Tombé du ciel

I loved this movie. It is one of the few movies that I have consistently recommended to friends to rent and have had all of them thank me for the referral. The film has some powerful themes that are beautifully scripted. The acting is superb all around (Chris Cooper has never turned in a bad acting role in my opinion!) The message of this film is so well delivered, so powerful, that it moved me to tears the first time I saw it. Not sad tears, which are easily solicited by cinema formula, but tears of joy--a rare thing.

Although I did not grow up in the 1950's, I believe this film honestly portrays the mood and setting of the time. Given today's harsh world with all its complications, watching this film is a welcome escape to a time of innocence, wonder, and discovery. Highly recommended!

When I first saw the premise, I thought the movie would be similar to VARSITY BLUES (without the sports, of course)...somewhat cheesy and predictable. However as the story develops, one will notice that Joe Johnston actually had a well-thought out plan for this feature. The story is moving and compelling, and will affect you emotionally in ways movies like these rarely do.

The reason? It's a simple movie, with a relatively familiar backdrop, but it's done very straightforwardly with no hint of pretension. At times there is some degree of predictability, but then the story takes rather unexpected turns. Just when you think you know exactly what will happen, the movie will prove your alleged clairvoyance wrong.

The standout in this movie for me is the interaction between Jake Gyllenhaal and Chris Cooper. This interaction provides one of the more complex and layered father/son relationships you will see in a movie of this nature. Laura Dern also has a small role but manages it quite effectively.

Moreover, much has been done to recreate the 1950s ambiance; from the costumes to the art decoration to the architecture, this movie looks and feels like it is based in the 1950s, adding to the overall viewing experience.

I would recommend this for anyone looking to see a (much) better-than-average film about belief in oneself and achieving one's dreams in the face of adversity, although this movie is much more than just that. Not for those who think cheesy special effects and mind-numbingly lewd comedy are prerequisites for a good film.

3.5 stars (out of 4). 8/10. Should warrant a place in my Honourable Mentions list.

"October Sky" is a film that will steal your heart, fill your mind with vivid imagery, and lift your spirit. The tale of Homer Hickham and his dream of creating a rocket seem so simple at first, especially when the film is set in a mining town, where the future is as clear cut as the lumps of coal in the mine. But Homer cannot follow in his father's footsteps. With the encouragement of Miss Riley,(a friendly teacher), members of his father's staff, and his friends, Homer attempts to make his dream a reality.

Yet as in any true to life story, there are many stops along the way. Director Joe Johnston lowers us into the coal mines, where we witness the chilling plight of miners stooped beneath a ceiling of rock. With lit helmets and bent posture, they resembled alien insectoids more than humans in the darkness. The hacking coughs of the miners and the blackened faces were a constant reminder of the danger the miners faced in their work.

Contrasting the mine shaft's lugubrious load are the images of Homer and his friend's rocket launches. Underneath the blue bowl of sky, rockets are placed upon a pad and launched into the stratosphere...And nothing can match the scene when Homer sees Sputnik for the first time.

Yet what makes the film so endearing is the relationship between the characters. Homer's father is a classic hardened man...but he has a soft side as well. We see that he does love his son, despite their many arguments. The love and support of Miss Riley is evident as well. Best of all, the film is uncomfortable. It doesn't tie everything up in a nice bow. It tears at you, lifts you up. It keeps an air of reality, which is important in a film like this.

This film can be considered a complete work. At first, I was disappointed that the film did not continue with Homer's life. I didn't want it to end. Then I realized...that's what a good film does to a person. If it has done its job, you won't want it to end. And "October Sky" accomplishes just that.

I resisted seeing this movie and I understand why it was not a big hit in theatres. "October Sky" feels and looks oh so familiar. And it is. All plot contrivances and emotions have been explored before in other films -- and possibly even better. But despite it's familiarity and resistance to all formulas Hollywood, this movie is winning and likeable at every turn.

Sputnik is the inspiration for this journey of the heart, mind and soul. Just as the characters from Steven Sondheim's musical MERRILY WE ROLL ALONG stood agape atop their apartment roof hoping it would launch their new generation ("What do you call it? You call it a miracle."), Sputnik has a similar affect on the young rocket boys of this true tale. While jaded townsfolk of their 1950's coal town dismiss the event, Homer Hickham sees Sputnik as his ticket out of a life in the mines.

Masterful direction and casting make the journey of rocket boy Homer and his pals seem fresh and new. Especially affecting are subplots concerning Homer's ailing young school teacher. Remarkable restraint is shown in depicting their delicate relationship. Also remarkable is the father / son supblot that anchors the film. Perfectly played all around. Even Homer's mom gets her moment without cliche or intrusion. Her ultimatum to her husband is both dignified and heatbreaking. "Myrtle Beach" says it all.

A major video chain I despise has a sign next to this film stating that you'll love this film or they'll refund your money. For once, I agree with them. You'll never look at the October sky quite the same again.

There is an old saying that relates to the rousing new film by Joe Johnston that goes something like this: "The man who thinks he can and the man who thinks he can't are both right." That is a highly presumptuous statement referring to self motivating and belief in an individual, which, in this movie, stand true even after road blocks and family trouble stand in the way.

"October Sky" is about a young man who believes in himself named Homer Hickam, growing up in a strict, traditional family in the 1950's. Homer loves in a small coal mining town where nearly every man grows up to be a miner. All of his friends, Quentin, Roy, and O'Dell all think that their life after high school will be like everyone else's. Homer is not exited about that future.

One night, while everyone stares at the sky, a Russian space craft called Sputnik passes overhead. This is something new for Homer, and he finds it spectacular and overwhelming. From this point on, his look at life will never be the same.

First, he tells everyone that he wants to work in the rocket scientist area for an occupation. Flabbergasted at what he says, his family passes that idea over their heads and continues with life as usual His friends, however, think that this idea may have some potential. After all, Quentin is a very smart individual when it comes to this kind of thing.

When the four friends start to test model rockets, and blow a white picket fence to smithereens, then what seems to be a forest fire is scared by them, they're forced to end their progresses.

The performances in this movie are absolutely riveting from start to finish. All of the actors give performances as if this is the real mumbo jumbo here. Standing out in all of the glory: Laura Dern as Miss Riley. This very well may be Academy award material if the judges can remember back to the beginning of the year when this film is released.

The characters are also extremely well developed. Not only to the filmmakers give clear, apparent reason why Homer is interested in the subject, but they also explain to the audience how they are succeeding in their studding of rocketry. We clearly understand all of the characters' motives and beliefs, especially the father, who is bent over on everlasting tradition.

The film, unfortunately, loses some of its momentum at mid-point because of a silly, recycled romantic sub-plot involving Homer's love interest and how his brother stole her from him. This type of this is becoming so awfully common in high-school movies, not that this film is aimed at high-schoolers. The actors stare at each other mindlessly, like the are in a trance. I put up with it without complaining in 1997's "Inventing the Abbots," but I have had just about enough this.

But that is just a minor complaint. With an authentic looking time period, cinematography worth an Oscar and clips of the real life Homer and friends at the end, whom all hit it big with their dreams, especially Homer, this is the first great film of 1999.