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À première vue

Titre original : At First Sight
  • 1999
  • PG
  • 2h 8m
ÉVALUATION IMDb
6,0/10
15 k
MA NOTE
Val Kilmer and Mira Sorvino in À première vue (1999)
A blind man has an operation to regain his sight at the urging of his girlfriend and must deal with the changes to his life.
Liretrailer2 min 36 s
1 vidéo
49 photos
DramaRomance

Ajouter une intrigue dans votre langueA blind man has an operation to regain his sight at the urging of his girlfriend and must deal with the changes to his life.A blind man has an operation to regain his sight at the urging of his girlfriend and must deal with the changes to his life.A blind man has an operation to regain his sight at the urging of his girlfriend and must deal with the changes to his life.

  • Director
    • Irwin Winkler
  • Writers
    • Oliver Sacks
    • Steve Levitt
  • Stars
    • Val Kilmer
    • Mira Sorvino
    • Kelly McGillis
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,0/10
    15 k
    MA NOTE
    • Director
      • Irwin Winkler
    • Writers
      • Oliver Sacks
      • Steve Levitt
    • Stars
      • Val Kilmer
      • Mira Sorvino
      • Kelly McGillis
    • 112Commentaires d'utilisateurs
    • 35Commentaires de critiques
    • 41Métascore
  • Voir l’information sur la production à IMDbPro
  • Vidéos1

    Official Trailer
    Trailer 2:36
    Official Trailer

    Photos49

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    Rôles principaux51

    Modifier
    Val Kilmer
    Val Kilmer
    • Virgil Adamson
    Mira Sorvino
    Mira Sorvino
    • Amy Benic
    Kelly McGillis
    Kelly McGillis
    • Jennie Adamson
    Steven Weber
    Steven Weber
    • Duncan Allanbrook
    Bruce Davison
    Bruce Davison
    • Dr. Charles Aaron
    Nathan Lane
    Nathan Lane
    • Phil Webster
    Ken Howard
    Ken Howard
    • Virgil's Father
    Laura Kirk
    Laura Kirk
    • Betsy Ernst
    Margo Winkler
    Margo Winkler
    • Nancy Bender
    Diana Krall
    Diana Krall
    • Singer
    Brett Robbins
    • Ethan
    Willie C. Carpenter
    Willie C. Carpenter
    • Jack Falk
    • (as Willie Carpenter)
    Charles Winkler
    • Health Instructor
    Drena De Niro
    Drena De Niro
    • Caroline
    Kelly Chapman
    • Susan
    • (as Kelly Chapman Meyer)
    Jack Dodick
    • Dr. Goldman
    Nina Griscom
    Nina Griscom
    • Christie Evans
    Mort Zuckerman
    Mort Zuckerman
    • Homeless Man
    • (as Mortimer B. Zuckerman)
    • Director
      • Irwin Winkler
    • Writers
      • Oliver Sacks
      • Steve Levitt
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs112

    6,015K
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    Avis en vedette

    Jedi Jr.

    best movie in years

    At First Sight was a great movie. It touched me in so many ways,that I now have to go out and buy it. Val Kilmer was very insightful as a blind man,it was as though he was truly blind and that it didn't seem unrealistic and he's one of today's top notch actors.And Mira Sorvino she is good in all her movie roles.I mean seeing her in the role of Amy made my wife and I enjoy this movie all the better. I really felt for the couple and hoped every thing would work out for them when Val was able to see,but with all great movies everything isn't always that way.
    10Lady X

    Loved it!

    I've been a nurse for 20 years, and have been around many patients who must contend daily with what "normal" people would consider to be adversities and handicaps. I've always looked upon them with (1) great admiration for their personal strength and determination, and (2) a pervading sense of sorrow and an aching heart, for their "misfortune" in having been denied the opportunity to interact in the world with the benefit of an intact, healthy body.

    This movie really struck an emotional chord with me, and made me realize how my feelings for these `unfortunates' could be construed as condescending and insensitive. I've often wished that I had the power to "heal" the handicapped, or to make them whole and "normal." The idea that they could feel totally satisfied, complete, and happy, despite their limitations -- and that it is presumptuous of us to think otherwise -- was intelligently brought to light in this screenplay.

    This film is based upon a true story of a man who had come to terms with his blindness, and who, instead of wallowing in bitterness and self-pity, had learned to use his remaining senses of hearing, touch, smell, and taste -- along with a delightful sense of humor -- to become a happy, positive, and resourceful human being, with a keen sensitivity toward -- and appreciation of -- the world and the people around him. This is very much like handicapped patients I have cared for through the years, who left me in wonder at their strikingly positive attitudes and warmth toward humanity, despite the obstacles they face on a daily basis.

    One of the reasons that I enjoy Val Kilmer's performances so much, is that he has the uncanny ability to capture the subtlest nuances of the characters he is portraying, whether it's Virgil, Doc Holliday, Jim Morrison, etc., and then is willing to bare his soul to bring the role to fruition for public enjoyment/critique. It's a risky, daring, thing to do -- and I applaud him for his courage! I appreciate the effort he makes to hone his performances by extensively researching the people and situations he is contracted to portray, instead of just showing up on the set, spewing his lines, picking up the paycheck, and moving on. His portrayal of a blind man was COMPLETELY believable, and I forgot for two hours that he was a sighted actor playing a part. One reviewer criticized him for smiling too much when his character interacted with people. I have to ask whether that person has ever watched Stevie Wonder, Ray Charles or Jose Feliciano, while they are interacting in social situations. Kilmer nailed this part, and beautifully expressed the gamut of emotions experienced by Virgil in the transformations that took place in his life.

    Other issues that have been mentioned by reviewers: (1) -- A supposed `lack of chemistry' between Kilmer and Sorvino – I have to wonder if we were watching the same film! (2) -- Yes -- as a warning to households with young children -- there is nudity, but their intimate scenes were enacted beautifully, with sensitivity and tenderness; there was nothing raunchy or sensationalistic about them. However, some might take offense at the scene in the strip club – it wasn't essential to the plot development, and could have been omitted. (3) -- The only `bad language' in the film were rare, scattered expletives, which conveyed the understandable frustration of the main character when he was confronted with overwhelming emotions and tribulations, and (4) – the scene of confrontation between Virgil and his father, which some people thought unnecessary, but which I felt was very appropriate, since their relationship and the father's abandonment of the family had been such traumatic, devastating events in Virgil's life.

    This film is an emotional roller-coaster ride, but WELL worth the trip – LOVED it! :o)

    P.S. – If you haven't seen Kilmer as Doc Holliday in `Tombstone,' RUN, don't walk, to your nearest video store, and grab the Vista Series DVD – it's absolutely one of the best performances EVER recorded on film! The Academy must have slept through 1993!!!!
    6MovieAddict2016

    "Awakenings" Redux

    I saw this film on AMC and part way through it, I felt as if I had seen it before. Then I realized I was thinking of the 1990 Penny Marshall film "Awakenings," starring Robin Williams and Robert De Niro.

    "At First Sight" is a true story about a blind man who temporarily regains his sight, then goes blind again. "Awakenings" was about a comatose man who woke up temporarily, then slid back into a comatose.

    Oh, and by the way, they're both written by the same guy.

    For what it's worth, "Love At First Sight" is actually a pretty likable and overall watchable film. It's not great or anything unpredictable (how convenient - the female love interest) but Kilmer gives a remarkable performance (all considered) and there are a few moments in hte film that are a BIT out of the ordinary.

    Worth watching, but don't go out of your way or anything.
    7TheUnknown837-1

    I believed in their love. I cared for their love. I feared for their love.

    I loved this movie. I adored it; I felt it was one of the more genuinely touching and real love stories that I had seen in a long, long time and even now, more than twenty-four hours since I saw it for the first, and I promise you, *not* last time, I am still haunted by its emotional power and how it drew me in with its passion. Inspired by a true story and starring a very real actor and a very real actress, "At First Sight" touched my heartstrings and yanked on them all the way through. It also contained a very humanistic touch apart from its romantic elements, one that I think everybody can appreciate in one way or another.

    As the movie opens, Amy Benic (Mira Sorvino) an overworked architect is essentially booted out of her office and sent to the winter land countryside resort on a vacation by her co-workers. During her stay there, she befriends a blind therapist (Val Kilmer) with whom she begins a slowly-developing romantic bond. Despite his condition, they grow closer to each other and become passionately devoted, up to and past a surgery that they hope can restore his eyesight.

    "At First Sight" is a fictionalized adaptation of Shirl and Barbara Jennings, a couple who passionately loved each other even though the former was completely blind. Their story was documented by Dr. Oliver Sacks. Adapted from his account by Steve Levitt and directed by Irwin Winkler, the movie becomes a powerfully dramatic love story that contains so much of that real-life passion from the people that inspired it.

    It is easy to criticize "At First Sight" for being too conventional, too derivative of other Hollywood love stories. But I don't think this picture falls under those categories and those type of films, such as "Hope Floats." First of all, sometimes it's not about plot twists or breaking the mold. Sometimes, a movie can strike with just as much power (or more, as in this case) simply by utilizing those conventions and building upon them in a way that is fresh. And they do that here. The two central characters are very well-written, characterized as thinking, caring human beings who love and hunger for each other. A commendable move on the filmmakers' part was the casting. Instead of placing the typical romantic leads, who are more body than personality, they cast two very real performances. Gifted and good-looking as they are, Mr. Kilmer and Ms Sorvino, I've always felt, were very real. They aren't merely putting on a convincing act, they transition something very real into their performances and you can sense that. And as a defining example, I want to cite the scene in here that I usually gripe about: the sex scene. Whereas with most erotic scenes in movies, I tend to get the feeling that my time is being wasted, or that the director is losing faith in his own picture and using a cheap gimmick to stimulate my interest, I did not feel that here. There is a brief and very visceral erotic moment between Mr. Kilmer and Ms Sorvino - and I know people are going to start laughing at this point - and I did not get a negative reaction because this scene was not lustful. I wasn't thinking about the sex, I wasn't even thinking about Ms Sorvino's body. I was thinking about the passion and the love that was emanating from this scene. Here comes the one that I'm sure will get the biggest laugh yet.

    I was not turned on; I was moved.

    That's the core of what I loved this movie. Unlike so many of those contrived excuses of love stories that I see in so many movies, I *believed* in the love between these two characters. I was convinced they were two people who adored each other. I believed in their love, I cared for their love, I feared for their love. But what also makes the movie so good is the way the subject matter of blindness is treated. I imagine that for some, seeing or merely knowing about the subject matter of this movie can be a comforting reminder that lack of eyesight is not lack of humanity. For me, it was a reminder of just how thankful I am to not only have my eyesight, but my health. These two very authentic emotional elements stirred a great passion in me as I watched the film and kept me in play clear to the end.

    Can I criticize anything in the movie? Well, yes, two short moments. One was a super-fast zoom upon Val Kilmer's eyes accompanied by a whooshing sound effect. The other was a jump cut montage of Ms Sorvino imitating emotions. These two scenes were a little out of place and seemed to be from other movies. But it's a two hour and nine minute movie and these two bits add up to, what, less than a minute? You do the math.

    "At First Sight" is a wonderful movie with a strong emotional chord. Mr. Kilmer and Ms Sorvino are absolutely wonderful, as are the underrated Kelly McGillis as the jealous, troubled sister, Bruce Davison as the optimistic surgeon, Nathan Lane as the unorthodox and deliberately comical vision therapist, and Steven Weber as the lascivious fellow architect. It's an incredibly touching love story that I'm telling you, I cannot be satisfied with after just a first sight. I'm going to need at least two more before I could possibly even come close to being too familiar with this genuine little jewel of a motion picture.
    9tkngbdood

    Amazing, absolutely amazing!!!

    "At First Sight" is an absolutely amazing movie. I had hesitated to watch this film in the theaters cause of all the bad reviews it got from the critics and from word of mouth from other people i knew. Well, now I've learned a valuable lesson: Don't listen to what other people say. I knew I should have watched it in the theater but it's okay. I have seen it on video and nevertheless I saw it. I went into it expecting a big disappointment. But, rather than that, I fell in love with the movie. It touched me in every way. The fact that it really happened also made me feel extra emotions. This movie is a good one. I don't know what the critics were thinking. I don't know what my friends were thinking, but I guess when I look at it, us romance/drama movie buffs are a small number compared to the action/adventure movie buffs. This movie is absolutely amazing and whatever you do go see it. If you're a romance/drama movie person I'm sure you'll love it!!!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Val Kilmer prepared for his role by studying with a sculptor friend of his in New Mexico who had lost his sight in Vietnam. At 49:30 (NTSC) he is admiring a sculpture when he first visit's Amy's flat.
    • Gaffes
      At the end of the movie Virgil and Amy walk away and Virgil is letting his new guide dog lead him. The guide dog walks straight past the curbside obstacle without hesitation. No working guide dog would have missed this obstacle, it is too inbred during their training. Missing an obstacle of this magnitude would have called for, at the very least, a firm word of caution if not a subtle leash correction. The guide dog would have also stopped to check for traffic as Virgil did not seem to be paying attention.
    • Citations

      Virgil Adamson: I saw the horizon. It's out there. And though I may not ever be able to touch it, it's worth reaching for.

    • Générique farfelu
      At the start of the closing credits: Inspired by Dr. Oliver Sacks' true account of the experiences of Shirl and Barbara Jennings They are now married and living in Atlanta, Georgia Barbara continues to sculpt and although Shirl never regained his vision, he now paints pictures of his brief adventure in sight
    • Connexions
      Featured in Late Night with Conan O'Brien: Mira Sorvino/Greg Germann/Goo Goo Dolls (1999)
    • Bandes originales
      It Never Entered My Mind
      Music by Richard Rodgers

      Lyrics by Lorenz Hart

      Performed by George Shearing

      Courtesy of Concord Jazz, Inc.

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    FAQ17

    • How long is At First Sight?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 15 janvier 1999 (Canada)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • At First Sight
    • Lieux de tournage
      • Bear Mountain, New York, États-Unis
    • société de production
      • Metro-Goldwyn-Mayer (MGM)
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 60 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 22 365 133 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 8 444 321 $ US
      • 18 janv. 1999
    • Brut – à l'échelle mondiale
      • 22 365 133 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 8 minutes
    • Couleur
      • Color
    • Mixage
      • DTS
      • DTS-Stereo
    • Rapport de forme
      • 1.85 : 1

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