End of Days" is the first movie to seriously argue that "666" the numerical sign of the devil, is actually a 999 upside-down. Since the film was first released in 1999, the movie could not resist to throw in that little contrivance. What can you expect from a movie when its premise is based on the concept that once every thousand years if Satan impregnates a woman during the hour from 11 p.m. to 12 a.m. on the last day of the millennium, she will give birth to the anti-Christ who will bring the world to an end? I am already thinking that the movie is vulnerable to logic (is the time given in Eastern Standard?) and it will make its own limitations at the convenience of plot. "End of Days" is particularly graphic in its use of violence, but never really scares us, even with such a horrifying premise like the end of humanity.
Arnold Schwarzenegger has not made a good movie in a long time. First "Jingle all the Way," then "Batman & Robin," now we have a movie that bounces back and forth between action and concept. There are the standard "action movie scenes," where a person sways from a helicopter in mid air, where a chase scene takes place at incredible heights, where someone grasps to a high window ledge, where a subway train crashes, where a massive fire erupts in Manhattan, and so on. There are also the false shocko moments followed with a sudden burst of loud, startling music: the its just a cat scene, its just another cop scene, its just a dream scene, its just your imagination scene, he's not really dead scene, and its just maggots suddenly growing out of an apple scene. The movie is also bound by philosophy. The action is focused towards Schwarzenegger saving the world, but he cannot do that all by himself, can he? Sure he can, if he can stop Satan (Gabriel Bryne), from impregnating Christine (Robin Tunney), who was born under the religious sign of a passing comet -- and based on her birth twenty years earlier during the sighting of that comet is the chosen mother of Satan's child.
"End of Days" begins with an intriguing, although plausible, premise. The bizarre events that transpire a few days before the end of the millennium immediately inspire our curiosity. The action sequences are also fine, intensified by thrilling music and a fast paced style. The movie opens on a good note, and the remainder of the action sequences are also quite exciting. The scenes also inspire a few questions. Satan kills many people in this movie, people just like the hero, so why doesn't he just finish Arnold Schwarzenegger off like he does with so many other characters. On the other side, Schwarzenegger shoots the devil, who pulls his shirt up so we can see the bullet holes immediately healing. When using a machine-gun, the ammunition flings the Prince of Darkness backward and puts him down before he attacks again. There are simply no rules to abide by here.
"End of Days" does not have a whole lot of explanation; it plays sort of like your run of the mill action picture with the gimmick of the week. There just is not a lot of true involvement or engagement after the premise. We do care about Arnold Swarzzenegger's character, and Gabrial Bryne is an especially convincing Satan. He is devilish, with fiendish appeal, proving that tranquillity is the most terrifying evil. Al Pachino did an equally diabolical job in "The Devils Advocate," but Bryne is even more terrifying. Robin Tunney has nothing to do but exchange shameless subtext with Schwarzenegger's character. ("You're better than everyone else, just remember that." "I don't want to be better or worse, I just want to be normal.") She is more of a plot device than an actual character.
Excellent convincing set designs appear frequently, especially near the end where the characters wander through dark chambers and dim hallways. Cinematography also adds a nice touch to the suspenseful, mysterious atmosphere, all done by the movie's director, Peter Hyams ("The Relic"). It is too bad such good filmmaking does not have a story fit enough to back it up. One more thing I just have to mention: Why do the cops always show up at the end of the movie, after the action is over. I am getting very tired of that.
By Blake French:
"End of Days" is the first movie to seriously argue that "666" the numerical sign of the devil, is actually a 999 upside-down. Since the film was first released in 1999, the movie could not resist to throw in that little contrivance. What can you expect from a movie when its premise is based on the concept that once every thousand years if Satan impregnates a woman during the hour from 11 p.m. to 12 a.m. on the last day of the millennium, she will give birth to the anti-Christ who will bring the world to an end? I am already thinking that the movie is vulnerable to logic (is the time given in Eastern Standard?) and it will make its own limitations at the convenience of plot. "End of Days" is particularly graphic in its use of violence, but never really scares us, even with such a horrifying premise like the end of humanity.
Arnold Schwarzenegger has not made a good movie in a long time. First "Jingle all the Way," then "Batman & Robin," now we have a movie that bounces back and forth between action and concept. There are the standard "action movie scenes," where a person sways from a helicopter in mid air, where a chase scene takes place at incredible heights, where someone grasps to a high window ledge, where a subway train crashes, where a massive fire erupts in Manhattan, and so on. There are also the false shocko moments followed with a sudden burst of loud, startling music: the its just a cat scene, its just another cop scene, its just a dream scene, its just your imagination scene, he's not really dead scene, and its just maggots suddenly growing out of an apple scene. The movie is also bound by philosophy. The action is focused towards Schwarzenegger saving the world, but he cannot do that all by himself, can he? Sure he can, if he can stop Satan (Gabriel Bryne), from impregnating Christine (Robin Tunney), who was born under the religious sign of a passing comet -- and based on her birth twenty years earlier during the sighting of that comet is the chosen mother of Satan's child.
"End of Days" begins with an intriguing, although plausible, premise. The bizarre events that transpire a few days before the end of the millennium immediately inspire our curiosity. The action sequences are also fine, intensified by thrilling music and a fast paced style. The movie opens on a good note, and the remainder of the action sequences are also quite exciting. The scenes also inspire a few questions. Satan kills many people in this movie, people just like the hero, so why doesn't he just finish Arnold Schwarzenegger off like he does with so many other characters. On the other side, Schwarzenegger shoots the devil, who pulls his shirt up so we can see the bullet holes immediately healing. When using a machine-gun, the ammunition flings the Prince of Darkness backward and puts him down before he attacks again. There are simply no rules to abide by here.
"End of Days" does not have a whole lot of explanation; it plays sort of like your run of the mill action picture with the gimmick of the week. There just is not a lot of true involvement or engagement after the premise. We do care about Arnold Swarzzenegger's character, and Gabrial Bryne is an especially convincing Satan. He is devilish, with fiendish appeal, proving that tranquillity is the most terrifying evil. Al Pachino did an equally diabolical job in "The Devils Advocate," but Bryne is even more terrifying. Robin Tunney has nothing to do but exchange shameless subtext with Schwarzenegger's character. ("You're better than everyone else, just remember that." "I don't want to be better or worse, I just want to be normal.") She is more of a plot device than an actual character.
Excellent convincing set designs appear frequently, especially near the end where the characters wander through dark chambers and dim hallways. Cinematography also adds a nice touch to the suspenseful, mysterious atmosphere, all done by the movie's director, Peter Hyams ("The Relic"). It is too bad such good filmmaking does not have a story fit enough to back it up. One more thing I just have to mention: Why do the cops always show up at the end of the movie, after the action is over. I am getting very tired of that.
Arnold peaked at the end of the '90s, I guess. He's battled Terminators, Greek gods, bears, alligators, planes, and macho men in fish net clothing. The only choice left is, of course, Satan. So they put together a movie about Satan and gave Arnie the lead.
I think everyone working on this thought it would be much better than it actually is. The script was in development for years and Arnie fought to get it made. It's kind of unfortunate because Arnold gives a fairly decent performance in a film muddled with clichés. Of course, it's hard enough to buy a guy with a body like Arnold being a slob who drinks beer and pizza smoothees for breakfast. Getting someone like Jim Belushi might have seemed more realistic.
Apart from the physicality, Arnold's performance is fine. He cries. He does the emotion scenes well enough - at least well enough to find bearable.
It's the direction that ruins this movie. Peter Hyams is a terrible director and has ruined some very unique films in the past (his most notorious butchering in my opinion was of a 1983 Michael Douglas film called "The Star Chamber" - great premise, awful directing).
"End of Days" is like "Exorcist" meets every supernatural thriller ever made. On top of that, Gabriel Byrne should be more menacing. Robin Tunney should be less butch-looking. The direction shouldn't feel like some low-grade TV commercial - all style, no substance.
Is the movie terrible? No. It's not as bad as everyone made it out to be. But it's pretty much the definition of "mediocre." Do I own it on DVD? Hell yeah. It's an Arnold movie - it's an automatic must-buy. But if you're not a fan of Arnie, I wouldn't recommend it - at all. It pretty much feels like any average made-for-TV scary-flick - with even worse direction.
The only other good aspect of this film was that it brought Axl Rose out of seclusion to record his first original song in seven years with a new incarnation of Guns N' Roses. The song, "Oh My God," didn't do too well with the critics. A bit of a shame, really. I dug it. It also fits the industrial, edgy tone of the film.
I think everyone working on this thought it would be much better than it actually is. The script was in development for years and Arnie fought to get it made. It's kind of unfortunate because Arnold gives a fairly decent performance in a film muddled with clichés. Of course, it's hard enough to buy a guy with a body like Arnold being a slob who drinks beer and pizza smoothees for breakfast. Getting someone like Jim Belushi might have seemed more realistic.
Apart from the physicality, Arnold's performance is fine. He cries. He does the emotion scenes well enough - at least well enough to find bearable.
It's the direction that ruins this movie. Peter Hyams is a terrible director and has ruined some very unique films in the past (his most notorious butchering in my opinion was of a 1983 Michael Douglas film called "The Star Chamber" - great premise, awful directing).
"End of Days" is like "Exorcist" meets every supernatural thriller ever made. On top of that, Gabriel Byrne should be more menacing. Robin Tunney should be less butch-looking. The direction shouldn't feel like some low-grade TV commercial - all style, no substance.
Is the movie terrible? No. It's not as bad as everyone made it out to be. But it's pretty much the definition of "mediocre." Do I own it on DVD? Hell yeah. It's an Arnold movie - it's an automatic must-buy. But if you're not a fan of Arnie, I wouldn't recommend it - at all. It pretty much feels like any average made-for-TV scary-flick - with even worse direction.
The only other good aspect of this film was that it brought Axl Rose out of seclusion to record his first original song in seven years with a new incarnation of Guns N' Roses. The song, "Oh My God," didn't do too well with the critics. A bit of a shame, really. I dug it. It also fits the industrial, edgy tone of the film.
End of Days is a good movie with a very different storyline and a good cast,with a very strong performance from the always brilliant Arnold Schwarzenegger.I expected this movie to be an action packed movie with an Armageddon type of theme to it,and I wasn't disappointed,but I really didn't expect it to be scary,there are actually some very frightening scenes in this movie,mainly any of Gabriel Byrne's scenes,and its a lot scarier than some of the ridiculous horror movie you would see today that aren't at all frightening.The movie is very unpredictable,and I was surprised it got such bad reviews,I really enjoyed it,it certainly wasn't perfect,but it didn't deserve any Razzie nominations.Arnold Schwarzenegger did a fantastic performance,Gabriel Byrne was very creepy and believable,and Peter Hyams did a great job directing this movie,it looked beautiful,none of them deserved Razzie nominations.Its certainly not Arnold Schwarzenegger's finest film,but fans of the actor will get a great kick out of this movie.
As the world reaches the year 2000,the Devil (Gabriel Byrne) is in search of Christine York (Robin Tunney) to make her his bride,its not up to police officer Jericho Cane (Arnold Schwarzengger) to keep her safe.
As the world reaches the year 2000,the Devil (Gabriel Byrne) is in search of Christine York (Robin Tunney) to make her his bride,its not up to police officer Jericho Cane (Arnold Schwarzengger) to keep her safe.
Arnold does some good work in this movie. I liked his role as a suicidal/alcoholic/wiseass. I think some people were shocked to hear Arnold speak more than one line at a time in an action movie. ..But for the one-liner lovers you get some good ones like -- Arnie(to the devil)"You're a *bleep*ing CHOIRBOY compare TO ME!!" ...and... Arnie(to his best friend) "Stop being such a P*SSY!"
Also, a good performance was put in by the guy who played Satan. The way he blew up the van....very creative.
The only thing i didn't really like about this movie was the ending. I would have liked to see Arnold win in a different way.
Overall and 8/10. Didn't deserve the bad press it got. There are other action movies like this one that are so much better received for some reason. Religion's a very sensitive subject, so maybe that's where the negative stuff came from.
Also, a good performance was put in by the guy who played Satan. The way he blew up the van....very creative.
The only thing i didn't really like about this movie was the ending. I would have liked to see Arnold win in a different way.
Overall and 8/10. Didn't deserve the bad press it got. There are other action movies like this one that are so much better received for some reason. Religion's a very sensitive subject, so maybe that's where the negative stuff came from.
Le saviez-vous
- AnecdotesArnold Schwarzenegger's first film since Batman et Robin (1997). The reason for the gap was because of his heart surgery after playing Mr Freeze; the studios were anxious about whether or not they could insure him, and despite attempts to convince them he was in perfect health, he couldn't get any work until La fin des temps (1999). Even then, he was amazed when insurance people and executives from Universal came to the set just to watch him, to see if he was still up to the action scenes. They asked Schwarzenegger if he enjoyed this kind of punishment, but he said he was used to it. After the first week of shooting, the insurance guys backed off and not long after, the film offers started rolling in again.
- GaffesAlthough we see Satan move into a new body in the film, he goes to great lengths to protect his current one. This is because he's put a lot of effort into this one - he tells Christina that this is the face she's seen all her life, for instance.
- Générique farfeluArnie's old body-building friend, Franco Columbu, is credited as a utility stuntman, under the name Dr Franco-Columbo.
- Autres versionsAllegedly, test screening versions of the film had the following alternate scenes:
- on the train sequence, before Satan leaps across the carriages, he points and says "Jericho, I will cast you down like my Father did to me at the beginning of time". This was in the test screening, but cut in the final version;
- Jericho impales himself on the statue of the angel, and is believed to be dead, but then opens his eyes and pushes himself off of the sword. His wound is miraculously healed, and then he and Christine walk out of the church.
- Bandes originalesLittle Yurt on the Prairie
Written by David Hoffner & Kongar-ol Ondar
Published by Fields of Autumn Publishing & Tuva Much Music
Performed by Kongar-ol Ondar (as Ondar)
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Special Products
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Détails
Box-office
- Budget
- 100 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 66 889 043 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 20 523 595 $ US
- 28 nov. 1999
- Brut – à l'échelle mondiale
- 211 989 043 $ US
- Durée2 heures 2 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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